Tag: Black Jack Justice

Audio Drama Review: Black Jack Justice, Season Eleven

Black Jack Justice ended its run as an audio drama with a six-episode eleventh season, once again featuring Christopher Mott as Black Jack Justice and Andrea Lyons as Trixie Dixon, Girl Detective.

The Eleventh Season was much the same as the first ten. The series has a very established beat at this point in the run. You get a typical mix of mystery, comedy, and glorious witty banter.

Big moments were rare. Perhaps, the biggest was the appearance of a federal agent leading to an explanation of the disappearance of a long-time supporting cast member. They did their best to manage it, but the fact that was the cast member left off-stage and they tried to give it as much weight as they could. The series finale featured Jack and his wife Dot going on a double date with Lieutenant Sabian (Gregg Taylor) and Dot’s supervisor in hopes of them getting together while Trixie is undercover as a waitress at the restaurant trying to get to the bottom of a client’s allegation that a mob is starting a protection racket. It’s a fun story.

It’s not what you expect from a series finale these days, though. However, writer Gregg Taylor argued that Black Jack Justice was one of those series that had no need for a big series finale and he’s right.

Serialized storytelling has become all the rage and with good reason. There’s something satisfying about watching characters not only have adventures, but grow and change, and having their world and life change as a result of the decisions made by them and those around them. To not have a big finale for these type of programs that ties up all the plotlines and character arcs would be a shame.

Black Jack Justice is an old-school episodic series. You can listen to any of its seventy-two episodes in any order without any real confusion. So there’s no need for closure, no requirements for the characters to come to a dramatic end.

Season Eleven does a fine job and is entertaining as always. At this point, it’s a comfortable blanket and a cup of cocoa. It delivers everything you would expect. I don’t think any episode would stand out as the series best, although I feel the finale was the best of the season with some great humor and some good moments for some supporting characters.

Season rating: 4 out of 5

Thoughts on the Series:

Typically, most hard boiled private eyes are solo acts. The Justice and Dixon combo where both narrate at different times, both have hard-boiled banter is, as far as I know, unique. The origins of this was a stage comedy act, and having dueling noirish narrators sounds like a Whose Line is it Anyway sketch, not a blueprint for a seventy-two episode series. So credit to Taylor, Lyons, and Mott for making it all come together.

The series came up with consistently good mysteries. The solutions rarely could be guessed from the beginning. Usually they were surprising and often added to the humor of the episode. The character of Lieutenant Sabian wasn’t incompetent, but was a smart cop who asked smart questions and even solved the case a couple of times. While Jack tended to solve more mysteries than anyone, really the solution could come from Trixie or Sabian as well.

While there was little character development, the characters were more complex than their typical jobs would allow. While Tracy and Jack act like they’re complete cynics, they both have shown moments of compassion and a desire for justice.

The series also breaks a key dramatic trope. From the first season, Jack and Trixie irritated each other, got on each other’s nerves, and were often nice to each other. Contrary to dramatic expectations, this didn’t mean they were destined to fall in love. This means they found each other mildly irritating and didn’t like each other. Bold move.

Justice and Dixon’s talents compliment each other well, but they’re not friends or buddies. Tolerance and a joy of annoying each other is probably the closest they’re going to get.

The series is a model of episodic fiction. There are changes that happen for our leads: Clearly establish Trixie as an equal partner in Season Two, the adoption of the office dog King, Jack getting married, and two other characters leaving the series stand out. But none of these really change the essential: Justice and Dixon sitting around the office, waiting for cases, chatting with clients, and going out and solving them.

At times, this series set in the 1950s does a stretch a bit too much to be modern but not too often. It’s a delightful throwback that has a real staying power. It’s fun and well-written. These 72 episodes stand up as a fun homage to the hard boiled detective drama and it’s been a delight to listen to them.

Rating: 4.25 out of 5

Audio Drama Review: Black Jack Justice, Season Ten

The Tenth Season of Black Jack Justice saw Jack Justice (Christopher Mott) and Trixie Dixon, Girl Detective (Andrea Lyons) engage in six more episodes set in the 1950s and featuring the regular cast of characters as they navigate a world of mobsters, lying clients, and even a disappearing mummy.

At this point in the series, Black Jack Justice had settled into its reliable mix of hard-boiled narration, philosophical musings on well-worn adages, caustic banter, and occasional gunplay. If you’ve listened to and loved the first nine seasons, there’d be nothing to make you say, “Stop this ride, I want to get off!” It continues to be excellent at what it does.

The fifth episode of the season did push up against the limits of the series. “The One that Got Away,” was about a murder attempt on a man Trixie had toyed with earlier in the series, an operative for the Brakewait insurance agency who’s getting married. The episode is a fun one as Trixie is at the office working late and one by one, Jack and other male supporting characters show up with the man following an attempt on his life after the party. The story has fun twists and crazy dialogue. Yet, it also strives to be more focused on Trixie dealing with someone she’d dated getting married. There, it doesn’t quite work. Trixie as she’s been played for ten seasons is completely self-assured and self-contained with no interest and perhaps no ability to form long-term relationship and no inkling of any further depth. The episode doesn’t do much to push the boundaries of her character as there’s not much further it can be pushed after ten seasons. She works as a superb homage to the dime novel detective but that’s about it.

Overall, the tenth season works, particularly when it sticks to what it does and knows best. If you enjoy noir stories, with witty dialogue and a dose of comedy, Black Jack Justice continues to be a worthy listen.

The Tenth Season of Black Jack Justice is available for free on the Decoder Ring Theatre website.

Rate: 4 out of 5

Audio Drama Review: Black Jack Justice, Season Nine

Season Nine of Black Jack Justice sees Jack (Christopher Mott) and Trixie Dixon (Andrea Lyons) back for six more investigations. The ninth season continues the same high standard. It offers everything you come to expect: The opening monologue that introduces a well-worn aphorism as a basis for the case, the clever banter, and the solid mystery stories you come to expect.

Jack’s status as a newly married man has a small impact on the series. Had there been romantic tension between the two lead characters, it would have been much more major. However, unlike in most detective fiction, where statements of contempt hide passionate love, the statements of contempt between Jack and Trixie reflected that they didn’t much like each other personally but had a good working relationship. However, Jack’s mood is less dour than in past seasons as he’s enjoying conjugal bliss. One episode, “Home for the Holidays” saw Jack getting involved in solving a crime in a small town so Jack could get home to his wife.

The series had limited appearances from the recurring guest cast. Jack’s wife is seen and not heard after appearing in the previous two seasons. King the office dog and Freddy the Finger are far less present than in previous seasons.

The episodes are all good. I particularly liked the contrast between the last two episodes of the season. In “The Big Time,” Jack and Trixie get an unexpected opportunity to take on a big case for an insurance company with a big payoff. This is followed by, “The Learner’s Permit” where they agree to help a writer do research for his new detective story, and then bungle their way into a murder investigation where they should be able to tell the police everything needed to solve the case and provide photographic evidence, but instead have bungled it so badly that someone else has to step in and solve the case. Creating a contrast between a high water mark and one of their most embarrassing moments business is a clever take by writer Gregg Taylor.

While I did miss some of the recurring characters, this was still a fun listen. If you enjoyed any of the past Black Jack Justice seasons, Season 9 is well-worth listening to.

Rating: 4.0 out of 5.0

Black Jack Justice Season 9 is available to listen to for free at Decoder Ring Theatre.

Audio Drama Review: Black Jack Justice, Season 8

Black Jack Justice eighth season was released monthly between September 2012 and March 2013, once again featuring Christopher as Jack and Andrea Lyons as Trixie Dixon, Girl Detective.

The series at this point was in a nice groove and the first four episodes reflect the typical episodic nature of the series up until this point. In “Jawbone of an Asp,” they find themselves drawn into the middle of an academic controversy.  In “Two is Too Many,” they end up trying to see if long-time underworld supporting character “Freddy the Finger” Hawthorne and his cousin have inherited a fortune. And in the best episode of the season, “The More Things Change,” the duo are hired by a woman who wants them to prove her fiancé to be virtuous.

The final two episodes are inter-related. “The Late Mr. Justice,” grabs the listener’s attention as Jack informs us that he’s about to die and explains how he got to this point. An old-time gangster Jack sent away has been released and is out for blood, having taken Jack’s girlfriend hostage. The gangster threatens to kill her if Jack doesn’t show up at an old abandoned theater. There’s some great noirish feel that leads to a solid finale.

The second episode has Trixie in an empty office wondering what happened to Jack after the events of the last story and whether he’ll be back. A boyfriend comes from a big agency with a clients…and with hopes of  becoming Trixie’s new partner if they uncover a missing will. A wealthy woman supposedly left it, cutting a repentant black sheep in for part of her estate. This was a good story that Trixie managed to carry quite well but I had a couple problems with it. Innuendos which Trixie used occasionally in most episodes were way overused as if writer Gregg Taylor was leaning into them a bit much.  In addition, this is the second story in six episodes involving a will. But other than that, it was a pretty good finale with a nice revelation to wrap up Black Jack Justice’s Eighth Season.

Rating: 4.0 out of 5.0

Black Jack Justice Season 8 can be downloaded for free at Decoder Ring Theatre.

Audio Drama Review: Black Jack Justice, Season Seven

Season Seven of Black Jack Justice finds the show very well settled in to its successful formula as Jack and Trixie continue to solve crimes in a post-War unnamed American city.

The season avoids some of the fancy experimental episodes from previous seasons and really plays to its strengths. That means well-crafted mysteries and clever wordplay. The closest this season gets to any sort of emotional depth is in the episode, “The Score” when an old war buddy of Jack’s tries to draft him to rob a Nazi war criminal to exact revenge.

All of Season 7 is great listening. If I had to pick a favorite, I’d choose the fifth episode, “A Simple Case of Black and White” which finds Trixie and Jack working for a pro bowler trying to connect with his child. The plot is intricate with a surprising solution. There are characters named (of course) Black and White. That plays out to really good effect.

Overall, if you’re looking for fun diverting mysteries that illustrate how a radio detective show should be done, you’ll enjoy Season 7 of Black Jack Justice.

Rating: 4.0 out of 5.0

The entire Seventh Season of Black Jack Justice is available for free download on their website.

Audio Drama Review: Black Jack Justice Season Six Review

After five seasons and thirty-six episodes, Black Jack Justice had established  the main characters of Jack Justice (Christopher Mott) and Trixie Dixon, Girl Detective (Andrea Lyons). Season six features a fair share of experimental episodes.

“Cops and Robbers” is a story told mostly by the supporting cast, “The Sky’s the Limit” is a story of a Poker game where the players try to suss out what happened on a case where no one has all the facts. “Man’s Best Friend is told from the perspective of the office dog, King.

Of the three, I think “Sky’s the Limit” was probably the best. It’s definitely fun to hear the story pieced together and to be learning details as the characters are. The ending is a bit ambiguous but it’s still a lot of fun. The other two stories have their moments but don’t work as well. The side characters are not as interesting as Jack and Trixie so that limited my enjoyment of “Cops and Robbers.” As for, “Man’s Best Friend,” the dog narration part landed flat. The approach seemed to be, “I’m a dog who thinks he’s a detective.” I think it would have been funnier had he been thinking more like an actual dog.

I personally preferred the other three episodes which were more traditional Justice and Dixon mysteries. “The Albatross” was my favorite as Lieutenant Sabian (Gregg Taylor) hires them to look into the murder of a black girl in a tenement which his superiors want him to lay off of. The episode examines the idea that certain unresolved cases haunt detectives, whether official or otherwise.  It’s a well-done episode.

Overall, while I’m not crazy about all the experimental episodes in this season, I still enjoyed it pretty well.

Rating: 4.0 out of 5.0

You can download Black Justice Season Six from Decoder Ring Theatre.

Audio Drama Review: Black Jack Justice, Season 5

Season Five of Black Jack Justice featured six new cases that aired between December 2009 and February 2010 as Jack Justice (Christopher Mott) and his partner Trixie Dixon, Girl Detective (Andrea Lyons) take on six more cases in a post-war American city.

The season kicked off with, “Requiem for an Elf” the duo’s first Christmas special involving the duo’s underworld contact Freddy the Finger getting caught in the midst of a charity Santa racket and once again needing bailed out.

The other five episodes in the season all centered around famous sayings and proverbs. It’s an idea that may have been borrowed from the golden age radio series, The Amazing Mr. Malone but it works well here, giving each episode a sense of organization. Every episode this season hit perfectly with me. “Stormy Weather”is probably my favorite so far with some of the best banter I’ve heard in the series as well as good suspenseful moments. As usual, the series’ great comedic moments are balanced by more serious action, and the final episode has a few hints of romance for Jack.

Overall, Season 5 was great fun and probably my favorite series so far.

Rating:4.75 out of 5

The entire season is free to download from Decoder Ring Theatre.

Audio Drama Review: Black Jack Justice Season Three

Season Three of Black Jack Justice features six half hour episodes and finds the team in a fairly well-established routine with Jack (Christopher Mott) and Trixie (Andrea Lyons) joined by the office dog, King.

The types of cases they solve this season are far from unheard of, yet the series is enjoyable due to their great sense of style.

The season opens up with, “Payback” where Jack is determined to solve a murder case that led to him getting thrown into jail for thirty days and to get payback on the client who caused the incarceration.

“Sabian’s Law” finds Jack and Trixie on opposite sides as Trixie would rather lose a reward to the firm than have to deal with the indignity of losing a bet to Jack, which leads to an unlikely team up with their police foe Lieutenant Sabian. “Trixie’s Pet” finds Trixie getting the firm involved in investigating a case where Button Down Theo, an operative for the big detective firm in town, has landed himself in trouble.

“The Reunion” finds Jack and Trixie trying to help a wealthy widow facilitate a meeting between her and her estranged twin sister.

“Much Ado About Norman” has the two searching for their emotional client, because they fear he’s about to do something stupid, rash, and illegal.

The season concludes with, “Dance, Justice, Dance” which opens with Jack and Trixie in a firefigh. Then Jack reveals the true version of the oft-misquoted statement, “Music soothes the savage beast,” before explaining how they got a job protecting musicians who got a contract with a big casino along with anonymous warnings that they might not live to fulfill it.

There’s not a bad episode in the bunch and each has its own unique features that make for fun listening. “The Reunion” may have been the best mystery of the season. I also loved the more character-driven nature of “Much Ado About Norman.” And “Dance, Justice, Dance” has a great bit of world-weary narration, particularly the ending.

The sound effects continue to be a bit dodgy. This could be heard during the gunfight in the finale. Other than that, though, the third season of Black Jack Justice was quite a delight.

Rating: 4.5 out of 5.

Listen to Season 3 of Black Jack Justice for free at the Decoder Ring Theater website.

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