A version of this article appeared in 2016

A recognizable and beloved Hollywood actor from Hollywood’s yesteryear playing a sharp and folksy lawyer who solves mysteries? That description will make people think of Matlock, starring Andy Griffith. However, more than a decade before Andy Griffith played the hot-dog-loving Southern lawyer, Jimmy Stewart brought the concept to the small screen as Billy Jim Hawkins, a homespun West Virginia lawyer with a penchant for getting to the truth and winning tough cases.

The Warner Archives DVD set (affiliate link) includes all eight of the Hawkins telefilms that aired in 1973 and 1974. The first film is ninety minutes long. The other seven are seventy-five minutes long, as they aired along with another mystery series to compete with the popular NBC Mystery Wheel.

In each case, after a sensational murder has been committed, Hawkins is called in to defend the accused, who generally has a massive amount of circumstantial evidence pointing towards their guilt. Hawkins usually has to win his client’s trust, insert himself into his client’s world, and get to the bottom of the case, with the help of his assistants, to clear his client.

Like Matlock and Perry Mason, every movie ends with a climactic courtroom scene where Hawkins reveals the true killer. There are a few more nods to legal procedure in this series than in either of those better-known series. In particular, the series acknowledges that, as Hawkins hasn’t been licensed to practice law in every state, to appear in those states, he needs to be working under a local attorney who will serve as the Attorney of Record for the defense, even though Hawkins will do the arguing.

The Supporting Cast

In each episode, Hawkins is helped by one or more assistants. One of the key points of Hawkins’s backstory is that Hawkins has an enormous extended family of more than a hundred people. In different episodes, different members of that family show up to assist. Most frequently, it’s R.J. Hawkins (Strother Martin), but Jeremiah Stocker (Mayf Nutter) and Earl Coleman (James Hampton) take turns as well. Stewart has the best chemistry with Strother Martin, and R.J. Hawkins is the most interesting character, which is probably why R.J. Hawkins is in the final three films without any other assistants after only appearing in two of the first five.

The guest stars are generally quite competent. There’s an early performance by Tyne Daly, as well as appearances by Golden Age Hollywood notables like Lew Ayers and Teresa Wright, along with character actress extraordinaire Jeanette Nolan. One of the more interesting guest appearances is James Best, playing a serious role as a sheriff in the episode “Blood Feud.” In a few years, he would take on the role of the ultimate comic sheriff, Rosco Coltrane.

The Lead

Ultimately, while the scripts were decent and the supporting cast is competent, it’s Jimmy Stewart who makes the series worth watching. While watching the first few minutes of the opening film, I thought Stewart had overplayed the folksiness, but once he settles into the role, he makes Hawkins special. Hawkins is a country boy, and he doesn’t put on airs. Everyone who meets him is urged to call him Billy Jim.

Yet, at the same time, Hawkins has a keen mind and is aware of how the world works. Like many of the characters Stewart played over the years, Hawkins lives by a code.  His life is dedicated to the core principle that everyone’s entitled to a defense. Hawkins has a great way of connecting with and gaining the confidence of clients who’ve been unwilling to act in their own defense before.

In the courtroom scenes, Stewart is superb, building a level of rapport and using subtle humor to undercut the prosecution and then delivering an innocent “aw shucks, I’m just a country lawyer” type of comment to deflect objections from the prosecution. The scenes where he confronts the genuine murderer are incredibly compelling. Hawkins was one of the more credible TV lawyers to be featured in this sort of program. In many ways, he seems true to life to other nationally known trial attorneys, such as Gerry Spence, as opposed to a character someone made up.

Stewart’s acting netted him a well-deserved Golden Globe Award for Best Actor.

Why It Only Lasted One Season

In addition to Stewart’s win, the series was nominated for a Golden Globe, as was Strother Martin for Best Supporting Actor. However, despite critical recognition, the series went away after a single season. Why?

CBS created the series as a counter to NBC’s rotating mystery programs, and CBS didn’t quite seem to understand a big part of why NBC enjoyed success. NBC rotated Columbo, McCloud, and McMillan & Wife along with a few other series that only lasted a season or two. The beauty of the mystery wheel was that these programs all appealed to the same audience and if you liked one, there was a good chance you liked them all, and NBC could count on you to watch their mystery movie every Sunday night.

CBS on the other hand rotated Hawkins with the TV series Shaft, based on the Blacksploitation film series of the early 1970s. The two series drew two very different audiences and there was little crossover in audiences between the two shows and as a result, both got cancelled. Hawkins could have lasted longer if not for the network’s scheduling mistake.

Is This Series For You?

If you love classic lawyer series, these films are for you. Stewart’s Hawkins is at least as good as Perry Mason or Matlock. If you’re a fan of Jimmy Stewart’s later work, this is also a must, as this was arguably Stewart’s last great role before his career went on the downswing and hearing loss drove him to semi-retirement in the early 1980s.

Overall, I found Hawkins to be an enjoyable series that stands up well when compared to most of its 70s peers.

 

Rating: 4.0 out of 5.0