Dick Tracy (Bing Crosby) is about to wed his long-time fiancee Tess Trueheart (Diana Shore) but his wedding keeps getting interrupted by desperate gangsters Flattop (Bob Hope), the Mole (Jimmy Durante), and Shaky (Frank Sinatra)
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Welcome back. Hope you're ready for another great mystery.
Forgotten Noir and Crime, Volume 12 collects another three rare low-budget films.
First up is The Treasure of Monte Cristo: A seaman (Glenn Langan) on shore leave is swept up into romance and marries a mysterious woman (Adele Jurgens) and then finds himself framed for murder. This is a clever plot and it’s gutsy for a low-budget film to try to write a modern-day sequel to one of literature’s great classics. There are nice location scenes and Langan and Jergens (who would later marry) are both pretty good. The rest of the acting is uneven and some plot points are not well-realized, including a confusing escape sequence. Still, this is a fun story.
The second film is Roaring City, the second of the Dennis O’Brien films which adapted two Johnny Madero radio scripts per film. Hugh Beaumont does seem to settle into his role as the tough talking private eye, strolling casually through scenes pipe in hand and finding a way to deliver the over the top hard boiled lines with as much credibility as he could muster. Similarly, Edward Brophy settles into his role as sidekick/roommate/drunk Professor Schicker. The film is fun and breezy but not without errors. Outside of Beaumont and Brophy, the acting is so-so and there’s a pretty significant continuity error in the second half. O’Brien tells the Professor he’s agreed to go on a date and pretend to be a woman’s husband before he goes on the date and then after he’s inevitably framed for murder, he tells the Professor all over again as if he hadn’t told him the first time. Still, if you can get past hiccups like this, it’s not a bad way to spend about an hour.
The final film is Sky Liner, which is about a murder occuring mid-flight and being investigated before the plane lands. This is a film with silliness that includes ridiculously fast autopsies, but it’s a good setting and with a breezy pace that’s a tad under 50 minutes. There is a longer version of the film that includes a juvenile song number and a subplot about a newlywed couple. I can’t help but feel that this is probably the best cut of the film.
Overall, these are pretty good, low-budget films. They’re quirky and fun. There’s plenty of flaws to be found, but also fun elements that will bring a smile to the face of classic film buffs.
Rating: 3.75 out of 5
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