Author: Yours Truly Johnny Blogger

Hercule Poirot: Death in the Golden Gate (EP0637)

While attending a peace conference in San Francisco, Poirot witnesses a kidnapping and finds himself involved in International intrigue with the fate of the world at stake.

Original Air Date: May 17, 1945

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Barrie Craig: Blood Money (EP0636)

William Gargan
Barrie subcontracts to an aging private eye to find a missing rug merchant.  Barrie finds the man dead and has to stop killer from killing the private eye.

Original Air Date: August 24, 1954

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Audio Drama Review: Father Brown, Volume 3

In this Third Volume of the Father Brown Mysteries, Colonial Radio Theatre takes the stories from The Incredulity of Father Brown and the Scandal of Father Brown, two of the latter collection. Colonial an admirable job with the source material:

“The Oracle of the Dog”: A man is killed in his summer house and the strange behavior of a dog is seen as a key clue. Colonial had to do some work on this story as an adaptation. In the original Chesterton story, Father Brown doesn’t visit the scene of the crime, but rather solves the case based on clues given him by someone else. Thus, it came off as more of Chesterton’s criticism of literary treatment of canines in murder mysteries. Thanks to Colonial, this story comes alive while still getting Chesterton’s point across.

“The Miracle of Moon Crescent”: In America, Father Brown warns four skeptics of that a well-known in millionaire is in danger after telling a story of his encounter with a superstitious Irishmen. They scoff at him, but when the millionaire is found murdered with no reasonable scientific or  psychological solution presents itself, the skeptics begin to doubt themselves and begin to consider a supernatural solution. J.T. Turner did a great job writing the adaptation and captured the subtleties of the satirical elements of the story. The only thing that marred this one was that the accents seemed quite a bit off. Still, a worthwhile presentation of a great story.

“The Green Man”: A wealthy admiral is found murdered in full dress uniform by two golfers and it’s a classic whodunit. The story begins in medias res with Father Brown speaking to one of the suspects before the final denoument, a kind of interesting twist. The story is standard whodunit fare handled quite capably by Colonial.

“The Quick One”: A classic story of murder in a hotel bar of a a Tory curmudgeon. Father Brown insists that that the key to the case is finding an unknown man who stopped in for a drink and didn’t even bother to finish it. (i.e. The quick one.) The mystery was well and faithfully adapted. A couple weeks ago, I criticized the British TV version for trying to mitigate Father Brown’s views of the deceased as a heroic figure who was the one of the last men who could have saved England. Colonial avoided any revisionism in that regards. In one way, they actually improved on Chesterton with an edit. They moved a line that Father Brown delivered in the middle of the original story to the end when Father Brown was talking to his policeman companion on a train. Where it was originally written, it kind of seemed like rambling dictum that readers could easily pass over on their way to the solution. However, put at the end, it offers a vital explanation as to why a Priest would always be involving himself in Homicide investigations. This is probably the best Father Brown episode that Colonial’s done so far.

Overall rating for the collection: 4.5

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Yours Truly Johnny Dollar: The Oklahoma Red Matter (EP0635)

John Lund Johnny Dollar investigates a $65,000 claim for the death of a race horse.

Original Air Date: June 9, 1953

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Sherlock Holmes: The Empty House (EP0634)

Thought dead for three years, Holmes returns to track down the last member of Moriarty’s gang.

Original Air Date: April 11, 1948

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Let George Do It: The Man Behind the Frame (EP0633)

Bob Bailey
George helps a young man on his first trip to the city who finds him in the middle of a murder investigation.

Original Air Date: January 8, 1951

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Hercule Poirot: Murder Wears a Mask (EP0632)

Hercule Poirot matches wits with a murderer who tries to frame a protective father for the murder of an actor.

Original Air Date: May 3, 1945

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Barrie Craig: Mid-Summer Lunacy (EP0631)

William Gargan

At a resort, Barrie is hired by a wealthy young woman to investigate a young man who claims to be wealthy too. Barrie finds both are frauds, but that’s just the start of the case.

Original Air Date: August 17, 1954

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We’ll Always Have Casablanca

On Wednesday, it was my pleasure to attend TCM 70th Anniversary screening of Casablanca at the Edwards 21 Cinema in Boise. It was the second time I’d seen Casablanca, but seeing it in theaters, the way it was originally intended was definitely a different experience.

I’d seen it about 9 years ago on VHS. Seeing it theaters was a different experience. There’s so much depth and richness to the film. And just to see it as big as life on the screen, as it was originally intendeded, was incredible.

Casablanca is not a movie that you “review.”  That’d be silly. Still some things are striking. Casablanca remain an idealistic movie that’s still about real people dealing with real problems.

It’s a big movie about big things and big decisions.  It’s a movie where the ending wasn’t written when the filming began, but it may have been the best and most profound endings a movie had.

While I appreciate radio’s attempts to adapt Casablanca, this may be one classic film that loses quite a bit in the transition to audio format. One big thing I noticed was Bogart’s facial expression. A single look from him spoke more than a hundred lines of dialogue. Perhaps, if you’ve seen it a dozen times, you can probably imagine it well enough, but Casablanca is one of those films that on a relatively low budget ($800,000) creates a cinema richness that’s truly art.

The one thing radio could never duplicate is Bogart’s face. Bogart’s expressions communicate more than 200 pages of scripting could.   Particularly early on, when you watch him experience this pain of Ilsa (Ingrid Bergman)  return and dredging up all these memories, it’s so real you can almost feel what Rick’s going through Bogie’s eyes.

Casablanca is like many films in having a lot of elements at work: adventure, romance, drama, and comedy.  However, what Casablanca does better than any other films I’ve seen is that it times them perfectly, so you’re laughing one moment, drawn into the drama , and then laughing at some of the great comic relief moments and snappy lines.

I hope that Casablanca endures and that it’s passed down to future generations as the wonderful American film that it is.

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Yours Truly Johnny Dollar: The Costain Matter (EP0630)

John Lund

Johnny Dollar investigates a series of high priced shoplifting cases.

Original Air Date: June 2, 1953

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Sherlock Holmes: Lady Waverly’s Imitation Pearls (EP0629)

Holmes seeks to avoid embarrassment for a prominent family over the disappearance of imitation jewels.

Original Air Date: April 4, 1948

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Let George Do It: Opportunity Knocks Twice (EP0628)

Bob Bailey

A young man hires George to prove his uncle was murdered rather than having committed suicide.

Original Air Date: December 18, 1950

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Hercule Poirot: The Case of the Careless Victim (EP0627)

Harold Huber

Poirot while trying to relocate to New York finds himself struggling to find an apartment. Instead, he finds a corpse first.

Original Air Date: February 22, 1945

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Barrie Craig: Death’s Bargain Basement (EP0626)

William Gargan

Barrie Craig investigates embezzlement and murder at a department store.

Original Air Date: August 10, 1954

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Movie Review: The One and Only, Genuine, Original Family Band


Does modern politics with its robocalls and attack ads have you down? Try politics in the 1888 with a musical score attached.

The One and Only, Genuine, Original Family Band is a film that doesn’t get a whole lot of love in online reviews at least by people who post standalone reviews on their website. The 1968 Disney Musical is more often panned than praise. Yet, it was a favorite of mine growing up and I had an opportunity to watch it again and it deserves better than its gotten. So here goes.

In 1888, the Bauers are a musically talented family living in Missouri. The head of the house (Buddy Ebsen) is a soft-spoken Republican but his father is an outspoken Democrat (Walter Brennan) who wants to take the family band to St. Louis to perform at the Democratic Convention.  Much to her grandfather’s chagrin, the eldest daughter is in love with a young Republican newspaperman (John Davidson) from the Dakota territory who wants to move the whole family and as many other Republicans as he can out to the Dakota territories to justify the bid to have the Dakotas admitted as two separate states and then to assure those states remain Republican.

If you love American history, this film is a great look back at a little known chapter. Their portrayal of the Dakota Territory politics makes clear that passion and even pettiness is nothing new to American politics, although the issues were arguably not as hot or fundamentally divisive in 1888 as it was today. It also reveals the Democratic and Republican Parties of the era were vastly different entities from their modern counterparts, so it’s hard to charge the The One and Only, Genuine, Original Family Band with any bias. The movie is full of ironic political moments. At a rally, one man complains that Cleveland refuses to take action to reduce the government surplus. In the election night event, as befits, a Hollywood musical, the two parties held one election night party and Democrats and Republicans taunted each other in songs. In one memorable portion, proponents of one side sang about their candidate’s pledges and the other side proclaimed, “Ahh, that’s politics.”Then they recited their own candidate’s similar platform and declared, “That’s statesmanship.”

The music has not been praised by most, as the song have been viewed as forgettable. Indeed, it doesn’t measure up to the great musicals like The Sound of Music or even Disney’s earlier hits like Chitty Chitty Bang Bang. It’s also true that Grandpa’s tribute to Grover Cleveland goes on way too long.  However, the movie features the stirring song, “Dakota”  sung by Davidson. It’s a stirring tribute and it’s stuck with me through the years as one of those songs that will all the sudden pop in my head. Then there’s the delightful, “‘Bout Time” sung by Davidson and co-star Lesley Ann Warren.

What makes the movie great are the great performances by Brennan, Davidson, and Ebsen and the movie’s message.  As Grandpa, Brennan is at his cantankerous best, constantly stirring up trouble as the loudest Democrat in a Republican-dominated town. He’s sincere, well-intentioned, and patriotic.

Ebsen’s as Calvin Bower is a pillar of quiet strength. He respects his father, and goes along with his dad’s goal of singing at the Democratic Convention. When asked by a Democratic representative how he can be a Republican and want to come sing his father’s tribute to Grover Cleveland at the Democratic Conventions, Calvin replies that the song would not be well-received at a Republican Convention.

However,  Calvin  stands up to his father when his antics threaten his daughter’s happiness. And its Calvin who brings the town together at the end of the movie with a simple speech.

Davidson is great as a mix of romantic lead, a political firebrand, and also a respectful and noble opponent of Grandpa Bower’s political goals.  Davidson’s Joe Carder remains a noble and decent man who is still passionate about his politics.

This is a movie without villains, but with plenty of conflict. The Bower family pulls together despite politics and sacrifices for one another.  Calvin is ready to wait a year to go to Dakota despite the fact that good land will be gone to fulfill his father’s dream of going to the Democratic  Convention. His dad chooses to give up his dream for the sake of his children and grandchildren. For the Bower’s family comes before party politics. And at the end of the day, the movie ends with the town joining hands to work together once the Presidency and the Dakotas fate had been decided.

Such an ending probably seemed too idealistic and simple when the film was released in 1968. The assassinations of both Robert F. Kennedy and Martin Luther King, as well as violence at the 1968 Democratic Conventions marred the election year. It may seem even more disconnected from our present reality when presidential elections lead to people either declaring the election fraudulent, suggesting that the United States be divided, or threatening to move to a foreign country.  But to me, the end leaves me a little nostalgic.

Rating: 3.5 out of 5.0

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