Category: Golden Age Article

Radio’s Most Essential People Countdown: #65-#61

Previous Posts: 70-6671-75, 76-80, 81-85, 86-90, 91-95, 96-100

65) Harry Bartell

Harry Bartell is another one of those amazing character actors. His winning personality made him the perfect genial spokesmen for Petri Wines on the New Adventures of Sherlock Holmes and the Casebook of Gregory Hood. On the New Adventures of Sherlock Holmes, in particular, he achieved a great level of chemistry with co-star Nigel Bruce making the commercials and intros worth listening to. He also was the longest serving of the six Archie Goodwins on the New Adventures of Nero Wolfe with Sidney Greenstreet. He was the green Young Lieutenant Lieutenant Siberts on Fort Laramie. He was Captain Merriweather Lewis in NPR’s Horizons West. However, beyond his known roles, Bartell was a true character with more than 10,000 radio appearances. Many of these appearances were on some radio’s most well known programs. The Digital Deli gives the tale of the tape:

* 180+ appearances in Gunsmoke
* 60+ appearances in Escape
* 15+ appearances in Advs. of Philip Marlowe
* 30+ appearances in Dragnet
* 20+ appearances in Let George Do It
* 45+ appearances in Suspense
* 96+ appearances in Johnny Dollar
* 60+ appearances in Have Gun, Will Travel

With so many vital roles in great radio franchises, Bartell was truly essential. Further, he remained an active ambassador for the godlen age of radio, appearing at OTR conventions, and even appeared in some new radio dramas with Jim French’s productions in Seattle.

64) Cathy Lewis-Cathy Lewis was another well-used radio character actresses. She had recurring roles on programs like Michael Shayne Private Detective with Wally Maher, My Friend Irma, and The Great Gildersleeve. Perhaps, her most well-known program was the series On Stage in which she starred with her then-husband Elliot. She was invaluable as a character actress, making numerous appearance on anthology programs like Suspense, Romance, and The Whistler. With more than 3000 appearances, Cathy Lewis’ place as one of radio’s most important women is well-earned.

Abbott and Costello63) Abbott and Costello-Abbott and Costello’s style of comedy left an indellible mark on radio. They began their radio career in the early 40s, becoming regulars on the Charlie McCarthy show before landing their own show for Camel in 1942. However, their career on the radio was interrupted when Lou Costello was hit with rheumatic fever and forced into nine months of bed rest. Then on the day Costello was to return to radio, his infant son Lou Jr. drowned in a swimming pool two hours after Costello had been playing with him. Costello had promised Lou, Jr. that he would hear him on the radio. Jimmy Durante among others offered to fill in for Costello, but Costello insisted on going on, writing later, “I wanted to do that show so that my voice would go on the air with the hope that Lou Jr. might hear it wherever he was.” Abbott and Costello would star in the Camel Program on NBC until 1947 when would jump to ABC for their final two seasons. During their ABC run, the duo also hosted the Abbott and Costello Kids Show which served as an outgrowth of the Lou Costello Jr. Youth Foundation which sought to honor good citizenship among kids . In addition, with the heyday of the hard boiled private eye, Costello introduced his own parody in the form of the Sam Shovel sketches.

With limited  opportunities for physical comedy, Abbott and Costello weren’t as good over radio as they were in visual mediums, but they were good enough so that fans still crave their radio antics as part of the legacy of these comedy legends who enjoyed success in Vaudeville, Radio, Movies, and Television, making them perhaps the greatest comedy team of all time.

62) Rudy Vallee

Vallee was the first of the great crooners, setting the table for those who would follow such as Bing Crosby and Frank Sinatra. He was the leader of his own orchestra, the Connecticut Yankees. He was also a radio pioneer as one of the first variety show hosts with the Fleischmann Yeast Hour in 1928.  Vallee would host similar variety programs for more than 20 years and give radio listeners an early look at such stars as Kate Smith and Burns and Allen.

61) Don Ameche

Don AMecheAmeche’s radio career was one of many highlights. He became a regular star on the Chicago based soap Betty and Bob in the early 1930s, one of radio’s earliest soap operas.  He also served as the long time host of the Chase and Sanborn Hour which featured Edgar Bergen and Charlie McCarthy. He played the role of John Bickerson the male half of radio’s constantly fighting couple, and perhaps paradoxically played the lead in the first episode of The Family Theater.  In addition, Amerche also served as the announcer on the Jimmy Durante Show in its final days. Based on his numerous achievements, he was inducted into the Radio Hall of Fame in 1992.

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You Ought to be on DVD: The Ziv Properties

Previous: Vintage Detective Movie Serials, I Heard it on Radio, Nero Wolfe

Frederick Ziv was listed as #66 on our list of radio’s most essential people, but he was also critical in early television. Ziv Television turned out some of the most fascinating first-run syndicated television series. Many of these titles will be recognizable to old time radio fans such as Mr. District Attorney, Boston Blackie, Easy Aces, Bold Venture (alas without Bogart and Becall), Dr. Christian (with Carey playing the nephew of the original Dr. Christian), and the Eddie Cantor Comedy Theater. In addition fans of I Was a Communist for the FBI would appreciate the even better TV series I Led Three Lives.

Sadly, most of these programs are unavailable on DVD. A few like Lock Up (starring Macdonald Carey) have lapsed into the public domain in their entirety or like Boston Blackie or Bat Masterson have lapsed partially, so some prints are available, but alas most of these programs if they’re available at all are only available through gray market or black market source with variable quality.

It’s a shame because Ziv had some truly entertaining programs that filled non-prime time hours.

In addition to all of the radio programs brought to television, there were many other highlights: There was the King of Diamond series that featured William Gargan’s only acting appearance after the loss of his voice due to removal of his larynx. There were several great sea programs including Men of Annapolis, The Aquanauts, Harbor Command, Waterfront, and Seahunt. There was the sky diving drama Ripcord. MGM’s only step on the Ziv programs was an over-priced released of Season 1 of Highway Patrol at a cost of more than $50.

Of course, it’s not only Ziv’s programs that MGM’s neglected. Only one episode of MGM’s Thin Man Television series from 1957 with Peter Lawford has been released and that as an extra with the Thin Man movies.

I hope that MGM will work to get these programs released, maybe by selling the rights to a company like Timeless Media Group or Shout  Factory who have shown competence in selling and marketing classic television shows. As it is right now, there’s a lot of great TV going to waste in the MGM vault.

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Radio Most Essential People Countdown: #70-#66

Previous Posts: 71-75, 76-80, 81-85, 86-90, 91-95, 96-100

70) Groucho Marx

Groucho MarxGroucho Marx’s greatest claim to fame was as the ringleader of the Marx Brothers. In his zany character, he has delighted millions. His radio story was more complex. In the early ’30s, he and Chico starred in Five Star Theater as two characters right out of their films. Though all but one episode and two excerpts have been lost, the series was recreated brilliantly by the BBC as Flywheel, Shyster, and Flywheel. After this though, Groucho struggled to find his place as a solo performer. In 1943, he headed up a typical comedy variety program called Blue Ribbon Town, similar to programs hosted by Jack Benny, Bob Hope, and Eddie Cantor, but it didn’t really fit Groucho who left one season. In 1947, he found his place as host of You Bet Your Life, one of radio’s most beloved and collected radio game shows. Ostensibly, it was a quiz show, but really the highlight was Groucho questioning each week’s guests. It showed a different side of Groucho than his earlier movies. He was still wise-cracking, but he was more mature and calmer than his big screen archetype. Groucho’s program easily made the leap to television but continued to be simulcast over the radio until its end in 1961.

69) Martha Wilkerson (G.I. Jill)

During World War II, many fought the morale war and none did better than Wilkerson. When the war launched, many programs were made for soldiers often featuring celebrity hosts. One such program was G.I. Jive with its selection of hot much. Early episodes feature such professionals as Frank Nelson and Donna Reed. However, they would be replaced by an unknown who would quickly become known to forces overseas as G.I. Jill. Recorded in Los Angeles, Jill’s warm and friendly voice was a big slice of home to war-weary soldiers. She was the ultimate girl next door. She made the perfect counter to Japanese efforts to undermine morale in the person of Tokyo Rose. With superior records and a winning personality and her recordings of fifteen minute daily GI Jive show and her half hour Jill’s All-Time Jukebox, Wilkerson helped to win the morale war and her recordings are much beloved by golden age radio fans today.

68) Basil Rathbone

Basil Rathbone is intrinsically linked with the character of Sherlock Holmes. He starred in two movies for Fox in 1939 after which there were to be no more Holmes films. The film series ended and in 1939 the show was taken to the radio for a 24 week series over the Blue Network. That series proved so popular, that 2 more seasons followed over radio with the 1941-42 series landing a solid 14.6 on the Hooper rating. Without the radio series, it’s doubtful that Rathbone and Bruce would have made the next twelve movies in the series for Universal from 1942-46. But they did. With the war on, Sherlock Holmes was even more important as a symbol to the American people, so after more than a year’s absence the series returned and ran for 108 weeks straight from May 3 1943-May 28, 1945 without a break. The series got to be too much for Rathbone who, despite an offer of more money, was getting tired of Holmes and insisted that if he continued in the role, the series move to New York after the 1945-46 season. The producers refused and did one more season in Hollywood with Tom Conway before moving to New York for two seasons with John Stanley. Rathbone’s definitive performance as Holmes led to soundalike successors that had audiences believing he was still on Sherlock Holmes three seasons after he left. In addition to Sherlock Holmes, Rathbone starred in Scotland Yard and then played himself in a comedy mystery series, Tales of Fatima. Outside of the Holmes character, Rathbone remained a presence as a true dramatic actor with several appearance on Theater Guild on the Air. He made ten appearances on Cavalcade of America starring as such noted Americans as John Jay, George Washington, Thomas Jefferson, Thomas Paine, and Oliver Wendell Holmes.

67) Ozzie and Harriet

Ozzie and HarrietOzzie and Harriet would define an era in American life and they began over radio. Ozzie Nelson was a band leader for Red Skelton and his wife Harriet was a single. When Skelton was drafted, the couple got their own program, the Adventures of Ozzie and Harriet. The program would be a sensation. It would be emblematic of everything right or everything wrong with traditional values depending on your viewpoint. The series began over radio and continued on television until 1966, some 22 years after it started. The talented couple also lent their combined efforts to programs like Suspense and Family Theater, providing an interesting contrast to their work on Ozzie and Harriet.

66) Frederick ZIv

As network radio and television grabbed hold, Frederick Ziv became the king of first run syndication. Ziv’s productions are beloved by fans for their high quality and star power. He produced nearly every type of program that you could imagine: Detective shows like Boston Blackie, Manhunt, and Philo Vance, an anthology series with Favorite Story, a Western in The Cisco Kid, a Horror program caled Weird Circle, adventure programs like Bold Venture and I Was a Communist for the FBI, and even a political drama called Freedom USA. In addition to this, Ziv’s programs attracted some of Hollywood’s best and brightest including Bogart and Becall in Bold Venture, Tyrone Power in Freedom USA, and Fred Macmurray in Bright Stars. Ziv’s programs have delighted listeners and the fact that the shows were intended for rebroadcast has made transcription disc abundant and made them easy to collect. The other big winners in Ziv’s production were local businesses who couldn’t sponsor a show like Suspense but could sponsor Weird Circle. Thanks to Frederick Ziv, local companies could bring people quality programming to promote their business and be able to compete for listener loyalty with large national chains as well as playing their own unique part in the golden age of radio.

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Telefilm Review: Thirteen At Dinner

In Thirteen at Dinner, Jane Wilkinson (Faye Dunaway) , an actress who is associated with a “dumb blonde” persona wants to divorce her husband, Lord Edgeware and asks Poirot (Peter Ustinov) to try and reason with her husband who she says is refusing her a divorce. Poirot, finds to his surprise that Lord Edgeware has long since dropped his objection.

When soon after this, Lord Edgeware’s murdered, suspicion falls on Wilkinson who has an airtight alibi, having been at a dinner with twelve other guests. Poirot has to unravel the mystery and find out who really killed Lord Edgeware.

Ustinov had portrayed Poirot in two motion pictures and this was the first of three outings for Television. The decline in overall quality is noticeable. The program is supposed to be set in the 1980s, but it feels like it was only half way updated, giving it a feel that’s neither contemporary nor old style.

Faye Dunaway is okay, but not at her best in this film. The appearance of David Suchet as Inspector Japp was a treat, although he doesn’t quite fill the bill with this Japp being quite a bit more grumpy and less trusting of Poirot than he’s been elsewhere portrayed and much more like the typical police detective. Amanda Pays made a brief appearance. The rest of the supporting cast was no help at all with Jonathan Cecil turning in a weak performance as Captain Hastings.

What ultimately saved the production was the story and the performance of Peter Ustinov as Poirot. And even then, the overall package is mediocre at best.

Rating: 3.25 out of 5.0

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Television Series Review: Elementary

Sherlock Holmes living and working in modern day New York? That’s the premise of CBS’ new Drama, Elementary which stars Johnny Lee Miller as Holmes and Lucy Liu as Ms. Watson, a former surgeon.

Holmes gets out of drug rehab and Liu is assigned to be his companion during a six week recovery period. Holmes has a wealthy father who is footing the bill for the companion and allows him to live in New York City.

We learn that Holmes was a consulting detective in London and he plans to carry on with the job in New York City and Holmes is promptly allowed on the crime scene and the game is afoot.

Review:

The obvious comparison that will occur is between this program and the BBC’s Sherlock. However, I’d suggest the most apt comparison would to Dick Wolf’s LA Dragnet. LA Dragnet really had nothing to do with the original series and was really just another police procedural. It had  characters named Joe Friday and Frank Smith but really didn’t imagine, What if Joe Friday had grown in the 1960s rather than the 1930s. The use of Dragnet was thought to give the show an edge.

In the same way, Elementary  represents such a radical departure from the Holmes story that it’s really just another detective show trying to capitalize on the Holmes character. The program had more in common with Monk in the early Sharona days  than Holmes with a trained female medical professional helping a quirky fallen detective get back on his feet as a police consultant. The writers even left room for a tragedy involving a woman leading to Holmes’  downfall in London.

In Elementary, Holmes is the black sheep of a very wealthy family. Holmes is well-tattooed (which can make the whole master of disguise thing a challenge) and declares that he needs sex in order to think. Holmes is also prone to childish tantrums in this episode, crashing into a suspect’s car out of frustration.

The program is not without its strengths. Jonny Lee Miller delivers a solid performance. He’s not quite Jeremy Brett or Tony Shalhoub but his gestures and characterization are solid. Lucy Liu turns in a good performance as the complex Dr. Watson. The mystery and its solution are also pretty clever. The show’s big weakness may be that it’s really not Sherlock Holmes and Elementary would probably have a better chance of making if it didn’t include a character named Sherlock Holmes.

In terms of content that may concern parents, the pilot episode included some moderate sexual innuendo and a crime scene portrayal that was a little bloodier than what you’d typically see on Monk but not as extreme as has appeared on other crime shows.

The first episode of Elementary had solid ratings but its future remains uncertain.  The program is definitely more of a traditional detective show than another NCIS, but it remains an open question whether the show will survive by finding its voice and displaying the type of charm and style that’s required for long-term success.
Overall, I’ll rate the show 3.0 out of 5.0.

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Radio’s Most Essential People Countdown: #75-#71

Previous Posts: 76-8081-8586-9091-9596-100

75) Fanny Brice

Vaudevillian Fanny Brice was a talented comic singer, but her greatest contribution was the creation of Baby Snooks, a mischevious little girl who drove Daddy (played by Hanley Stanford) bananas with her comic antics and misbehavior with famous lines like, “Tell me a story, Daddy.” and constantly asking why.  The character began as an act on the Maxwell House Program in the late 1930s and in the 1940s, Snook would get her program. Radio was the perfect medium for Brice.  The act would simply not work on television as Brice played Snooks as about 7 and when she tried to adapt Snooks to television, she was 59 years old. However, in radio, everything was possible and Snooks is forever precociously young and hilarious and the work of Fanny Brice lives on.

Lionel Barrymore74) Lionel Barrymore

The legendary star of stage and screen starred in the 1940s Drama Mayor of the Town where he portrayed the real painful reality of war with uncommon humanity and then in the late 1940s and early 50s, he recreated his film role as Dr. Gillespie in MGM’s syndicated Dr. Kildare series. He also showcased his talents in numerous anthology shows. However, Barrymore’s position on this list is secured by being radio’s Ebenezer Scrooge. He was the definitive Ebenezer Scrooge, performing the role live all but two Christmases between 1934-53. Barrymore’s success as Scrooge made him a natural to play the villainous Old Man Potter in It’s a Wonderful Life. It’s a pity that’s movie role’s all most people know of his great body of work,.

73) Gene Atury

Hollywood’s quintessential singing cowboy had a rich career over radio. Autry’s Melody Ranch program ran for sixteen years. (1940-56). Autry’s success included not only him, but his horse Champion got his own radio and TV series. Autry was admired by many who wanted to emulate him, so Autry created the cowboy code, ten rules for patriotic and moral living. By doing this, Autry showed the type of class that made him one of America’s most beloved entertainers.

William Johnstone72) William Johnstone

William Johnstone is best known as the second voice of the shadow in 1938 and those four seasons is what he’s best known for. However, Johnstone’s performances go far beyond that. Johnstone was also a solid and indispensable character actor appearing regularly on a wide variety of programs from Cavalcade of America to Yours Truly Johnny Dollar. In 1950, he got his second starring role for CBS in The Line Up playing Lieutenant Ben Guthrie for 3 seasons.

71) Anne and Frank Hummert

Their work has many detractors among modern fans, particularly their detective shows, but what Anne and Frank Hummert lacked in quality, they made up with the quantity of their productions. The Hummerts produced a dizzying array of shows. Many were in the soap opera genre such as the long-running Ma Perkins program (1937-60), Just Plain Bill, and Amanda of Honeymoon Hill. However, they also were the force behind many mystery programs such as Mr. Keen Tracer of Lost Persons (1937-55), Mr. Charmelon, and Inspector Thorne, comedies such as Easy Aces, and even the iconic juvenile series Little Orphan Annie (1930-42). Anne Hummert had dozens of shows running concurrently, kept track of them, and outlined all plot twists on the daytime serials and directed her army of writers to make the changes. While it’s easy to make fun of the melodrama on some of the Hummerts’ soaps, it’s hard to dismiss their amazing success.

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You Ought to be on DVD: Nero Wolfe

Previous: Vintage Detective Movie Serials, I Heard it on Radio

If one great fictional detective has been slighted in terms of DVD and Home video releases, it is Nero Wolfe. The fine A&E Television series is available on DVD, but everything else isn’t. The following are missing:

Two 1930s Movies
1959 TV Pilot with Kurt Kasner and William Shatner as Archie Goodwin
The 1979 TV movie with David Thayer
The 1981 TV Series with William Conrad

It has been a challenge to adapt Wolfe stories into popular visual media, so many of these efforts have not worked.

However, it won’t do to say that poor quality should keep these adaptations off of DVD. After all, some fans may be right when they think William Conrad’s Nero Wolfe is off-base. However, the rest of us should be able to decide the question for ourselves. Even Galactica 1980 has been given a DVD release.

Perhaps, the one film that looks dreadful based on clips and ratings is 1937’s League of Frightened Men with a miscast Lionel Stander as Archie Goodwin and an equally poorly cast Walter Connolly as Nero Wolfe. The movie is only rated a 5.0 on IMDB which is the same as Henry Silva’s unthrilling 1965 thriller The Return of Mr. Moto. (Which by the way did it make its way to DVD.)

Beyond this, those fans that have seen 1936’s Meet Nero Wolfe (6.7), Thayer’s Nero Wolfe TV Movie based on The League of Frightened Men (7.0) and Conrad’s Nero Wolfe Series (7.3) have enjoyed them. And no doubt, a wider audience would enjoy them as well. They may not all perfectly match the tone of the books but even the A&E series doesn’t do that.

Another great opportunity would be to put the foreign Nero Wolfe programs on Region 1 DVD. Nero Wolfe movies have been made in Russian, Italian, and Germany. My particular interest would be in the 1960s Italian Series. A few clips have shown up on Youtube and the show looks very well done in classic black and white. Personally, I’d love to watch these films with subtitles to enjoy the cadence of the original actors while still knowing what’s going on. The best of that particular series is that of the ten stories they did, eight were not done by A&E, so it would make interesting viewing as would all of the unreleased Nero Wolfe material included the Kasner-Shatner pilot which hasn’t been seen in more than fifty years.

There’s a lot of Nero Wolfe that should be released and it’s about time for Hollywood to get started.

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Radio’s Most Essential People Countdown: #80-#76

Previous Posts: 81-8586-9091-9596-100

80) Arthur Godfrey

Arthur Godfrey redefined the role of radio announcers, bringing a warm, friendly, and folksy style to announcing that stood in contrast to the strict formality of many announcers. He was well-known as a morning talk show on Arthur Godfrey Time (which continued even after the golden age of radio had ended.) His human touch made him a winner with audiences, perhaps most notably his emotional reaction to the funeral procession of President Roosevelt. In addition, he was noted as the host of Arthur Godfrey’s Talent Scouts, which quickly became America’s most popular amateur program.

79) Les Damon

Les DamonFew men landed on as many detective shows as Les Damon. He was Nick Charles in the Thin Man, The vast majority of existing Falcon recordings feature Damon. He was also Inspector Mark Sabre on ABC’s Mystery Theater,  the second Pat Abbott in NBC’s Adventures of the Abbotts, and the last Captain Kennelly on 21st Precinct. He also worked in the daytime soaps, starring in the The Right to Happiness. In addition to this, Damon made appearances in the Sci-Fi Anthologies Dimension X and X Minus One.

78) John Dehner

John Dehner had only one series lead prior to 1958. In 1958, he starred in two programs. In February, he began in Frontier Gentleman and that ended November 16th and on November 23rd he played Paladin on radio’s Have Gun Will Travel and would remain for more than two years. Dehner also starred in CBS 1952 Mystery program The Judge and auditioned for the lead in Fort Laramie. However,  Dehner’s career was ultimately defined by the countless hundreds of character roles he played from Philip Marlowe to Gunsmoke  and Lassie.  Dehner’s deep voice resonated with radio audience regardless of where it was placed. When Rod Serling made Zero Hour, the first of several radio revival attempts in the 1970s, Dehner played the lead role in the first series.

77) Robert Ripley

Ripley’s Believe it Or Not was perfect radio. For 18 years from 1930-48 Ripley brought radio listeners weird facts and oddities from around the world. Ripley took full advantage of radio’s theater of the mind as in longer version, dramatic re-enactments of the strange but true stories would be done, much to the delight of radio listeners.

76) Robert Young

Robert YoungRobert Young was best known as Jim Anderson on Father Knows Best which got its iconic start over radio in 1949. However, he was far more than that. As a film actor, he appeared in 100 films. Over radio, he took on countless roles in a variety of genres. He appeared frequently on the Lux Radio Theater. He was a  host of Maxwell House’s popular variety show The Good News of 1939.  He appeared on Suspense and of course, The Family Theatre. Young also hosted two radio dramas for the Episcopal Church in the late 1950s and early 1960s called The Witness and The Search. Throughout his career, he remained one of America’s best loved entertainer and his long radio resume reflects that.

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Book Review: Homicide Trinity.

Homicide Trinity contained three Nero Wolfe Novellas originally published in magazine form in 1961 and 1962. Below, we take a look at each story.

“Eeny Meeny Murder Mo”

Bertha Aaron, the secretary to the Senior partner in a lawfirm comes to Wolfe’s office because she suspects one of the other partners of colluding with an opposing client against the interests of the firm. Because the opposing client is involved in a divorce case, Archie knows he’ll have a time convincing Wolfe to take the case.

Wolfe doesn’t want the case but finds himself involved when he and Archie return to the office to find Aaron murderered with Wolfe’s discarded necktie. Because it’s Wolfe’s necktie, the onus is on him to beat the police to the solution.

In some ways, this seems a variation on Disguise for Murder with Archie leaving a woman in the office and returning from the plantroom to find her murdered. They were so similar that A&E linked the two episodes for European syndication. Unfortunately, while this story has features, it’s just not as good.  Still I’ll give it a 

Rating: Satisfactory

“Death of a Demon”

Lucy Hazen shows up at Wolfe’s office and offers him $100 for an hour of his time. She wants to tell Wolfe that she wants to murder her husband and to secure Wolfe’s promise to report it to the police. Wolfe takes her upstairs to show her the orchids and while they’re upstairs, Archie hears on the radio that her husband was shot.

Lucy ends up being arrested and hiring Wolfe to find out who did it. As is the case in the best Wolfe stories, Stout creates a memorable cast of suspects in the case of the murder of the blackmailing husband and Archie finds them all at the scene of the crime looking for the box of blackmail materials.

The characters are solid, particularly for a novella, and Wolfe solves the case in true master detective fashion.

Rating: Very Satisfactory


“Counterfeit for Murder”

A woman named Hattie Anniscomes to Wolfe’s door looking quite disheveled and unlike the high value clients that Wolfe usually pays for and Archie’s not inclined to let her in. However, Archie’s willing to let her see the big guy because Wolfe is under the impression that he’s a sucker for a certain type of woman and Archie thinks it’ll be fun to show Wolfe up.  

Hattie has a stack of money that she found in her boarding house which shelters showbiz people whether they can pay their $5 a week rent or not. When Wolfe sends Archie to the boarding house to investigate, they find an undercover female Treasury Agent dead.

The cop-hating Hattie Annis is without a doubt Wolfe’s most interesting client so far. Her speech and personality (she calls Wolfe “Falstaff”) make the story one of the most enjoyable to read.

The mystery isn’t half bad either. Throw in some T-men and the NYPD in a turf war and there are Few Wolfe stories of any length that can beat this one for pure entertainment value.

Rating: Very Satisfactory

The last two stories are simply superb and as good as the vast majority of Wolfe novels. The first one is solid as well and so I’ll give this one a:

Rating: Very Satisfactory.

You can find all the Nero Wolfe books in Kindle, Audiobook, and book form on our Nero Wolfe page.

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Radio’s Most Essential People Countdown: #85-#81

Previous Posts: 86-9091-9596-100

85) Himan Brown

Himan Brown was a legendary radio producer/director who left his creative fingerprints on such programs as Flash Gordon, Inner Sanctum, the Thin Man, and Barrie Craig: Confidential Investigator. During the 1970s, he participated in the radio revival efforts that brought the General Mills Adventure Theater and CBS Mystery Theater to the air. Brown was a passionate believer in radio declaring in a 2003 interview quoted by the New York Times in his obituary, “I don’t need 200 orchestra players doing the ‘Ride of the Valkyries.’ I don’t need car chases. I don’t need mayhem. All I need to do is creak the door open, and visually your head begins to go. The magic word is imagination.” And Brown made magic happen.

William Gargan84) William Gargan

Before he became an actor, William Gargan had been a detective. This served him well in the movies where he was frequently cast as a detective. This carried to radio where Gargan was tasked several times with detective roles. First was of the detective game show, Murder Will Out. Then as Ross Dolan in I Deal in Crime. He played the title role in Martin Kane for both radio and television, and then landed the role of Barrie Craig. When Gargan took the role of Craig, detective shows were coming and going, most never lasting more than a season with the ascendancy of television. Gargan stayed on the air for four years as radio began its decline. In addition to his detective roles, Gargan became a regular in the early 1940s on Maxwell House’s Good News program and served as an announcer on the Bing Crosby program.

83) Damon Runyan

Runyan’s writing was more than the basis for a syndicated radio series called the Damon Runyan Theater or the basis for several movies that were adapted to the radio, or the author of unrelated short stories that became a basis for radio, Damon Runyan painted a picture of New York and its underworld that was striking yet slightly whimsical. It influenced countless writers dealing with the same subject. There are dozens of radio plays that even if Runyan’s name wasn’t on the script, his work influenced it.

82) Mandel Kramer

Perhaps best known as the last Johnny Dollar, Kramer was far more. He was a radio actor’s actor. His earliest recorded role was a 1940 appearance on Columbia Workshop. He became a regular cast member on Counterspy. He appeared in guest roles on programs like Gangbusters, Cavalcade of America, 21st Precinct, Rocky Fortune, X Minus One, and Suspense. It was only in the mid-1950s that he got some starring roles. He became the last Pat Abbott on the Adventures of the Abbotts and then parlayed that in to a starring role in the strikingly similar, It’s a Crime, Mr. Collins.  It was 1961 when became the last Johnny Dollar while at the start of his 20 year career on Edge of Night as Bill Marceau ( a role that would net him an Emmy nomination.) Kramer also took part in radio revival attempts as a regular on CBS Mystery Theater.

Lucille Ball81) Lucille Ball

Lucille Ball was not as important to nor as successful in radio as she was in early Television. However, given the staying power of I Love Lucy, that’s not surprising. Her radio days showed her cutting her teeth. She had a solid run on My Favorite Husband for three years opposite Richard Denning and many of these scripts were reused on I Love Lucy. She also played off some of radio’s best funnymen such as Abbott and Costello and Bob Hope. Also, radio allowed her to show far more of her dramatic acting ability than she would express in later years. Of particular interest are her exciting appearances on the classic radio classic anthology, Suspense.

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You Ought to Be on DVD: I Heard It On Radio

Previous in this series: Vintage Detective Movie Serials

This post is going to be dedicated to four movies I’d love to see on DVD but were not part of a mystery series. All of them ultimately are inspired by what I’ve heard on radio. One features one my favorite radio stars. The other four were adapted for the Lux Radio Theatre, the Screen Guild Theatre, or the Screen Director’s Playhouse, leaving me curious to see the films on which the radio plays were based.

Mr. and Mrs. North (1942): This film starred William Post as Gerald North and Gracie Allen (yes that Gracie Allen) as Pam North. I’m a fan of both Gracie Allen and the North’s so this is a natural film for me to want to see released on DVD. Currently rated 6.6 on IMDB by those who have been lucky enough to see it.
The Mask of Dimitros (1944)-I have more to go on than an inkling that I like the stars, though with Peter Lorre and Sidney Greenstreet, that alone should demand a DVD release. However, the movie was adapted to radio as a Screen Guild Theater episode. The half hour adaptation only wets my appetite to see the full film. From what we can hear on the radio, it’s a suspenseful story. It also gives Lorre a rare chance to play a role that’s neither a heavy or Mr. Moto. Rated 7.2 on IMDB.

Chicago Deadline (1949)- Alan Ladd stars as a reporter who finds a beautiful young woman (Donna Reed) dead of untreated TB. Ladd seeks to find out how she came to that end and begins an investigation with the help of her little black book. I heard this was on the Screen Director’s Playhouse, and it was very engaging story with a reminder of the importance of every life. Rated 6.6 on IMDB.

To The Ends of the Earth (1948)- Dick Powell stars as Commissioner Michael Barrows who witnessed the murder of 100 Chinese slaves to cover up a drug trafficking operation. Barrows set out to get justice and break the narcotics racket. This was fascinating story that had to struggle against the Hayes code as it dealt with narcotics in any way. However, the overall thrust of the radio episode was that narcotics were the tools not just of money hungry criminals, but of extremists who wanted to fund their causes while underming America’s moral and mental strength. IMDB Rating: 7.2

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Radio’s Most Essential People Countdown: #90-#86

Previous Posts: 91-9596-100

90) Frank Nelson

Frank Nelson is probably best remembered as a long-time radio presence as a regular on the Jack Benny Show. However, his career as one of radio comedy’s most powerful character actors dated back well before that. He was practically a regular on the Lux Radio Theater in the mid-1930s. His 1940s radio work reads like a who’s who of comedy including work with Eddie Cantor, Abbott and Costello, Burns and Allen, Lucille Ball, and Eve Arden. His career also included appearances on Yours Truly Johnny Dollar. In 1949, he played the boss of Jeff Regan (Frank Graham) in CBS reboot of the series and put an entirely different spin on the character of Anthony J Lyon.

Bill Goodwin89) Bill Goodwin: To most people, commercials are merely interuptions in their entertainment. However, Bill Goodwin was the master of making commercials entertaining. Working as an announcer for Bob Hope and later for George Burns and Gracie Allen, Goodwin made the commercial breaks entertaining and laugh out loud hilarious as he inserted ads for Swan Soap or Maxwell House Coffee into the plot of the story with comedic brilliance. In addition to his announcing gigs, Goodwin was a reliable comedic actor, often appearing on Screen Guild Theatre and Lux Radio Theater.

88) David Friedkin and Morton Fine

There are a few entries on this list that will be for two people because it’s hard to imagine one without the other. Such is the case with legendary writers David Friedkin and Morton Fine. The two collaborated on writing many classic episodes of EscapeSuspense, and Crime Classics. They even wrote the first audition episode for Gunsmoke which imagined the series as Philip Marlowe set in the old west. Their biggest collaboration was Broadway’s My Beat. Their writing style was crisp and poetic. They were masters at getting an audience emotionally involved in their stories. The team went on to bigger things in Television, but in my opinion they did some of their best work on the radio.

87) Raymond Burr

Raymond BurrRaymond Burr would find stardom in television as Perry Mason. His radio career began a decade before. Burr was a character actor for most of his radio career, playing roles similar to those taken by William Conrad with many heavies and cops, although Burr was not nearly as prolific. Burr provided support for programs like Suspense, The Line-Up, and Yours Truly Johnny Dollar. In addition, he worked himself into two recurring roles in crime dramas featuring Jack Webb. He was radio’s most brutal cop, Inspector Hellman of San Francisco Homicide on Pat Novak for Hire. He then joined Webb on Dragnet as Ed Backstrand, Chief of Detectives. Even though he was only 32, Burr projected all the authority the role required and was a bit of a show stealer during his five months on the show. Towards the twilight of radio’s golden age, Burr finally landed a lead role on radio as Captain Lee Quince in Norman Macdonnell’s brilliant western Fort Laramie, which he left to begin filming Perry Mason. Even after landing the role of his career, Burr made occasional appearances on radio for Suspense, The Family Theater, and the Salvation Army’s Heartbeat Theater.

86) Frank Sinatra

While not the peak of Sinatra’s appeal, the Golden Age of Radio played a big part in the Chairman of the Board’s career. He sang with Tommy Dorsey in the early 1940s, and in the mid-40s, his albums were regularly featured inYour Hit Parade. He became known as an upcoming star beloved by the bobby socks set. Radio comedians had fun with him  as a guest joking about his rail thin figure. Another recurring joke had him as a rival of Bing Crosby, although he didn’t eclipse Crosby for many years. Radio was there for Sinatra when his career was on the rocks in 1953. NBC gave him the role of Rocky Fortune, a footloose and fancy free young man who found mystery and adventure at every job he took. Unlike Dick Powell in Richard Diamond, Sinatra eschewed singing on the program and did the show as a typical crime drama. A best supporting actor win by Sinatra for his performance in From Here to Eternity placed his career back on solid footing and thus put an end to the jobless adventures of Rocky Fortune, but the series along with Sinatra’s other work, has left an indellible impression on radio.

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You Ought to be on DVD: Vintage Mystery Movie Series

The era of DVDs has brought many great films and television shows to people’s home viewing. Yet there are many efforts that have not been given their due with a DVD release so they can be enjoyed by audiences. Instead they’re not shown at all or show only occasionally on certain TV channels.

The good news in recent years is that most studios have continued a slow roll out of material. Some material that’s been considered to be of commercially questionable value have been released on DVR through Archives collections which have given viewers access to such treasures as the George Sanders Saint Collection and Red Skelton’s Whistling Trilogy without committing studios to spending large amounts of money on a big run of DVDs.

However, there remain plenty of TV programs and movies that have not gotten their due with a DVD release and have thus remained obscure and hard to come by except from the sellers of bootleg DVDs.

So, in this series of posts we’ll be taking a look at some movies and television shows that deserve to be available on retail DVDs.  Our focus is on detectives and there are quite a few detective films from the golden era that are not available. The biggest contingent is the detective movie series. In the pre-Television era, these film detectives starred in “movies” that were usually between 60 and 75 minutes. The most famous of these are the Charlie Chan and the Rathbone-Bruce Sherlock Holmes films. In addition to this, Peter Lorre’s Mr. Moto films and Bonita Granville’s Nancy Drew films, have been released as well as the public domain adventures of Mr. Wong and Bulldog Drummond. The Michael Shayne films have scored partial releases have the Falcon and the Saint.  However, the mystery film series goes beyond that and there’s much missing that ought to be there.

5) Philo Vance

Series run: 1929-40, 1947

Stars: William Powell (5 films), Warren William (2 Films), Alan Curtis (2 Films), Basil Rathbone, Paul Lucas, Edmund Lowe, Grant Richards, Wilfrid Hyde-Wright, James Stephenson, William Wright

Total Films: 16

“Philo Vance needs a kick in the pants.” So concluded Ogden Nash. Many a literary critic has wondered why the arrogant and unlikable literary Vance become so popular. The answer may be that America loved the great British detectives and longed for one of stature they could call their own and Vance was the first American-based detective to be at that level.

The movies are another matter and ought to be a fun opportunity for fans, especially the Rathbone film as well as five featuring a pre-Thin Man William Powell. This series was a big step in Powell’s career, so much so that in the Thin Man Trailer, “Philo Vance” helps to introduce the new movie series.  Sadly, only one film from this series is readily available and that one escaped into the public domain.

5) Hildegard Withers

Series Run: 1932-37

Stars: Edna May Oliver (3 Films),  Zasu Pitts (2 Films), Helen Broderick

Total Films: 6

A classic series of Comedy mysteries, the first three films with Oliver are acclaimed as solid comedy mysteries featuring Boston-based spinster who finds herself involved in murder mysteries.

4) Ellery Queen

Series Run: 1940-42

Stars: Ralph Bellamy (4 films) and William Gargan (3 Films):

Total Films: 7

Ellery Queen remains one of the most recognized characters in detective fiction and the 1975 TV series is on DVD but this classic series featuring the master detective played by not one but two great actors is completely absent.

3) The Lone Wolf

Series Run: 1935, 1938-43, 1946-47, 1940

Stars: Warren William (9 films), Gerald Mohr (3 films), Melvyn Douglas, Francis Lederer, Ron Randelll

Total Films: 15

Michael Lanyard (aka The Lone Wolf), like Boston Blackie was a jewel thief turned detective. He was the lead character in several novels by Joseph Vance as well as a series of silent films.

Two isolated films in 1935 and ’38 were made before Warren William made The Lone Wolf Spy Hunt in 1939. The turn to espionage was timely and Williams would make 8 more Lone Wolf Films before 1943.  Also of interest are the three films starring Gerald Mohr (better known as the star of radio’s Philip Marlowe) released in 1946 and ’47.

In addition, I would also put a plug in here for giving a full DVD release to the 1954-55 TV series starring Louis Heyward. The 39-episode syndicated series was top notch with Heyward turning in an action-packed performance as Michael Lanyard.

2) Perry Mason

Series Run: 1934-37

Stars: Warren William (4 Films), Ricardo Cortez, Donald Woods

Before there was Raymond Burr, there was Warren William as Perry Mason hit theaters in the mid-30s. The release of these films would make a nice contrast to the more recent takes on Perry Mason.

1) Boston Blackie

Series Run: 1940-49

Star: Chester Morris (14 Films)

Morris played the character of reformed thief Boston Blackie in one of the more popular 1940s Detective film franchises that was a huge moneymaker for Columbia. Over the course of the films which ranged from 60-68 minutes in length, Boston Blackie became one of the more interesting golden era characters. We pick up the result of some of this evolution in the Boston Blackie series. That this most beloved series hasn’t been given its due on DVD is a shame and hopefully, it will be corrected.

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Radio’s Most Essential People Countdown: #95-#91

Continued from Part One:

95) Lon Clark

For twelve seasons, Lon Clark played his memorable role as Nick Carter, Master Detective but this was not the limit of Clark’s radio acting. He remained a presence on all sorts of New York-based programs including Cavalcade of America and 2000 Plus. Even after the golden age of radio ended, his lent his talent to productions such as Theater Five and The CBS Mystery Theater.

94) Shirley Mitchell

One of radio’s best comedic character actresses, she had featured roles on the Joan Davis programs, the Life of Riley, Fibber McGee and Molly, and most famously on the Great Gildersleeve where she played Leila, a Southern Belle. As radio comedy declined in the mid-1950s, she became a reliable actress for CBS’ Drama series including Have Gun Will Travel, Yours Truly Johnny Dollar, Suspense and Fort Laramie, often providing some comic relief, but capable of pulling off a serious performance.

William Bendix

93) William Bendix

William Bendix landed a defining role as Chester Riley in 1944. Riley was a lovable dope and a Brooklyn transplant to Los Angeles. It was Bendix’s perfect timing that made the show work for seven years over radio followed by another five over television. In addition to Life of Riley, Bendix had his share of performances on Suspense, Lux Radio Theater, the Columbia Workshop, and the Family Theater that showcased his talent.

92) Edward Arnold

Legendary film character actor Edward Arnold was a force to be reckoned with on radio. With his booming voice, and powerful presence, he made a great MC for shows like the Maxwell Good News Show of 1940 and the Hallmark Hall of Fame. He also appeared in many memorable adaptations of Hollywood films. Arnold also starred as Mr. President for six years in a legendary series that told true life stories from the lives of the men who held the highest office in the land. His performance had even Harry Truman calling him “Mr. President.”

91) Frances Langford

Frances LangfordFrances Langford had a long association with radio that began in the mid-1930s and lasted for more than a decade and a half. She appeared on musical programs with Rudy Vallee and Dick Powell, but she was best known for her association with Bob Hope. During World War II, she toured with Hope overseas. She also played Blanche on the iconic radio sitcom, The Bickersons.

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The Big Detectives

In advance of presenting The Fat Man to our listeners, we take a look at some of the king sized detectives who’ve appeared in radio and television.

 
Kevin James as Paul Blart

In 2009, Kevin James came to the silver screen as Paul Blart, Mall Cop. In this action Comedy, Paul Blart is an overweight bumbling mall security guard who dreams of a job with the State Police but continually falls short on the physical. When his mall is being taken over by a gang of desperate criminals, Blart jumps into action to thwart the bad guys and defeat the criminal mastermind.
In a nation where an ever-increasing number of us are overweight, Blart was a huge success. It had the 6th best January opening weekend ever at the box office and was the 19th highest grossing film of the year.

Paul Blart was not the first pudgy protagonist to take on the bad guys in a role often reserved for much more streamlined men.

In 1945, NBC created a sensation with its summer series, Rogue’s Gallery starring Dick Powell which moved to Mutual for the Fall. ABC wanted to cash in on the rising tide of the Hard Boiled Private Eye which became so associated with radio. So January 21, 1946 saw the former Blue Network offer not one but two hard boiled private eyes. The first was I Deal in Crime starring B-movie Star William Gargan as Ross Dolan and then there was The Fat Man which starred Fred Allen Alumni J Scott Smart as Brad Runyon. I Deal In Crime lasted a respectable two seasons, but it was The Fat Man who was the keeper.

The Fat Man was introduced as Dashiell Hammett’s most exciting character. Truth be told Hammett had little to do with the show. Hammett himself stated, “”My sole duty in regard to these programs, is to look in the mail for a check once a week.” The character Brad Runyon had the most in common with was Hammett’s Continental Op. The name the Fat Man evoked two images from Hammett’s work. First was a contrast between The Fat Man and the Thin Man, a Hammett book that had launched movie and radio franchises. The other was with the villain of the Maltese Falcon who Spade called The Fat Man, Kasper Gutman.

Jack SmartBrad Runyon had little in common with Gutman because not only wasn’t he a villain, but unlike Gutman,  Runyon was a man of action. This also separated him from Nero Wolfe, who relied on others to do his legwork.  Runyon, however was solidly in the hard-boiled school of private detection, taking and giving his own lumps. Runyon was tough, intelligent, and attractive to the ladies despite his girth, but also was a little sensitive about the subject. At the end of an episode he bemoaned, “Nobody loves a Fat Man.” Radio audiences begged to differ.

With its iconic opening, the Fat Man became a radio hit: 

There he goes, into that drugstore. 
He’s stepping on the scales. 
Weight: 239 pounds. 
Fortune: Danger. 
Who is it? 
THE FAT MAN 

Because of only ten episodes in circulation, it can be hard for the modern listener to grasp how popular the Fat Man was. Smart played the Fatman from January 1946 to September of 1951: 5 years and 9 months. That was longer than Bob Bailey played Johnny Dollar and longer than Sam Spade was on the air. The popularity of the Fat Man spawned a motion picture.

The Fat Man (1951) featured Runyon (still played by Smart) trying to solve the murder of a dentist. The style of the film was somewhat reminiscent of the Killer where the detective has to share the limelight with a rising young star (In this case Rock Hudson) through flashbacks. However, the film also gave Smart an opportunity to shine in some ways that even radio couldn’t portray. Film audiences for example found that the Fat Man could dance. 

Unfortunately, four months after the movie was released, The Fat Man danced right off the radio. Despite Hammett’s lack of any real involvement in the show, due to his problems with the House Un-American Activities Committee, the Fat Man struggled to maintain sponsors. The show’s producers were hoisted with their own petard. They’d work to build the association with Hammett and were stuck with it. Even leaving Hammett’s name off the movie credit did no good. The show was cancelled after the 1950-51 season.

How great a tragedy this was is probably worth some debate. By 1951 radio was in decline, so it’d be a stretch to imagine the Fat Man had many more seasons over radio. It’s been suggested that there would have been a series of Fat Man films like the Thin Man, but television had effectively killed the mystery movie serial as it had prospered during the 1930s and 40s. Nothing illustrated that more clearly than that the 1950s version of Charlie Chan was seen on TV not at the movie theaters.

If anything, J. Scott Smart could have brought the Fat Man to TV, but even that was a questionable prospect as we shall see.

Lloyd Berrell in Long John Silver
Meanwhile, the Fat Man found new life over another ABC-the Australian Broadcasting Company. Many American shows including Gunsmoke, Superman, Dangerous Assignment, and The Shadow were re-performed. The Fat Man joined this company in the Fall of 1954. Unlike Smart, Lloyd Berrell didn’t look the part of Brad Runyon, but he performed competently, and the Australian Fat Manis one of the widest circulating Australian remarks of American shows with far more episodes in circulation than the American show on which it was based.

Henry CalvinHowever, the Fat Man wasn’t the only large radio detective. In 1950, NBC brought the Big Guy to radio. In the lead was Henry Calvin who definitely had the build for the part.  In the latter half of the 1950s, he  would play his most memorable role as Sergeant Garcia on Disney’s Zorro and in the 1960s would appear in a variety episode of the Dick Van Dyke Show as Oliver Hardy with Van Dyke as Stan Laurel.

The lead character was quite a bit different from Brad Runyon. Calvin played Joshua Sharp, a widower and the doting father of two young children. This contrasted with his work as a detective which often brought him into contact with a part of life that required a certain toughness. Sharp’s mix of sweetness and roughness made for an interesting show that lasted less than six months.

Joseph Lewis was the first to attempt to bring a fat detective to television with his 1958 or 1959 pilot for the Fat Man called, “The Thirty-two Friends of Gina Lardelli.”  Robert Middleton starred as Lucius Crane. It didn’t have any relationship to the radio drama of the same name. The first ten minutes of the program seem like its mirroring the Nero Wolfe stories. A potential client comes to his apartment and his informed by his dapper young assistant that Mr. Crane will not be available for a couple hours because he’s eating lunch.The man is insistent and so the young assistant is moved with compassion and takes him to the restaurant.

Robert Middleton in the Fat ManHowever, there the similarities end. We find that Lucius Crane investigates his own cases with only a little help from the sidekick. The mystery is well-written. Middleton does fairly well as Crane. There was a little stiffness early on, but this was not unlike trying on and getting comfortable in a new set of clothes. Overall, the show worked quite well and could have been an interesting program.

Unfortunately, the Fat Man was not picked up. The script did get used a decade later for a Season 2 episode of Mannix.

Television would be a far harder nut to crack for overweight detective. TV was a more superficial medium than radio or classic films. As a true professional actor, Gargan was frustrated on the Martin Kane program with the decision to employee hapless yet beautiful actresses who would spoil lines on live TV. As a devout Catholic, he was also bothered by what he perceived as the show’s attempt to push more skin in the audience. As he result, he left Martin Kane in 1951 and returned to radio.

For overweight actors, this superficiality meant less access to man roles. Oscar Winner Edmond O’Brien was informed that he couldn’t star as Broadway Detective Johnny Midnight unless he lost weight. Sebastian Cabot did get a role in a crime drama on Checkmate in 1960-62, but it was as a mastermind and mentor to two young trim and handsome private eyes.

Perhaps, the worst slight was given to William Conrad. Conrad had made a career playing cops and heavies over radio and provided vital narration on programs such as Escape before landing the role of Marshall Matt Dillon in Gunsmoke in 1953.  When word spread that the program would come to television in 1955, it was assumed that the radio cast would make the leap to television.

However, there was resistance from executives in New York. Veteran radio and television actor Harry Bartell worked with CBS photographers and producer Norm Macdonnell to produce photographs of the original cast, Bartell commented, “Anyone who has looked closely at photographs of the Old West I think will agree that the radio cast looked more legitimate than the TV cast. But, they were not the Hollywood concept and above all else, we must not stray too far from the cliché!”

Conrad had been denied the seminal role on what would become television’s longest running prime time drama, but didn’t let that ruin his career. He continued to star in Radio’s Gunsmoke until it went off the air for the last time in 1961.He also directed a lot of television shows and narrated for programs including The Fugitive, Rocky and Bullwinkle and even a couple episodes of Gunsmoke.

William Conrad as CannonSixteen years after Gunsmoke came to television, he got a crack at a starring dramatic role as the title character in Cannon. Frank Cannon was an ex-cop who was a private detective and freelance troubleshooter. Cannon was a gourmet chef, but also a martial arts and weapons expert who could more than hold his own in a fight and was a great driver when a chase scene was called for.

While Cannon was a detective, the plots were less mystery and more suspense as the audience usually was told whodunit long before Cannon found out. Cannon was a fascinating character who could be as tough as nails to the bad guys, but gentle, wise, and good humored to those around him.

Cannon lasted five seasons and returned for a TV movie in 1980. Conrad went on to star in two more crime dramas, Nero Wolfe and Jake and the Fatmanwhich were less physically demanding roles.

From Brad Runyon to Paul Blart, these overweight heroes have played a unique role. While lacking the sex appeal of their counterparts, they surprise us with their courage, their skill, and most importantly their heart. For this, they’ll always have a place in the annals of crime fiction.

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