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Bob Bailey & Virginia Gregg in front of an old Microphone

Bob Bailey & Virginia Gregg

Welcome to the Great Detectives of Old Time Radio! A podcast featuring the best vintage detective radio programs. Each week from Monday through Saturday, we feature six of Old Time Radio's great detective series from the beginning of the show to its very last episode. And as a bonus, twice a month we also post a public domain movie or TV mystery or detective show video.

Along the way, I'll provide you my commentary and offer you opportunities to interact.

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- Your host, Adam Graham

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EP0446: Barrie Craig: Murder in Wax

William Gargan

Barrie stumbles onto a death parrot which leads to a corpse. He then gets an invitation to a wax museum exhibit portraying the murder-and his killer.

Original Air Date: November 21, 1951

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The Biggest Show on Radio

In 1950, NBC produced won of radio’s greatest spectacles of talent, a 90 minute variety show.

The late 40s had been bad for NBC as rival CBS had raided their stable of talent, luring Jack Benny, Burns and Allen, Harold Peary (Star of The Great Gildersleeve) over to their network with higher wages.

NBC had not come up with an answer for how to challenge Jack Benny’s Sunday Night supremacy and from this was born, The Big Show. It was planned as a 90 minute variety show, which was extraordinary.  There had been other variety programs that had been an hour in length such as The Shell Chateau, The Good News programs of the late 30s and early 40s, The Kraft Music Hall,  and Fred Allen’s Texaco Show of the early 40s. However, 90 minutes was unpreceded for a radio variety show outside of a few specials.

The Big Show alternated between Hollywood and New York, allowing it to access most of America’s major talent wherever they happened to live. With a budget of $30,000 an episode, they managed to land solid talent, producing a fine mix of comedy, music, and drama. The Big Show had many great ingredients:

Tallulah Bankhead

Tallulah Bankhead“The glamorous unpredictable Tallulah Bankhead” was the show’s host. Her voice was one of the most recognizable in radio. It was deep and distinct. She called her guests “darling.” Bankhead was best known as a stage actress on Broadway and in London. The highlight of her film career had been Alfred Hitchcock’s Lifeboat. Finding other movie roles that suited Bankhead’s unique personality was a challenge.

Bankhead was a rare talent. Her range of duties included comedic banter with the guests who, in the tradition of old time radio variety shows poked fun at her age, her low voice, her offkey attempts at singing, and her rivalry with Betty Davis. Bankhead also would get a chance to showcase her dramatic talent, performing several pieces including several one woman scenes. She also did her fair share of comedic performances.  Bankhead also mixed in occassional sincere moments such as when she paid tribute to the nation’s troops overseas or a great performer. She would signal the station identification on each half hour by saying she was ringing her chimes, which would signal the famous NBC Chimes.

The Comedians

The Big Show played host to some of the greatest and best loved comedians America ever produced.

The Big Show’s most frequent guests were Fred Allen and his wifeFred Allen Portland Hoffa. Allen had had his own show for many years, but a combination of declining ratings, declining health, and the rise of television led to the end of his program.

Allen was known for his biting satirical wit which stood as Allen’s unique genius in this era. Allen got off the show’s most memorable line when he declared the reason television was called a medium was because nothing was well done.

Jimmy Durante as host of the Colgate Comedy HourJimmy Durante was also a frequent guest on the program. His mangling of the English language, self-depreciating manner, and jolly singing made him a delightful addition to the show.

Other comedians making multiple appearances included Groucho Marx, Bob Hope, Eddie Cantor, Ed Wynn, Joan Davis, and Martin and Lewis. These programs led to some interesting combinations. In one episode, Groucho groused about having to play straight man to Jerry Lewis at this point in his career. Dean Martin would have a similar thought a few years later.

Every comedian I’ve listed so far had their own radio shows, so The Big Show is a great way for OTR fans to find new comedy favorites. In addition, two men who would have great careers in television (Danny Thomas of Make Room for Daddy and Phil “Sergeant Bilko” Silvers) made an appearance each.

Music and Meredith Wilson

The musical portion of the show included top shelf talent with appearances by Ethel Merman, the Andrews Sisters, Jack Carson, Mindy Carson, Judy Garland, Ethel Waters, and Railroad Hour host Gordon McRae among others. Perhaps the biggest novelty of the show is the three appearances by then-first Daughter Margaret Truman.

Meredith WilsonHowever, the musical  delight of the show remained Meredith Wilson, the music director who was charged with a 40-piece orchestra. Wilson not only came up with great arrangements, the first season of the Big Show was punctuated with several original Wilson songs. Wilson’s creativity was not limited to music. In the only full Season 2 episode in existence, the cast performs scenes from Wilson’s novel, “Who Did What to Fedalia?”

Perhaps Wilson’s greatest hit was the show’s closing anthem, “May the Good Lord Bless and Keep You.” Bing Crosby called it a song of faith and good will. On the Big Show, the song was sung at the end by the week’s entire cast, including those who weren’t regular singers. Each would distinctly whether it was Groucho Marx or Fred Allen or one of the dramatic stars. Those who couldn’t sing would speak their parts including Tallulah. This gave the show a memorable and classy ending.

Even after the Big Show ended, Wilson’s creation endured. “May the Good Lord Bless and Keep You” has been performed by artists as diverse as Tammy Wynette, Bing Crosby,  Jim Reeves,  and the Mormon Tabernacle Choir. It’s an enduring classic and the biggest thing to come out of the Big Show.

Drama

The Big Show took a few episodes to live up to the show’s promise of providing drama in addition to the comedy and music, however when it did, it it did the dramas well.  Movie actors would come and perform scenes from new film releases or when the Big Show was in New York, radio audiences could get a taste of the latest Broadway play, including many who would never make it to New York to watch the performance. Actors who made dramatic appearances on the show included Peter Lorre, Edward G. Robinson, Rex Harrison, and George Sanders.

The Big Show would often follow up a serious well-done drama with uproarious comedy.  Tallulah and male guest star could perform a deadly serious piece and then a comedian like Jimmy Durante would ask permission to perform his version of the scene. After the heavy scene that came just before, the humorous takeoff was made even more funny.

The Demise of the Big Show

Sadly, the Big Show didn’t last but two seasons. It couldn’t have done much better. Television was coming on strong and advertising dollars would not support the Big Show’s big budget. Indeed, one of the advertisers for The Big Show was RCA which promoted it’s new television console. The day of big radio were clearly numbered.

The entire First Season of The Big Show survives to this day but only 1 and 2/3 episodes of 31 survive from Season 2. Still, what remains is a fantastic program put on by some of the finest talent radio produced. Truly the Big Show was worthy of its big name.

Further reading:

The Digital Deli’s Definitive log of The Big Show.

May the Good Lord Bless and Keep You” as performed on the Big Show.

All 27 circulating episodes of “The Big Show”

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Book Review: Murder by the Book

As I wrote last week in my review of The Rubber Band, you never know quite what to expert when you read a Nero Wolfe Mystery.  This is certainly true of Murder by the Book which provides a solid mystery, but also a brilliantly executed and effective element of drama.

The story begins with a particularly desperate Inspector Cramer consulting Wolfe to interpret the only clue in the murder of Leonard Dykes, a man who lived alone with no local living relatives.  It’s only a list of names and all Wolfe can offer is that the murdered man was inventing a pseudonym for either himself or a friend.

Fast forward six weeks and a man from Peoria, Illinois wants to hire Wolfe to find who killed his daughter, Joan Wellman. The police insist it was a hit run, but the father thinks it was murder because his daughter wrote to him that day and told him that she had a dinner date with a man named Baird Archer, who had submitted a manuscript she’d rejected and wanted to hire her to help him make it publication-ready.

Wolfe recognizes  Baird Archer as one of the names Inspector Cramer showed him. Wolfe meets with Cramer and agrees to full cooperation as the existence of Baird Archer indicates a tie in with the previous murder.

Wolfe acts on the assumption that the first murder was the author of the book under the pen name Baird Archer, and the second was the editor who reviewed it. Clearly finding out what was in the manuscript is key to solving the case. Wolfe sets Archie, Saul, Fred, and Orrie about the task of locating the typist. Unfortunately, Archie finds Rachel Adams just three minutes after she was pushed out a window. The only net result of his search is a receipt which confirms the existence of the manuscript, but nothing about what was in it.

The death of the typist leaves Wolfe in a precarious position. He has to generate a lead. To do that, Archie has got to shake up the staff of a law firm who harbor dark secrets and dark suspicions, but are keeping everything quiet in order to protect the firm.

Murder by the Book is that rare detective novel that transcends its status to provide compelling human drama. While Wolfe’s clients range from neurotic women to men who’ve cheated on their wives and don’t want it come out in a murder investigation, in Murder by the Book we’re given a singularly sympathetic client in John Wellman.  Wellman exudes a quiet decency and strength of character that makes the novel work. He has come to hire Wolfe against his wife and his pastor who fear he’s sinfully seeking revenge, though Wellman is really concerned about justice.

Unlike millionaires who throw $100,000 at Nero Wolfe like someone else might hire Philip Marlowe for $25 a day,  Wellman is a man of moderate means, well off but not super-wealthy. Wolfe, at one point becomes concerned that the fee is becoming too much for Wellman and the odds of success are becoming narrower. Wellman stands firm: Wolfe can quit the case when Wellman runs out of money.

The only time Wellman considered backing out was when he misunderstood what Wolfe met when he urged Archie to become intimate with the office staff. The way Wolfe meant intimate was in the sense of “characterized by a close or warm personal relationship.” However Wellman took an entirely different meaning and was ready to pull out until Archie stepped in and explained not only to save the client, but also his reputation as private eye and ladies man.

Archie does shine in Murder by the Book. Coming off, In the Best Families where Archie held center stage for most of the book, he does so again in Murder by the Book.

Archie’s first challenge is to open up the mouths of an office staff that has been dumb to both Wolfe’s men and the police.  He gives Orchids to each woman in the firm and invites him to the party at his house. Wolfe leaves the house to avoid business, which in this case involved ten women calling for a party. The liquor flows freely, and then he coaxes the women to ask him about being a detective. He offers to share with them about the case he’s working on now.  He talks about the triple murder and then introduces Mr. Wellman and Rachel Adams’ mother. They talk about their loss and grief at length. Usually detective novels that focus on puzzles and geniuses stay away from the real human pain that comes from crime, but Murder by the Book doesn’t and puts on an emotional tour de force, that helps you sympathize and connect with these strangers in a way you rarely do in Nero Wolfe stories.

On the audiobook version, Michael Pritchard shows the depth of his talent during the scene as he brings both Mrs. Adams and Mr. Wellman to life, as well as the few hecklers in the room.

Archie succeeded in getting the office staff to (for the most part) begin to act like human beings, rather than defenders of a law firm’s reputation. Archie managed to force back to the surface, the ugliness that led to the string of murders. This is one case where without Archie, Wolfe couldn’t have solved it.

Murder by the Book takes other fun turns. Most notable is Archie’s trip to California to bait a trap where he meets the book’s exceptional woman, the housewife sister of Leonard Dykes, a character who in her simple common sense outshines the New York professional women Archie spends most of the book with.

In terms of criticisms, there’s hardly anything. Though, there did seem to be a lapse of continuity. Coming on the heels of, In The Best Families a year before, Wolfe justifies Archie’s trip to California by asking, “Have we ever been pushed such extremes?” This made me chuckle.  “Other than that time, you had to flee the house for five months and assume a false identity, no.”

Some have criticized the book for not telling us how the killer’s alibi was busted by one of Wolfe’s men after Wolfe revealed the murderer. He was about to do this when Cramer interrupted and told him not to. It really isn’t believable for a police inspector who believes a murderer has been exposed to let a private investigator share all the evidence for the upcoming trial. And it was a detail that readers just didn’t need.

Overall, Murder by the Book is a solid Wolfe story through and through, with rare well-done touches of human drama that show off the depth of Stout’s talent.

Rating: Very Satisfactory

You can find all the Nero Wolfe books in Kindle, Audiobook, and book form on our Nero Wolfe page.

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EP0445: Yours Truly Johnny Dollar: The Leland Case Matter

Edmond O'Brien

Johnny investigates the disappearance of a wealthy New York business tycoon.

Rehersal of Episode that Aired August 22, 1951

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EP0444: Sherlock Holmes: The Remarkable Affair of the Pointless Robbery

Tom Conway

While in retirement, Sherlock Holmes investigates a seemingly random burglary of the local vicar’s home but finds something far more sinister is afoot.

Original Air Date: May 5, 1947

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EP0443: Let George Do It: Go Jump In the Lake

Bob Bailey

A secretary wants George to help her boss, who is in a dangerous position, but the boss will have none of it.

Original Air Date: February 13, 1950

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EP0442: Rogue’s Gallery: Blood on the Sand

Dick Powell

While on vacation at a dude ranch, Rogue discovers a body. Rogue’s hired to clear the man who threatened the dead man.

Original Air Date: December 13, 1945

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