Tag: Michael Shayne

DVD Review: The Complete PRC Michael Shayne Mystery Collection


Most of the Michael Shayne films from the first half of the 1940s starring Lloyd Nolan have been on DVD for years. This DVD features five films released in 1946 and ’47 starring future Ward Cleaver actor Hugh Beaumont as Michael Shayne.

The earlier films were B pictures for Fox, however the Hugh Beaumont films were poverty row pictures, with low budgets and generally dodgy acting with no-name casts.

The restoration is phenomenal. While the typical poverty row picture from original prints looks grainy and even unwatchable, these films look superb, given the source material. The production team on the release went to a lot of work to make these look as good as possible. Given I watch so many DVDs of older material where it looks like a straight transfer was done to get them out and start taking money, I was really impressed.

Hugh Beaumont elevates the quality of these films. The ordained minister who would go on to play Beaver’s dad is miscast. But Beaumont’s an actor and pulls this off. An annoying lead can wreck one of these films. (See George Montgomery in the Philip Marlowe “B” film The Brasher Doubloon.

The films are helped by having good underlying stories. The Fox Shayne films adapted one of Britt Halliday’s Shayne novels. All five of the PRC films were adapted  from Shayne novels. Halliday was great at constructing mystery plots and these transfer over well when the producers don’t tinker with them too much.

In the course of five films, Beaumont was paired with three different actresses as Phyllis Hamilton. Hamilton was a composite of Shayne’s wife Phyllis in the novel and Lucy Hamilton, who became Shayne’s secretary after his wife died. Cheryl Walker played the role in three films, Kathryn Adams in Blonde for a Day, and Trudy Marshall in Too Many Winners.  Walker and Adams did fine in the role, but I found Marshall irritating, though it’s hard to tell whether it was the screenwriting or her acting, but she was a negative on that film.

The rest of the supporting actors range from competent to awful, reflecting the sort of variety seen on these hour-plus-long poverty row films.

As to individual films, Murder is My Business, Three on Ticket, and Too Many Winners were decent to good films with Murder is My Business being the best. Larceny in Her Heart was based on the novel Bodies are Where You Find Them which was going to be a difficult novel to adapt in this format due to its complex political subplot, which does get reduced to confusing nonsense. In addition, in the novel, Shayne’s wife Phyllis heads to New York and isn’t heard from again. In this movie, Phyllis returns in the middle of the movie and adds a plot complication that the film didn’t have time for.

Blonde for a Day is undermined by weak acting apart from the leads and once again is too complicated for the limited run-time of the film, though I did find it more visually pleasing than when I first rented a non-restored version off Amazon a few years back.

While Too Many Winners was not my favorite, it’s the most noteworthy. As part of the plot, Mike and Phyllis are planning a duck-hunting vacation which is disrupted by the mystery and the movie is obsessed with this point, even using drawings of Mike and Phyllis duck-hunting in the opening credits. This film also featured the most recognizable actors to appear outside of Beaumont in the entire series. John Hamilton (aka Perry White from The Adventures of Superman) and also veteran TV and film character actor Ben Weldon who has 249 acting credits on his IMDB profile.

Given two of the movies aren’t good, it’s hard for me to recommend the set for everyone. However, if you love Michael Shayne books, are a fan of Hugh Beaumont, or if you like poverty row, B-movie mysteries and would like to see a well-restored production, this could be worth checking out.

Rating: 3.5 out of 5

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Book Review: Tickets for Death


In Tickets for Death, Michael Shayne is called in to investigate counterfeit race track tickets at a small town outside of Miami. He and his wife Phyllis drive to a hotel. Before he can even get started investigating, he has to kill two thugs in self-defense.

This is a generally solid early Michael Shayne story. The story moves at a great pace, and we are given quite a bit of two-fisted action and a complex mystery with many clues as well as quite a few red herrings.

The only negative is that this novel continues his over-the-top playing fast and loose with the police and evidence. I  thought that writer Brett Halliday had reached the point of reigning in how irresponsible he wrote Shayne as being until the last couple chapters, where he does the most egregious thing I’ve ever read Shayne do.

Despite that, this is a fun read. By no means is it a great novel, but if you’re looking for a detective story from the 1940s with a hard-boiled bent, this one will certainly do the trick.

Rating:3.5 out of 5

 

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Book Review: The Uncomplaining Corpses

The Uncomplaining Corpses is the third Michael Shayne novel and finds him having married the nineteen-year-old Phyllis he’d helped in the previous two novels. A rich man asks him to send a man to steal his wife’s jewel case in exchange for a thousand dollars that will be inside the case, so the rich man can keep the jewels and collect the insurance money. Shayne isn’t interested in participating in insurance fraud, but an ex-con needing money comes by. Shayne has the idea of sending the ex-con out to steal the $1000 without taking the jewel case, thus ripping off the unscrupulous rich man.

However, things go horribly wrong. The ex-con is shot by the husband who claims he found him standing over his wife’s body. Now Shayne’s license is at risk and to save it he has to find the killer.

While I thought in the first Shayne book, Halliday was trying to create a knock off of Sam Spade, this feels like a different spin on the Thin Man. Halliday is pretty effective. Phyllis is likable and precocious and willing to do what it takes to get her husband, including putting herself in harms way, perfectly consistent with the way she was written in the previous book. Shayne is perfectly relatable as a newly married man getting accustomed to married life and happy with his life. He’s not a caricature nor does he have that, “Newlywed but steadfastly refusing to be happy” feeling of Philip Marlowe in Poodle Springs. The book also has some fun moments and zaniness in the solution.

However, the book’s failing is that it’s cast of suspects are completely forgettable stock characters. The mystery is not one of Shayne’s smartest, and Shayne behaves too much like a cartoon, particularly when he’s manhandling the Miami Chief of Police Peter Painter.

Still, this is an enjoyable little mystery that, despite its failings, offers a satisfying conclusion.

Rating: 3.25 out of 5.0

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