EP0814: Sherlock Holmes: The Mad Miners of Cardiff

What’s horrific site is causing seasoned miners to go mad as soon as they see it.

Original Air Date: April 11, 1949

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EP0813: Let George Do It: War Maneuver

Bob Bailey
George is brought in by a landlady who believes an innocent boarder has been framed for a hit and run. Once George clears him, Lieutenant Johnson insists George stay in until the case is solved.

Original Air Date: April 21, 1952

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EP0812: Call the Police: The Case of the Suntower Mystery Mansion

George Petrie

Bill Grant investigates the death of a wealthy rich woman who became obsessed with the occult.

Original Air Date: July 6, 1948

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EP0811: Frank Race: The Adventure of the Fourth Round Knockout

Tom Collins
Frank investigates the murder of a Brooklyn prize fighter.

Original Air Date: July 16, 1949

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Radio’s Most Essential People Countdown: #42-#40

Previous Posts: 45-43, 48-46, 51-4954-5257-5560-5865-6170-66,  71-7576-8081-8586-9091-9596-100

Frank Lovejoy42) Frank Lovejoy-Frank Lovejoy enjoyed one great hit starring role in his career as reporter with a heart Randy Stone in Nightbeat. The program a fan favorite for its mixture of suspense, mystery, and true human drama. However, Lovejoy’s contributions go far beyond that. He  began as an actor on programs such as Jungle Jim and The Columbia Workshop and was the first announcer on This is Your FBI. Lovejoy continued to provide solid dramatic support for the latter days of radio’s golden age, frequently lending his talents to Suspense from 1957-59. Throughout his career, Lovejoy did well through his ability to create believable characters whether it was a heavy on Box 13, a cop after typical mugs in an episode of The Damon Runyan Theater, or one of Luigi Bosco’s typical comic foils in Life with Luigi. While Lovejoy never had a huge success with his television programs, he remains a beloved figure in the annals of radio.

41) Getrude Berg-Gertrude Berg was one of those radio pioneers who created a lasting legacy. Her program The Goldbergs began in 1929 and would run over radio and television until 1956. The program was a comedy soap telling the real life struggles and trevails of a Jewish family living in a poor Brooklyn neighborhood. The program became beloved by millions and with its humor and heart brought a slice of life that many Americans simply didn’t know existed. Throughout the shows 27-year run, Berg remained the friendly and unchanging faces of one of  the golden age’s most successful enterprises.

40) Gerald Mohr-Mohr’s career bears some striking similarities to Lovejoy’s and perhaps to Moyle’s as well with a great starring role and a lot of character work. Mohr’s most memorable lead role was as radio’s  Philip Marlowe. Arguably, Mohr’s version of Marlowe is definitive both in terms of quality and quantity of performances.  His opening line from Philip Marlowe, “Get this, and get it straight: Crime is a sucker’s road and those who travel it wind up in the gutter, the prison or the grave. There’s no other end … but they never learn!” was among the best openings to any radio show and Mohr’s delivery made it happen in a way that few other actors could manage.

In addition to that Mohr was a frequent cast member on The Whistler making an astonishing number of appearances. When we were doing the program Rogue’s Gallery on the podcast, I was astonished at how many times, Mohr played the murderer.  Most weeks, Gerald Mohr character did it.  In addition to this Mohr played a murderer on The New Adventures of Nero Wolfe one week and then returned as perhaps the best Archie Goodwin on the series the next week.  Of course, his radio career was not all mayhem and mystery. He also played a recurring character as a charming French teacher on Our Miss Brooks. When producers availed themselves of Mohr’s services, they would be guaranteed to use him and often-a mark of his true talent.

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Excerpt: What Made the Golden Age Shine

My new ebook, What Made Golden Shine is now available for the Kindle. In this book, I take a look at what made Hollywood’s Golden Age so special and unique. Below is the first Chapter of this interesting and engaging read.

Chapter 1: Entertainment as a Service Industry

What did Abbott and Costello have in common with a waiter and a manicurist?

They all worked in service industries.

Abbott and Costello, the Marx Brothers, Burns and Allen, Jimmy Durante, Jack Benny, Bob Hope, and Eddie Cantor all got their start in Vaudeville or even more humble origins. In Cantor’s case, he began his career as a singing waiter in a dive with a young Jimmy Durante playing the piano.

Entertainment was a hard scrabble existence. Entertainers lived from show to show, traveling the country from city to city, following the work wherever it might lead. They were, in the end, dependent on their local audiences for their livelihoods. If their audiences didn’t love them, they would not make it.

This had two great effects on entertainers. First, they understood they were there for the audience. The most successful performers had a love and respect for their audience, and the audience returned that.

Secondly, the road to Hollywood often went through humble circumstances. In some case, this humility began at birth. Jimmy Durante was born to a large immigrant family in the kitchen. Radio legend Bob Bailey, best know for his five years playing Johnny Dollar, was born in a theater trunk to a pair of actors.

Others’ lessons in humility came simply by living from one booking to the next, often having to find additional work to support themselves, or even having a play close unexpectedly while they were a long distance from home.

They understood the struggles of the poor and working class. They knew they came to the theater tired and worn out from a day’s labor. These earlier performers experienced real, every day life. The best of the Golden Age performers had a genuineness and honesty, a down-to-earth air about them that made us love them and relate to them as friends who we enjoyed spending time with. For that reason, Jimmy Durante and Lou Costello got far more laughs on their blown lines than modern day counterparts like Jay Leno and Jon Stewart get off of their best written material.

At times, the Golden Age of Hollywood may seem to be out of touch with how the real world worked and how people really struggled. It was because they were all too aware of it and figured their audience didn’t need a movie to tell them. They knew their movie-going audience was looking for a little escape: to laugh, to sing, to dream, and dance for a few moments before returning to the real world.

The entertainment industry felt this burden particularly strongly during World War II. Performers entertained soldiers and sailors on the frontlines. Bob Hope made entertaining servicemen his passion. He not only performed for large groups of soldiers, he visited those who were wounded and couldn’t join the group. Hope never considered himself a hero. He was doing what he was he was born to do, using his God-given gifts to lift the hearts of lonely, tired, and worn out men thousands of miles from home.

One would be hard-pressed to find that understanding of Hollywood as a service industry today. Far too often, young actors are handed absurd amounts of wealth and fame in their teens and twenties long before they are ready to deal with it. Actress Traylor Howard, best known for her roles in Two Guys, a Girl, and a Pizza Place and Monk, decried Hollywood’s indifference to American Troops, telling the LA News in a February 24, 2006 article, “They’re risking their lives, they haven’t seen their wives, husbands and families…They need people to come, and they deserve that.”

The entertainment industry’s humble origins made it possible for the Golden Age to feature the most memorable comedy teams in history: Abbott and Costello, Burns and Allen, Laurel and Hardy, Lum and Abner, the Marx Brothers, and the Three Stooges among others. These teams began their acts in Vaudeville, early radio, or the early movies. They each found a formula their audience loved and stuck with it.

The comedy team is a relic of a bygone era in mainstream entertainment. To be part of a comedy team required humility, particularly on the part of the straight man who had to accept that public adulation would be with the comic even though the straight man’s timing was essential to the act. It also required a great deal of unselfish trust. In effect, your fate was linked to your partner’s. Our modern Hollywood culture has no place for such an arrangement. Actors’ egos simply will not accommodate it.

We should not kid ourselves. The Golden Age had its share of Hollywood hero worship and big egos. This was usually tempered for the actors themselves by a self-awareness formed outside of Hollywood. Today, young icons are hit with fame, fortune, and adulation and don’t know enough about themselves to not believe their own PR.

How many entertainers would describe their goal as bringing happiness? Stardom is seen as a road to money, fame, sex, and political power. Who today sees it as service?

Even their attempts to reach out often come across as shallow and self-absorbed. Activism is often less about the issue the entertainer is talking about and far more about their self-importance and self-righteousness.

Contrast this with the calls for world peace between World War I and World War II and Hollywood’s anti-war activism of late. Those who dreamed most of peace during the 1920s and 30s were those who had experienced wars and had lost loved ones and seen war’s devastating impact. They spoke with conviction, hope, and a heart of love for the innocent bystanders whose future is blown away by the winds of war. This stands in contrast to modern Hollywood, whose words come across as laced with contempt for political opponents and the military rather than love and concern for real people.

Recent decades have cemented Hollywood’s reputation as a place of the unreal. The authenticity of the Golden Age is definitely missed.

You can read more in What Made the Golden Age SHine available now for Kindle for $2.99 or free from the Kindle lending library for Amazon Prime members.

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Book Review: Three Men Out

It’s time to review another Nero Wolfe novella collection. “Three Men’s Out” was published in 1954 and contains three novellas published originally in 1952 an 1953.

“Invitation to Murder” -A man hires Wolfe to have Archie investigate the women who may be the next wife of his brother-in-law who was married to his deceased sister. He suspects one of them of foul play. In the middle of Archie’s investigation, he finds the client murdered and connives to get Wolfe himself to come and investigate. A decent enough story, though certainly not one of the bests with Wolfe leaving the house and an “okay” solution. Rating: Satisfactory

“The Zero Clue”-Wolfe declines a case from a man who puts himself out as being able to predict anything with mathamatics, though Archie goes to see him any way to see if he can get information to interest Wolfe. However,Archie ends up leaving without seeing the man. That night, Cramer arrives with news that the math whiz has been murdered and that he left a clue involving carefully arranged pencils and erasers that seems to point right towards Wolfe as having key information. Wolfe has a different take on the clue and will prove it if Cramer brings all the suspects to the Brownstone to be questioned.

This is perhaps the most problematic Nero Wolfe story I’ve read. Cramer agrees to the idea on the first night of the investigation which is something that seems unlikely the case had drug on for days and perhaps not for a week or more. Plus, the whole clue that was left behind was so improbable as to understand it required the use of Hindu mathematics  To add to that, the revelation of the murderer was unsatisfying and Archie’s personality is mostly absent. So I’ve got to give this one a resounding: Rating: Pfui.

“This Won’t Kill You”-Becaue a guest insisted on it, Wolfe is dragged to a decisive World Series game along with his guest. In the course of this, a murder happens and Wolfe investigates for the New York Giants Owner, a friend. The set up is (to be kind) somewhat hard to swallow particularly as this guest seems to disappear after conveniently having put Wolfe at the crime scene to investigate. The story is ultimately saved by some solid supporting characters in the form of an insane drugist and his niece plus a nice wind up that makes this story a: Rating: Satisfactory.

Unlike And Four to Gothe other Wolfe collection that contained a real stinker, there’s not one great story, let alone two great stories to save the volume. However, I’m loathe to give a thumbs down to a Nero Wolfe collection. And in this case, I feel that the other two are solid stories with “This Won’t Kill You” perhaps being more than average. So, rather than a Pfui, I’ll give the overall collection a:

Rating: Barely Satisfactory

You can find all the Nero Wolfe books in Kindle, Audiobook, and book form on our Nero Wolfe page.

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EP0810: Yours Truly Johnny Dollar: The Berlin Matter

John Lund

Johnny goes to Berlin to investigate the murder of a man who upped his insurance and got married.

Original Air Date: March 16, 1954

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EP0809: Sherlock Holmes: The Adventure of the Unfortunate Valet

The promiscuous wife of a doctor is murdered.

Original Air Date: March 14, 1949

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EP0808: Let George Do It: The Forgotten Murder

 Bob Bailey

A spinster hires George to solve a fifteen year old murder.

Original Air Date: April 14, 1952

 

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EP0807: Call the Police: The Case of the Violent Vegetables

Joseph Julian

A fruit stand owner is threatened with losing his vending license due to an upset banker. He then disappears.

Original Air Date: June 17, 1947

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EP0806: Frank Race: The Adventure of the Violent Virtuoso

Tom Collins

Raced is hired to find a missing necklace and an old girlfriend is a prime suspect.

Original Air Date: July 9, 1949

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Radio’s Most Essential People Countdown: #45-#43

Previous: 48-4651-4954-5257-5560-5865-6170-66,  71-7576-8081-8586-9091-9596-100

45)  Agnes Moorhead

If you say Agnes Moorhead and old timer radio, the most natural association may be with, “Sorry, Wrong Number” the most famous Suspense play ever broadcast back on May 25, 1943. Moorhead’s performance as Mrs. Elbert Stevenson was so brilliant that she was called to deliver a stunning seven encore performances on Suspense  the last in 1960. That alone doesn’t put Moorhead on the list. However, her radio career was filled with memorable performances. She was the first Margo Lane (opposite Orson Welles on The Shadow, she was cast as Lionel Barrymore’s long-suffering housekeeper in Mayor of the Town and she played Lara, Superman’s Kryptonian mother in the first episode of Superman. These highlights were only explanation points on a career of solid performance that defined radio.

44) Jackson Beck

Jackson Beck had many roles in radio. He starred for Ziv as that once-popular private detective Philo Vance. However, where he really distinguished himself was on Superman. He’s best known as the announcer of that program who delivered the show’s memorably opening. However, Beck showed flexibility by not only announcing, but also acting in the show. As the Jimmy Olsen character grew up on the radio, he took on the role of Beany Martin, a copyboy. He also had the distinction of being the first actor to portray Batman’s butler, Alfred Pennyworth.  His contributions to radio drama continued long after Superman left the air in 1951. He was probably the biggest to appear on the radio in the September 30, 1962 golden age of radio finale as he appeared in “The Tip Off Matter” on Yours Truly Johnny Dollar. He continued to make radio appearances frequently with numerous appearance on radio revival shows such as Theater Five, the General Mills Adventure Theater, and The CBS Mystery Theater. 

43)  Jack Moyles

For starring roles, Moyles was best known as Rocky Jordan.  He began the role in 1945 in A Man Called Jordan set in the city of Istanbul towards the end of the 2nd World War. The series continued for two years as a fifteen minute daily serial and then was revived in 1948 as Rocky Jordan with Rocky now living in Cairo setting up his Cafe Tambourine not far from the Mosque Sultan Hassan. The show beared a not too coincidental similarity to Casablanca which featured Humphrey Bogart playing an America cafe owner hiding from trouble in his past, ditto Rocky Jordan, whose trouble is never named.  Rocky Jordan may have been the finest illustrations of radio’s ability to take listeners to an entirely different time and place through the use of sound and music.

Starring in one of radio’s most original adventure dramas might be worth consideration for this list, but what earns Moyles such a high spot is that before, after, and during the Rocky Jordan run he remained a consummate radio character actor.  His veteran leadership helped keep radio alive as he frequently appeared as a cop, an insurance agent, or a crook on Yours Truly Johnny Dollar, he was the by the book Major Daggett who clashed with Raymond Burr on Fort Laramie.  He also regularly appeared on Gunsmoke and Fort Laramie. So, in addition to his major starring role on Rocky Jordan, throughout this long radio career, Moyles was one of those actors who held radio together.

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You Ought to be on DVD: Beloved Radio Comedy Characters

Unreleased TV DetectivesThe Ziv Properties, Vintage Detective Movie SerialsI Heard it on RadioNero Wolfe, and Mark VII Limited Productions

For 24 1/2 years, Husband and Wife Jim and Marion Jordan played Fibber McGee and Molly over the radio as it became one of the most recognizable and iconic shows of radio’s golden age. From that show, span off Harold Peary as the Great Gildersleeve, a role he held down for eleven years, two as a supporting character on Fibber McGee and Molly.

However, what many people don’t is that these radio legends made a series of movies. In 1937, Fibber McGee and Molly had bit parts in This Way Please and followed up with three more movies in prominent roles in Look Who’s Laughing, Here We Go Again, and Heavenly Days. Only Look Who’s Laughing  has been released and that as part of a Lucille Ball RKO pictures collections.

Peary appeared in two of these films as Gildersleeve.  Gildersleeve also had parts in three other films in the late 1930s and early 40s before four Gildersleeve were made between 1942-44.

Of course, they weren’t the only beloved radio comics to get shorted in DVD released. Lum and Abner had a career on radio running from 1931-54, with a few breaks here and there. They made seven films in the process. Four of the Lum and Abner films have lapsed into the public domain.  However, the last three, Goin’ to Town, Partners in Time, and Lum ‘n Abner Abroad remain far more difficult to obtain.

Finally William Bendix made a name playing Chester Riley on The Life of Riley. The radio series is widely available, however television show availability is far more spotty without an official release. In addition, The Life of Riley movie hit theaters in 1949 towards the tale end of the radio run.  One show writer/producer who lived into the 21st had made a big deal about radio fans sharing episodes of the radio series, yet seemingly took no steps to get an official release of either TV shows or Movies on to DVD. What a revoltin’ development.

Then we have Our Miss Brooks. The movie version starring Eve Arden has finally been released as an archive DVD. Great! Will we soon see the four seasons released for fans to enjoy on an official release with great video quality?

Perhaps, most neglected radio show that moved to television is the Burns and Allen program. No official DVD release of the show’s mostly copyrighted filmed run has occurred. Mostly what is available are somewhat badly restored episodes from the kinescope runs.

Here’s hoping for better care and availability of our comedy heritage in years to come.

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How the Golden Age Shined Released for Kindle

I’ve released my new ebook on the topic of the Golden Age of entertainment called, What Made the Golden Age Shine.

Over the years, I’ve been quizzed on why on what got me interested in golden age of entertainment and why I enjoy so much given that much of the material I listen to and watch is before my time. In What Made the Golden Age Shine I attempt to answer these questions as well as provide an understanding of what the lasting appeal of the Golden Age of entertainment is.

It’s 8,000 word essay/manifesto. (I’ll post some excerpts this weekend.) and I think listeners will enjoy it. It’s available at the link above. It’s available for the Kindle for $2.99. It’s available free with the Kindle Lending Library for Amazon Prime members as are all other titles in this post except All I Needed to Know I Learned from Columbo.

Also now available:

Rise of the Robolawyers:   The latest in my superhero comedy series in which Powerhouse has to deal with the threats of lawsuits and the Alien Zolgron’s attempt to eliminate lawyers. Of all the stories I’ve written in this series, this novella has been the best yet.

Digital Stocking Stuffers (99 Cents):

Tales of the Dim Knight:  (Through 12/26) You get a full length Superhero Comedy novel (90,000 plus words) for only 99 cents.  We pay homage and have fun with some great superhero stories and conventions.

Rise of the Robolawyers: (Through 12/26): This is the first novella of the series in which Powerhouse tries to make a comeback after being attacked by a cynical CEO.

The Perfect Church: A man is in search of the Perfect Church, but what will happen when he finds it.  The story has got a Twilight Zone twist.

Your Average Ordinary Alien: In this send-up of extreme sci-fi fandom Kirk Picard Skywalker dreams of being abducted by aliens. But what will he think when he finds out that his abductors are all too ordinary.

Good Values all The Time:

All I Needed to Know I Learned from Columbo: Life lessons from seven great detectives including Sherlock Holmes, Nero Wolfe, Father Brown, Dan Holiday, Boston Blackie, Columbo, and Monk. (Also available for Nook, Ipad, and other e-readers.)

Laser and Sword Annual: Eleven great superhero and action/adventure stories featuring The Order of the Sword, Powerhouse, and A.L. Snyder.

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