A woman comes to Brad because she’s afraid her hot-headed nephew will kill his stepfather.
Original Air Date: January 13, 1955
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“The story you are about to see is a fib, but it’s short. The names are made up, but the problems are real.”
With these words began one of my earliest mystery series, Mathnet.
Mathnet began as just one sketch on the series, Square One, a PBS educational program designed to teach kids about Math. Other sketches included “Mathman”, the animated adventures of “Dirk Niblick of the Math Bigrade” among others. Infrequent parodies included a couple of Honeymooners parody sketches. Each sketch, song, or story had the goal of teaching about math in an entertaining way.
Mathnet was its Dragnet-style sketch starring Beverly Leech as Kate Monday and Joe Howard as her partner George Frankly. They were crime-solving mathematicians who demonstrated a wide variety of math concepts in solving crimes.
The initial episode of Mathnet, The Case of the Missing Baseball was more parody than anything else with the cameramen playing off of Dragnet’s use of close ups to show a series of rapid close-ups in part one of the Missing Baseball. The show couldn’t keep that up forever, so it became much of a homage with comic and educational overtones. The show also changed from its pilot episode in which the two mathematicians weren’t part of the police force, even though they acted like it until they got the criminal.
Leech turned in a solid straight woman performance as Officer Monday, but Howard shined as the goofy, but usually competent partner. Like Ben Alexander (Frank Smith) and Harry Morgan (Bill Gannon), Howard brought comic relief to the cases with dialogue like this when Kate announces they’ve received a call about a missing autographed baseball:
George: I love baseball, Kate. Martha and I, we went to Dodger Stadium last night, Kate.
Kate: The Dodgers played in Cincinnati last night, George
George: Yep. No trouble parking. You ought to go with us. Martha and Me to a Dodger game. No trouble parking.
In another episode, Kate Monday asked an apprehended criminal, “Do you agree that crime doesn’t pay?”
He responded, “Yeah, at least not the way I do it.”
The show’s comedy worked. Then, it was merely funny. Today, I see some of the ways it copies Dragnet’s success.
The show played homage to Dragnet in other ways that a kid under 10 who hadn’t seen Dragnet wouldn’t have caught on. James Earl Jones appeared as Chief of Detectives Thad Green. In the original Dragnet, the Chief of Detectives was Thad Brown.
The program was cleverly educational, working into the plot math tricks such as estimating, Â calculating the angle of refraction, basic geometry, probability, depreciation, and the effective use of databases and spreadsheets. While Mathnet didn’t provide a comprehensive math education, it taught some great math principles.
For kids, the program also provided solidly plotted mysteries with some fascinating conclusions. The stories were told as five-part serials that would end each episode of Square One and give kids a reason to tune in tomorrow. Mathnet began as just one sketch of many, with it’s first serial averaging about 6 minutes of air time per show. However, due to its popularity, Mathnet took up an ever-increasing share of Square’s One time.
In the middle of the second season, the show was packed up and moved to New York where other Children’s Television Workshop Shows were based. Their first case in New York, The Case of the Swami Scam aired as a standalone TV movie. In subsequent seasons, Leech was replaced by Toni Di Buono as Pat Tuesday. But by then I was in an area where we didn’t get PBS.
I remember Mathnet fondly for two reasons. Â First, the entire show, Square One, was successful at making math fun. I still use today math tricks that I learned from Mathnet and I wasn’t the only one. A reviewer on IMDB notes:
In 6th grade in 1997, on Fridays we would watch Mathnet. It was always fun but plenty educational! As a student math was always the easiest when it was made fun, and that is exactly what this movie did for us. Quite frankly, the Mathnet series actually inspired my class to do our homework, because we weren’t allowed to watch it unless the whole class did their homework. It was always a treat when we got to watch these movies. There aren’t many good math movies (as I know now because I am studying mathematics) so it is amazing that Mathnet is so interesting. When the teacher who used them retired, he took the tapes with him and now Indiana is Mathnetless which is a pity!
If only educational TV was always that effective. It also helped spur a lifelong interest in Dragnet. When I got older, my love of Mathnet fueled my love of Dragnet and the rest, as they say, is history.
Mathnet’s blend of great comedy, solid math skills, and some great fun with classic mysteries still brings a smile to my face. My only regret is that the show has not been given its due with a DVD release.
Episodes of Mathnet are currently posted on YouTube.
A young woman with amnesia is key to the Man Called X locating a stolen collection of paintings that’s needed to provide a good future to Italian war orphans.
Original Air Date: August 15, 1948
Who’s listen to the Great Detectives of Old Time Radio? Tens of thousands of people all over the world interact with the content we create one way or another. I know that there are hundreds of thousands of unique listens and tens of thousands of views of old time radio programs and public domain films and movies on the YouTube channel.
I have a few tools that give me a general view of what audience is listening to my podcast or watching my YouTube channel and in this article, we’re going to talk about a general picture of who is in my audience.
Geography:
For all of our feeds, more than four out of five of our overall listeners (82%) are from the U.S. The biggest source for foreign listens is Canada (11%) followed by the U.K. (2.4%) and Australia (1.5%). In terms of cities, Chicago (1.16%) is the only city in the world that makes up more than 1% of our downloads. Other cities in our top 10 include six U.S. cities: Los Angeles, Seattle, Portland, Minneapolis, Houston, and Phoenix. Also included are three Canadian Cities: Calgary, Toronto (Home of the Red Panda), and Vancouver. About 92.5% come from somewhere else.
Some individual feeds have a different national breakdown. For example, our feed for just Yours Truly Johnny Dollar episodes is 89% American. Philip Marlowe has the same 89% American total with 29% of listeners to the Philip Marlowe feed coming from territory Marlowe would know well, Los Angeles and Santa Monica. Listeners to the Nero Wolfe feed are 86% American, but there’s no concentration of listeners in New York City.
On the other hand, only 76% of listeners to our Sherlock Holmes feed are Americans, with 7% of our listeners coming from the U.K. Our Poirot feed has the highest number of foreign listeners, with more than 45% of listeners from outside the U.S. In addition, on that feed, there are more listeners from the U.K. (13%), Australia (6%), and Ireland (5%), than Canada (3%). The most Canadian feed is our Jeff Regan feed where nearly one in three (32%) of listeners hail from Canada.
Age and Gender:
The best information we have on audience demographics is from the voluntary listener survey.
Spotify does provide some information for age and gender of who listens to the podcast on their service. T hat’s only representative of those who use Spotify. Still, the information from Spotify is close to what the listener survey showed. The audience for Great Detectives is a little less than 2/3 male and trends older. According to Spotify, listeners who enjoy my podcast like Rolling Stones, the Beatles, Frank Sinatra, David Bowie, and Taylor Swift.
The individual show feeds are mostly similar, but a couple were different. 81% of the listeners to the Amazing World of Radio on Spotify were 35 or younger and only slightly more male than female. The Old Time Radio Superman Show also has a strong under 35 contingent with 39% of listeners being under 35, but also men outnumber 7:1 in the listenership category.
How People Listen
When I started podcasting, Apple made up between 80-90% of my podcast downloads. Apple still accounts for more than 70% of my downloads, but there are a lot of competitors, with no clear second place finisher. For our show, there are 11 different services that account for 1% or more of our downloads. The most popular of these is Tune-in. Tune-in amounts to nearly 4% of our downloads. Stitcher is about half a percentage point.
When Are You Watching:
The YouTube channel stats are less detailed. In the topline demographics, the audience on YouTube tends to be older than the podcast audience and slightly more male than the podcast audience. The same top four countries on the podcast (U.S., Canada, U.K., and Australia) are also on YouTube.
The most interesting, irrelevant information provided by YouTube is when people watch my videos. Early in the morning daily is a period of between 2 and 7 hours when few of you are on. Viewer interest grows throughout the day leading to a two hour prime time between 8 and 10 PM MT according to YouTube, “Very many of your viewers are on.” That is except on Thursday, when it’s only between 8 and 9 PM. Also, Thursday is the day where between 1 and 8 A.M., few of my subscribers are on. This suggests people who watch the Great Detectives on YouTube may not be fans of Thursday.
This has been an interesting exercise. I’m glad for all of you, wherever and whenever you are, and however you choose to experience our content.