Frank Race: The Airborne Adventure (EP0751)

Tom Collins

Race is hired to protect plans for a new family style aircraft.

Original Air Date: April 23,1949

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Radio’s Most Essential People Countdown: #90-#86

Previous Posts: 91-9596-100

90) Frank Nelson

Frank Nelson is probably best remembered as a long-time radio presence as a regular on the Jack Benny Show. However, his career as one of radio comedy’s most powerful character actors dated back well before that. He was practically a regular on the Lux Radio Theater in the mid-1930s. His 1940s radio work reads like a who’s who of comedy including work with Eddie Cantor, Abbott and Costello, Burns and Allen, Lucille Ball, and Eve Arden. His career also included appearances on Yours Truly Johnny Dollar. In 1949, he played the boss of Jeff Regan (Frank Graham) in CBS reboot of the series and put an entirely different spin on the character of Anthony J Lyon.

Bill Goodwin89) Bill Goodwin: To most people, commercials are merely interuptions in their entertainment. However, Bill Goodwin was the master of making commercials entertaining. Working as an announcer for Bob Hope and later for George Burns and Gracie Allen, Goodwin made the commercial breaks entertaining and laugh out loud hilarious as he inserted ads for Swan Soap or Maxwell House Coffee into the plot of the story with comedic brilliance. In addition to his announcing gigs, Goodwin was a reliable comedic actor, often appearing on Screen Guild Theatre and Lux Radio Theater.

88) David Friedkin and Morton Fine

There are a few entries on this list that will be for two people because it’s hard to imagine one without the other. Such is the case with legendary writers David Friedkin and Morton Fine. The two collaborated on writing many classic episodes of EscapeSuspense, and Crime Classics. They even wrote the first audition episode for Gunsmoke which imagined the series as Philip Marlowe set in the old west. Their biggest collaboration was Broadway’s My Beat. Their writing style was crisp and poetic. They were masters at getting an audience emotionally involved in their stories. The team went on to bigger things in Television, but in my opinion they did some of their best work on the radio.

87) Raymond Burr

Raymond BurrRaymond Burr would find stardom in television as Perry Mason. His radio career began a decade before. Burr was a character actor for most of his radio career, playing roles similar to those taken by William Conrad with many heavies and cops, although Burr was not nearly as prolific. Burr provided support for programs like Suspense, The Line-Up, and Yours Truly Johnny Dollar. In addition, he worked himself into two recurring roles in crime dramas featuring Jack Webb. He was radio’s most brutal cop, Inspector Hellman of San Francisco Homicide on Pat Novak for Hire. He then joined Webb on Dragnet as Ed Backstrand, Chief of Detectives. Even though he was only 32, Burr projected all the authority the role required and was a bit of a show stealer during his five months on the show. Towards the twilight of radio’s golden age, Burr finally landed a lead role on radio as Captain Lee Quince in Norman Macdonnell’s brilliant western Fort Laramie, which he left to begin filming Perry Mason. Even after landing the role of his career, Burr made occasional appearances on radio for Suspense, The Family Theater, and the Salvation Army’s Heartbeat Theater.

86) Frank Sinatra

While not the peak of Sinatra’s appeal, the Golden Age of Radio played a big part in the Chairman of the Board’s career. He sang with Tommy Dorsey in the early 1940s, and in the mid-40s, his albums were regularly featured inYour Hit Parade. He became known as an upcoming star beloved by the bobby socks set. Radio comedians had fun with him  as a guest joking about his rail thin figure. Another recurring joke had him as a rival of Bing Crosby, although he didn’t eclipse Crosby for many years. Radio was there for Sinatra when his career was on the rocks in 1953. NBC gave him the role of Rocky Fortune, a footloose and fancy free young man who found mystery and adventure at every job he took. Unlike Dick Powell in Richard Diamond, Sinatra eschewed singing on the program and did the show as a typical crime drama. A best supporting actor win by Sinatra for his performance in From Here to Eternity placed his career back on solid footing and thus put an end to the jobless adventures of Rocky Fortune, but the series along with Sinatra’s other work, has left an indellible impression on radio.

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Pete Kelly’s Blues: Gus Trudeau (Audition) (EP0750s)

Pete Kelly's Blues

Pete Kelly’s old mentor escapes prison and is tagged for a murder rap. And everyone assumes Pete knows where is.

Audition Recorded: February 1951

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You Ought to be on DVD: Vintage Mystery Movie Series

The era of DVDs has brought many great films and television shows to people’s home viewing. Yet there are many efforts that have not been given their due with a DVD release so they can be enjoyed by audiences. Instead they’re not shown at all or show only occasionally on certain TV channels.

The good news in recent years is that most studios have continued a slow roll out of material. Some material that’s been considered to be of commercially questionable value have been released on DVR through Archives collections which have given viewers access to such treasures as the George Sanders Saint Collection and Red Skelton’s Whistling Trilogy without committing studios to spending large amounts of money on a big run of DVDs.

However, there remain plenty of TV programs and movies that have not gotten their due with a DVD release and have thus remained obscure and hard to come by except from the sellers of bootleg DVDs.

So, in this series of posts we’ll be taking a look at some movies and television shows that deserve to be available on retail DVDs.  Our focus is on detectives and there are quite a few detective films from the golden era that are not available. The biggest contingent is the detective movie series. In the pre-Television era, these film detectives starred in “movies” that were usually between 60 and 75 minutes. The most famous of these are the Charlie Chan and the Rathbone-Bruce Sherlock Holmes films. In addition to this, Peter Lorre’s Mr. Moto films and Bonita Granville’s Nancy Drew films, have been released as well as the public domain adventures of Mr. Wong and Bulldog Drummond. The Michael Shayne films have scored partial releases have the Falcon and the Saint.  However, the mystery film series goes beyond that and there’s much missing that ought to be there.

5) Philo Vance

Series run: 1929-40, 1947

Stars: William Powell (5 films), Warren William (2 Films), Alan Curtis (2 Films), Basil Rathbone, Paul Lucas, Edmund Lowe, Grant Richards, Wilfrid Hyde-Wright, James Stephenson, William Wright

Total Films: 16

“Philo Vance needs a kick in the pants.” So concluded Ogden Nash. Many a literary critic has wondered why the arrogant and unlikable literary Vance become so popular. The answer may be that America loved the great British detectives and longed for one of stature they could call their own and Vance was the first American-based detective to be at that level.

The movies are another matter and ought to be a fun opportunity for fans, especially the Rathbone film as well as five featuring a pre-Thin Man William Powell. This series was a big step in Powell’s career, so much so that in the Thin Man Trailer, “Philo Vance” helps to introduce the new movie series.  Sadly, only one film from this series is readily available and that one escaped into the public domain.

5) Hildegard Withers

Series Run: 1932-37

Stars: Edna May Oliver (3 Films),  Zasu Pitts (2 Films), Helen Broderick

Total Films: 6

A classic series of Comedy mysteries, the first three films with Oliver are acclaimed as solid comedy mysteries featuring Boston-based spinster who finds herself involved in murder mysteries.

4) Ellery Queen

Series Run: 1940-42

Stars: Ralph Bellamy (4 films) and William Gargan (3 Films):

Total Films: 7

Ellery Queen remains one of the most recognized characters in detective fiction and the 1975 TV series is on DVD but this classic series featuring the master detective played by not one but two great actors is completely absent.

3) The Lone Wolf

Series Run: 1935, 1938-43, 1946-47, 1940

Stars: Warren William (9 films), Gerald Mohr (3 films), Melvyn Douglas, Francis Lederer, Ron Randelll

Total Films: 15

Michael Lanyard (aka The Lone Wolf), like Boston Blackie was a jewel thief turned detective. He was the lead character in several novels by Joseph Vance as well as a series of silent films.

Two isolated films in 1935 and ’38 were made before Warren William made The Lone Wolf Spy Hunt in 1939. The turn to espionage was timely and Williams would make 8 more Lone Wolf Films before 1943.  Also of interest are the three films starring Gerald Mohr (better known as the star of radio’s Philip Marlowe) released in 1946 and ’47.

In addition, I would also put a plug in here for giving a full DVD release to the 1954-55 TV series starring Louis Heyward. The 39-episode syndicated series was top notch with Heyward turning in an action-packed performance as Michael Lanyard.

2) Perry Mason

Series Run: 1934-37

Stars: Warren William (4 Films), Ricardo Cortez, Donald Woods

Before there was Raymond Burr, there was Warren William as Perry Mason hit theaters in the mid-30s. The release of these films would make a nice contrast to the more recent takes on Perry Mason.

1) Boston Blackie

Series Run: 1940-49

Star: Chester Morris (14 Films)

Morris played the character of reformed thief Boston Blackie in one of the more popular 1940s Detective film franchises that was a huge moneymaker for Columbia. Over the course of the films which ranged from 60-68 minutes in length, Boston Blackie became one of the more interesting golden era characters. We pick up the result of some of this evolution in the Boston Blackie series. That this most beloved series hasn’t been given its due on DVD is a shame and hopefully, it will be corrected.

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Yours Truly Johnny Dollar: The Barton Baker Matter (EP0750)

John Lund

Johnny investigates the death of a man who rents boats. The prime suspect is his partner.

Original Air Date: December 8, 1953

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Sherlock Holmes: The Adventure of London Tower (EP0749)

Sherlock Holmes investigates the theft of the crown jewels from the Tower of London.

Original Air Date: December 12,1948

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Let George Do It: A School of Sharks (EP0748)

Bob Bailey

George tries to break up a vicious gang of loan sharks.

Original Air Date: January 7, 1952

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The Fat Man: 19th Pearl (EP0747)

J Scott Smart

While taking his mother to catch a train, Brad encounters a mysterious woman.

Original Air Date: January 21, 1946

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Frank Race: The Adventure of the Baradian Letters (EP0746)

Tom Collins

Frank tries to help out a friend who’d protected him while he was in the O.S.S. but finds himself involved in a tangled web of intrigue and murder.

Original Air Date: April 16, 1949

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Radio’s Most Essential People Countdown: #95-#91

Continued from Part One:

95) Lon Clark

For twelve seasons, Lon Clark played his memorable role as Nick Carter, Master Detective but this was not the limit of Clark’s radio acting. He remained a presence on all sorts of New York-based programs including Cavalcade of America and 2000 Plus. Even after the golden age of radio ended, his lent his talent to productions such as Theater Five and The CBS Mystery Theater.

94) Shirley Mitchell

One of radio’s best comedic character actresses, she had featured roles on the Joan Davis programs, the Life of Riley, Fibber McGee and Molly, and most famously on the Great Gildersleeve where she played Leila, a Southern Belle. As radio comedy declined in the mid-1950s, she became a reliable actress for CBS’ Drama series including Have Gun Will Travel, Yours Truly Johnny Dollar, Suspense and Fort Laramie, often providing some comic relief, but capable of pulling off a serious performance.

William Bendix

93) William Bendix

William Bendix landed a defining role as Chester Riley in 1944. Riley was a lovable dope and a Brooklyn transplant to Los Angeles. It was Bendix’s perfect timing that made the show work for seven years over radio followed by another five over television. In addition to Life of Riley, Bendix had his share of performances on Suspense, Lux Radio Theater, the Columbia Workshop, and the Family Theater that showcased his talent.

92) Edward Arnold

Legendary film character actor Edward Arnold was a force to be reckoned with on radio. With his booming voice, and powerful presence, he made a great MC for shows like the Maxwell Good News Show of 1940 and the Hallmark Hall of Fame. He also appeared in many memorable adaptations of Hollywood films. Arnold also starred as Mr. President for six years in a legendary series that told true life stories from the lives of the men who held the highest office in the land. His performance had even Harry Truman calling him “Mr. President.”

91) Frances Langford

Frances LangfordFrances Langford had a long association with radio that began in the mid-1930s and lasted for more than a decade and a half. She appeared on musical programs with Rudy Vallee and Dick Powell, but she was best known for her association with Bob Hope. During World War II, she toured with Hope overseas. She also played Blanche on the iconic radio sitcom, The Bickersons.

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The Big Detectives

In advance of presenting The Fat Man to our listeners, we take a look at some of the king sized detectives who’ve appeared in radio and television.

 
Kevin James as Paul Blart

In 2009, Kevin James came to the silver screen as Paul Blart, Mall Cop. In this action Comedy, Paul Blart is an overweight bumbling mall security guard who dreams of a job with the State Police but continually falls short on the physical. When his mall is being taken over by a gang of desperate criminals, Blart jumps into action to thwart the bad guys and defeat the criminal mastermind.
In a nation where an ever-increasing number of us are overweight, Blart was a huge success. It had the 6th best January opening weekend ever at the box office and was the 19th highest grossing film of the year.

Paul Blart was not the first pudgy protagonist to take on the bad guys in a role often reserved for much more streamlined men.

In 1945, NBC created a sensation with its summer series, Rogue’s Gallery starring Dick Powell which moved to Mutual for the Fall. ABC wanted to cash in on the rising tide of the Hard Boiled Private Eye which became so associated with radio. So January 21, 1946 saw the former Blue Network offer not one but two hard boiled private eyes. The first was I Deal in Crime starring B-movie Star William Gargan as Ross Dolan and then there was The Fat Man which starred Fred Allen Alumni J Scott Smart as Brad Runyon. I Deal In Crime lasted a respectable two seasons, but it was The Fat Man who was the keeper.

The Fat Man was introduced as Dashiell Hammett’s most exciting character. Truth be told Hammett had little to do with the show. Hammett himself stated, “”My sole duty in regard to these programs, is to look in the mail for a check once a week.” The character Brad Runyon had the most in common with was Hammett’s Continental Op. The name the Fat Man evoked two images from Hammett’s work. First was a contrast between The Fat Man and the Thin Man, a Hammett book that had launched movie and radio franchises. The other was with the villain of the Maltese Falcon who Spade called The Fat Man, Kasper Gutman.

Jack SmartBrad Runyon had little in common with Gutman because not only wasn’t he a villain, but unlike Gutman,  Runyon was a man of action. This also separated him from Nero Wolfe, who relied on others to do his legwork.  Runyon, however was solidly in the hard-boiled school of private detection, taking and giving his own lumps. Runyon was tough, intelligent, and attractive to the ladies despite his girth, but also was a little sensitive about the subject. At the end of an episode he bemoaned, “Nobody loves a Fat Man.” Radio audiences begged to differ.

With its iconic opening, the Fat Man became a radio hit: 

There he goes, into that drugstore. 
He’s stepping on the scales. 
Weight: 239 pounds. 
Fortune: Danger. 
Who is it? 
THE FAT MAN 

Because of only ten episodes in circulation, it can be hard for the modern listener to grasp how popular the Fat Man was. Smart played the Fatman from January 1946 to September of 1951: 5 years and 9 months. That was longer than Bob Bailey played Johnny Dollar and longer than Sam Spade was on the air. The popularity of the Fat Man spawned a motion picture.

The Fat Man (1951) featured Runyon (still played by Smart) trying to solve the murder of a dentist. The style of the film was somewhat reminiscent of the Killer where the detective has to share the limelight with a rising young star (In this case Rock Hudson) through flashbacks. However, the film also gave Smart an opportunity to shine in some ways that even radio couldn’t portray. Film audiences for example found that the Fat Man could dance. 

Unfortunately, four months after the movie was released, The Fat Man danced right off the radio. Despite Hammett’s lack of any real involvement in the show, due to his problems with the House Un-American Activities Committee, the Fat Man struggled to maintain sponsors. The show’s producers were hoisted with their own petard. They’d work to build the association with Hammett and were stuck with it. Even leaving Hammett’s name off the movie credit did no good. The show was cancelled after the 1950-51 season.

How great a tragedy this was is probably worth some debate. By 1951 radio was in decline, so it’d be a stretch to imagine the Fat Man had many more seasons over radio. It’s been suggested that there would have been a series of Fat Man films like the Thin Man, but television had effectively killed the mystery movie serial as it had prospered during the 1930s and 40s. Nothing illustrated that more clearly than that the 1950s version of Charlie Chan was seen on TV not at the movie theaters.

If anything, J. Scott Smart could have brought the Fat Man to TV, but even that was a questionable prospect as we shall see.

Lloyd Berrell in Long John Silver
Meanwhile, the Fat Man found new life over another ABC-the Australian Broadcasting Company. Many American shows including Gunsmoke, Superman, Dangerous Assignment, and The Shadow were re-performed. The Fat Man joined this company in the Fall of 1954. Unlike Smart, Lloyd Berrell didn’t look the part of Brad Runyon, but he performed competently, and the Australian Fat Manis one of the widest circulating Australian remarks of American shows with far more episodes in circulation than the American show on which it was based.

Henry CalvinHowever, the Fat Man wasn’t the only large radio detective. In 1950, NBC brought the Big Guy to radio. In the lead was Henry Calvin who definitely had the build for the part.  In the latter half of the 1950s, he  would play his most memorable role as Sergeant Garcia on Disney’s Zorro and in the 1960s would appear in a variety episode of the Dick Van Dyke Show as Oliver Hardy with Van Dyke as Stan Laurel.

The lead character was quite a bit different from Brad Runyon. Calvin played Joshua Sharp, a widower and the doting father of two young children. This contrasted with his work as a detective which often brought him into contact with a part of life that required a certain toughness. Sharp’s mix of sweetness and roughness made for an interesting show that lasted less than six months.

Joseph Lewis was the first to attempt to bring a fat detective to television with his 1958 or 1959 pilot for the Fat Man called, “The Thirty-two Friends of Gina Lardelli.”  Robert Middleton starred as Lucius Crane. It didn’t have any relationship to the radio drama of the same name. The first ten minutes of the program seem like its mirroring the Nero Wolfe stories. A potential client comes to his apartment and his informed by his dapper young assistant that Mr. Crane will not be available for a couple hours because he’s eating lunch.The man is insistent and so the young assistant is moved with compassion and takes him to the restaurant.

Robert Middleton in the Fat ManHowever, there the similarities end. We find that Lucius Crane investigates his own cases with only a little help from the sidekick. The mystery is well-written. Middleton does fairly well as Crane. There was a little stiffness early on, but this was not unlike trying on and getting comfortable in a new set of clothes. Overall, the show worked quite well and could have been an interesting program.

Unfortunately, the Fat Man was not picked up. The script did get used a decade later for a Season 2 episode of Mannix.

Television would be a far harder nut to crack for overweight detective. TV was a more superficial medium than radio or classic films. As a true professional actor, Gargan was frustrated on the Martin Kane program with the decision to employee hapless yet beautiful actresses who would spoil lines on live TV. As a devout Catholic, he was also bothered by what he perceived as the show’s attempt to push more skin in the audience. As he result, he left Martin Kane in 1951 and returned to radio.

For overweight actors, this superficiality meant less access to man roles. Oscar Winner Edmond O’Brien was informed that he couldn’t star as Broadway Detective Johnny Midnight unless he lost weight. Sebastian Cabot did get a role in a crime drama on Checkmate in 1960-62, but it was as a mastermind and mentor to two young trim and handsome private eyes.

Perhaps, the worst slight was given to William Conrad. Conrad had made a career playing cops and heavies over radio and provided vital narration on programs such as Escape before landing the role of Marshall Matt Dillon in Gunsmoke in 1953.  When word spread that the program would come to television in 1955, it was assumed that the radio cast would make the leap to television.

However, there was resistance from executives in New York. Veteran radio and television actor Harry Bartell worked with CBS photographers and producer Norm Macdonnell to produce photographs of the original cast, Bartell commented, “Anyone who has looked closely at photographs of the Old West I think will agree that the radio cast looked more legitimate than the TV cast. But, they were not the Hollywood concept and above all else, we must not stray too far from the cliché!”

Conrad had been denied the seminal role on what would become television’s longest running prime time drama, but didn’t let that ruin his career. He continued to star in Radio’s Gunsmoke until it went off the air for the last time in 1961.He also directed a lot of television shows and narrated for programs including The Fugitive, Rocky and Bullwinkle and even a couple episodes of Gunsmoke.

William Conrad as CannonSixteen years after Gunsmoke came to television, he got a crack at a starring dramatic role as the title character in Cannon. Frank Cannon was an ex-cop who was a private detective and freelance troubleshooter. Cannon was a gourmet chef, but also a martial arts and weapons expert who could more than hold his own in a fight and was a great driver when a chase scene was called for.

While Cannon was a detective, the plots were less mystery and more suspense as the audience usually was told whodunit long before Cannon found out. Cannon was a fascinating character who could be as tough as nails to the bad guys, but gentle, wise, and good humored to those around him.

Cannon lasted five seasons and returned for a TV movie in 1980. Conrad went on to star in two more crime dramas, Nero Wolfe and Jake and the Fatmanwhich were less physically demanding roles.

From Brad Runyon to Paul Blart, these overweight heroes have played a unique role. While lacking the sex appeal of their counterparts, they surprise us with their courage, their skill, and most importantly their heart. For this, they’ll always have a place in the annals of crime fiction.

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Yours Truly Johnny Dollar: The Monopoly Matter (EP0745)

John Lund

Johnny investigates an arson fire that destroyed a club for Monopoly players.

Original Air Date: December 1, 1953

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Sherlock Holmes: The Island of the Dead (EP0744)

Holmes and Watson search for missing wealthy young newlyweds.

Original Air Date: December 5, 1948

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Let George Do It: Stolen Goods (EP0743)

Bob Bailey

Brooksie is sent some hot goods and then disappears. George searches desperately for her.

Original Air: December 17, 1951

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Leonidas Witherall: The Corpse Meets a Deadline (EP0742)

Walter Hampden
Leonidas investigates the death of a newspaper editor who was not wanting for enemies.

Original Air Date: April 22, 1945

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