Book Review: The Memoirs of Sherlock Holmes

Continuing on the success of The Adventures of Sherlock Holmes, The Memoirs offers up some more fantastic classic mysteries but also a few signs of Doyle burning out on the Holmes series.

The Memoirs of Sherlock Holmes is available for free download on Amazon and other sites.

The American version of the Memoirs includes eleven stories:

“Silver Blaze”
“The Adventure of the Yellow Face”
“The Adventure of the Stockbroker’s Clerk”
“The Adventure of the Gloria Scott”
“The Adventure of the Musgrave Ritual”
“The Adventure of the Reigate Squire”
“The Adventure of the Crooked Man”
“The Adventure of the Resident Patient”
“The Adventure of the Greek Interpreter”
“The Adventure of the Naval Treaty”
“The Final Problem”

On the positive side there’s “The Silver Blaze” which was one of G.K. Chesterton’s favorite Holmes stories which is perfectly constructed.  “The Reigate Squire” shows Holmes at his craftiest as he has to solve the murder of a country while ailing. The “Resident Patient” allowed Holmes to show his cleverness even if a freak storm was called in to actually take care of justice. “The Navel Treaty” is the longest story in the collection and a completely satisfying story as we’re presented with a fascinating whodunit and a startling conclusion. “The Crooked Man” is a classic case of a false charge brought about by confusion and reminded me a little bit of “The Sign of Four.”

On the down side, I had to admit some disappointment with the end to “The Greek Interpreter.” Of course, this may have been because I saw the Grenada TV version first which “fixed” the ending. The “Yellow Face” was a somewhat slow story that’s been rarely adapted.

Beyond that, there s also a sense that Doyle was beginning to tire of the character.  “The Stockbroker’s Clerk” would have been a fine story had it not been a basic rehashing of “The Red Headed League.” Two stories were told to Watson by Holmes entirely without any actual action occurring in both “The Gloria Scott” and “The Musgrave Ritual.” While both stories were good, I missed Watson in them.

Of course, the styling of these entries with fits with the title and it brought home to me one of the appeals of Sherlock Holmes.  The story was not written in traditional fiction style but as Memoirs of Doctor Watson. It’s a point that can be missed because this device has been used so many times since and often not very well, but Watson’s writings sounded so true to life that we really don’t treat Holmes as a fictional character at all, if you see the way Holmes is quoted, it is rarely quoted as coming from a novel. No wonder that 58% of Britons believe Sherlock Holmes was a real historical character.

That brings us to “The Final Problem” a story that has never adapted well to other media without serious tweaks.  Even Grenada Television’s version looked absolutely silly when Holmes and Moriarty fought over the falls. A production may borrow from parts of Final Problem particularly as it relates to Moriarty, but the plot itself has serious problems not the least of which is the difficulty of making the fight look convincing.

Holmes flees London and then across the Continent to get away from Moriarty. The story rubs me as  simply wrong as you have a detective fleeing a criminal. While Holmes’ justification for the chase the first three days was to avoid messing up the prosecution of Moriarty’s gang. After the gang was apprehended and Holmes remained free, continuing to run from Moriarty into the heart of Switzerland was unnecessary.

Of course, this was Doyle’s attempt to free himself from demands for more Holmes’ stories by killing the character off.  What surprised me was that Doyle manages a remarkably poignant ending to the story with Watson, in effect, eulogizing Holmes,  and bringing out aspects of his character that are often overlooked. It was actually quite beautiful writing with which Watson bid farewell to his dear friend.

Overall, while it’s not quite as good as The Adventures of Sherlock Holmes, Memoirs holds its own as a great classic short story collection.

Rating: 4.5 out of 5.0

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Yours Truly Johnny Dollar: The Isabel James Matter (EP0680)

John Lund

The death of an insured sends Johnny to a small town to investigate a series of slasher killings.

Original Air Date: August 18, 1953

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Sherlock Holmes: The Adventure of the Veiled Lodger (EP0679)

Holmes investigates a case of treachery and death at the circus.

Original Air Date: June 20, 1948

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Let George Do It: No Escape from the Jungle (EP0678)

Bob Bailey

George is hired by an unassuming looking man to find a travel expert. George finds him and his client then informs him that he intends to kill the expert.

Original Air Date: March 26, 1951

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Crime on the Waterfront: Heiress Cruise (EP0677)

Mike Wallace

Lou Kagle is asked to look after an heiress on a cruise ship who has received threats of being kidnapped.

Audition Date: March 1, 1949

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Kate Smith Sings God Bless America for First Time

The first performance ever from November 10, 1938. In honor of America’s Veterans on Memorial Day.

Barrie Craig: Moving Target (EP0676)

William Gargan

Barrie is hired by a man who has become suspicious because catastrophe seems to follow him wherever he goes in scouting hotels in obscure locations around the world.

Original Air Date: February 16, 1955

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Radio Review: The Jumbo Fire Chief Program

Jimmy Durante with Jumbo in the 1962 film
In 1935, NBC brought Broadway and Jimmy Durante to radio listeners across America with its Jumbo Fire Chief Program.

The radio program was based on Billy Rose’s Jumbo which told the trial of the John Considine Wonder Show, a circus having to dodge attempts by a U.S. Marshal to sell off the show to pay off back taxes, which the circus owed due to its overzealous promoter, Claudius “Brainy” Bowers (Durante) who overstated the show’s profits, thus bringing the government down on their back.

The original broadway show was a spectacular. It was was written by Rodgers and Hart and featured classic songs such as, “The Circus is on Parade,” “My Romance,” and “Over and Over Again.” The Digital Deli describes the grand setting:

The music was provided by no less than Paul Whiteman and his Orchestra, carried its own glee club–Charles Henderson’s thirty-two Razorbacks, featured acrobats, a full complement of clowns, a 35-foot tall puppet, animal acts and in the final scene of each performance featured Jimmy Durante allowing the 8,000 lb. Jumbo to place its foot over Durante’s head. Indeed, the only venue then available in New York to house such a production was The Hippodrome, a 5,000 seat theatre with a 60 foot high ceiling.

The program ran for 233 performances and the high cost depression-era show ended up losing $2.4 million in 2012 Dollars (per Digital Deli). The Broadway Show ran from November 1935 to April 1936, while the radio version ran from October 1935 to January 1936.

The radio show features most of the songs from the Broadway show and a few more in the 12 episodes run. The music was wonderful to listen to. The highlight of the show was a “young” Jimmy Durante. Young is in quotation marks because Durate was 42 going on 43 when the radio show began. However, Durante would keep working until he was 80.

Durante had the malapropisms and all the Durante style of humor working. The package was much more vaudevillian than later Durante performances. The performance was part of Durante’s rise to prominent. He was eight years away from becoming an entertainment elder statesman which he would do when at age 50 he was teamed up with 28 year old Gary Moore on their joint radio program for Camel Cigarettes and then for Rexall.

This particular series though was one case where the whole was not greater than the sum of their parts. Durante’s vintage acting, the Rodgers and Hart music went nowhere. The program illustrated the peril with trying to adapt a two act Broadway play to a twelve part radio series. Each episode would go the same way: There would be an opportunity to save the circus but Brainy Bauer’s efforts would ultimately backfire, but at the end of the episode the Circus would get a stay of execution until next week. In the middle of that, the two young love interests Mickey Considine (Gloria Grafton) and Matt Mulligan, Jr. (Donald Novis) would work in a love scene and a song. Perhaps, Billy Rose wanted to avoid revealing the ending, but it left a kind of thin plot.

It’s worth noting that a reworked version of Jumbo did make it to the screen in 1962 with Jimmy Durante playing the owner of the circus and in most other ways acting the same part he played on the radio and Broadway.

As for the radio series, if you can get past the then plot, then the music, Jimmy Durante, and just the age of the recording  make this a well worthwhile series.

Rating: 3.5 out of 5.0 stars

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Book Review: Hand in the Glove

Hand in the Glove features Dol Bonner, a young woman who has started her detective agency with the financial help of wealthy heiress Sylvia Raffray, who is on the cusp of taking over her family fortune. Her Guardian, P.L. Storrs, objects to Sylvia’s involvement in the detective business as it’s created some bad publicity. He persuades Sylvia to agree to quit the agency and her professional association with Dol which will essentially put Dol into a far less plush and favorable position. 

However, Dol gets her first solo job when P.L. hires her to rid his family of a cult leader who is draining his wife financially. She heads to P.L.’s home in Connecticut with this goal, but everything changes when she finds P.L. strangled and hung up by a wire. Dol sets out to solve the murder of her friend’s ward and prove herself as a detective.

Nero Wolfe doesn’t appear in this story, but Inspector Cramer does make a cameo.

Bonner actually shares one key feature with Nero Wolfe: a contempt for the opposite sex, though her’s is not so severe as to prevent her from having men work for her or from being a caring sister. She also has a verbal feature in common with Wolfe: how she tells subordinates to take notes. When I read her saying to a male detective, “Your notebook…” I got deja vu. I wonder if this was intentional or if Stout couldn’t think any other way a detective might tell someone to take notes.

In other ways, they are mirror images. Wolfe an experienced late middle aged man and Bonner a young pretty woman feeling her way in the art of detection. While Wolfe remains reticent about his past and we only get tiny glimpses throughout the Corpus, Bonner tells straight up her backstory and why she thinks so little of men: she was jilted by one.

Bonner’s efforts to solve the case are met with sarcasm, annoyance, and amusement. A police officer smirks when he sees Bonner getting her detection kit out of the car and Sylvia tells her to put it away.  Even Bonner’s not so sure of herself.   She  puts forth a strong front of absolute confidence, but she’s riddled with self-doubt. Is she really a detective or is she “just playing.” Thus Bonner mission is to prove herself to herself.

The story is weakened by a forgettable cast of 1930s stereotypes, the occult huckster,  the heavy-drinking newsman, the dutiful butler, and the aloof bohemian poet daughter. Only the psychologist who is in need of a psychologist provides any spark and not enough of that.  Sylvia Raffray fills the part of  spoiled rich kid and is completely useless to Dol. While everyone seems to like her, it’s a mystery to me why they do.

Even with a stronger cast of supporting characters, it’s doubtful Bonner would have ever made it in a series. Her disrespect for men was unlike to make her popular with men or women. Plus, her uncertainty in the face of challenge is unlikely to connect with modern women in the age of girl power. Hand in the Glove is a serviceable 1930s mystery. What sets it apart from other 1930s mystery that are gathering dust in libraries across America is that it was written by one of America’s most talented mystery writers and featured a character who  would go on to appear as a supporting character in one of the the greatest detective series ever.

I should also note that a TV adaptation of Hand in the Glove was produced by NBC in 1992 called Lady Against the Odds that featured Crystal Bernard (Wings) as Dol Bonner and is available on Netflix. The TV movie made a number of departures. The time period was changed to World War II (which is far more exciting to most viewers than 1937),  rather than having the case confined to the estate as the book does, Dol travel back and forth questioning witnesses. It also changed the character of Dol Bonner and removed the man-hating elements. While there was a bit of melodrama and some things that didn’t ring true to the period, after reading the book, I think they probably did the best they could with it.

Rating: 2.75 out of 5.0.

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Yours Truly Johnny Dollar: The Nancy Shaw Matter (EP0675)

John Lund

Johnny is hired to investigate the missing jewels of a famous actress, and finds himself more interested in the actress than the case.

Original Air Date: August 11, 1953

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Sherlock Holmes: The Bleeding Chandelier (EP0674)

A woman calls Holmes to help her overcome a superstitious legend to marry her first love.

Original Air Date: June 13, 1948

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Let George Do It: Murder for Two (EP0673)

Bob Bailey
George is called in to protect a woman from her ex-husband. George arrives to find the wife dead. The ex-husband is suspected but he has an air tight alibi.

 Original Air Date: March 19, 1951

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Crime on the Waterfront: Murder of Mrs. Lattimore (EP0672)

Mike Wallace

Lou Kagle looks into the murder of the wife of a returning diplomat who used to be a mob lawyer.

Recording Date: February 24, 1949

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Barrie Craig: Nobody Lives There Anymore (EP0671)

William Gargan

Barrie undertakes to help a woman who claims her husband disappeared from a hotel room where the clerk says neither of them registered.

Original Air Date: February 9, 1955

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DVD Set Review: The Columbo Mystery Movie Collection: 1991-93

If quantity was more important than quality that the first two seasons of Columbo’s revival in the 1989 and 1990 movie sets would be a high point. The truth is that Peter Falk remained brilliant as Columbo making the programs worth watching. However, an old spark was missing.

Perhaps, the biggest difference between these early films and the 1970s Columbo were the guest villains. The 1970s series had featured some of Hollywood’s most distinguished actors as foils for Columbo: Gene Barry, Robert Culp, Jack Cassidy, Donald Pleasence, Roddy McDowall, Leonardy Nimoy, William Shatner, Janet Leigh, and Patrick McGoohan.

By contrast the first twelve Revival movies over ABC had a cast of Hollywood unknowns. The exceptions to this were McGoohan who starred in Agenda for Murder (1990)  and walked away with an Emmy nomination and Golden Globes winner Anthony Andrews who led off with Columbo Goes to the Guillotine. When researching the actors, many of them looked good on paper with many nominations for awards. A surprising number of Soap Opera actors made their way to be Columbo guest villains.  When cast with the Columbo in his iconic rain coat they showed they weren’t quite ready for “prime time.”

The next six movies took a difference pace. Over 1991-93, a total of six Columbo movies were released and in 2011, these six were released on DVD. However, these had far superior guest murderers which produced some better movies, particularly the first three.

The set has absolutely no extras, but Columbo fans will glad take the presence of our favorite police Lieutenant with no bells and whistles:

Murder Can Be Hazardous to Your Health (1991): George Hamilton became the second actor to play a Columbo killer in both the 70s and 1990s. He plays Wade Anders, a man who hosts an America’s Most Wanted Style TV show. The man who he beat out for the job (Peter Haskell) threatens to reveal Anders participation in a porno decades previously: information sure to undermine his credibility. The non-smoking Anders poisons the chain-smoking Anderson’s cigarettes, and plans to make the death look like an accident. Then Columbo comes on the case. He and Columbo have some memorable scenes including a hilarious non-speaking scene in a parking lot.  Overall, a very well-done professional Columbo film. Grade: A-

Columbo and the Murder of a Rock Star (1991): Dabney Coleman, in an Emmy-nominated performance, plays a high-powered defense attorney who murders his live in girlfriend. Coleman’s lawyer is slick and charismatic,  making this game of cat and mouse between him and Columbo particularly enjoyable. Grade: A-

Death Hits the Jackpot (1991): A man going through a divorce wins the lottery but doesn’t want to split the proceeds with his soon-to-be ex-wife. So he turns to his Uncle Leon Lamar (Rip Torn) for help. The Uncle (who is financially in trouble) comes up with a clever idea: let him cash in the ticket and then he’ll pay off the nephew later quietly once the attention has died down. Instead, he murders his nephew and attempts to keep the money for himself with the help of the nephew’s ex-wife.  Torn is perhaps the most sinister and cold-blooded Columbo murderer since Lee Grant in “Ransom for a Dead Man.”  I cheered for Columbo like never before in this one. Grade: A

No Time to Die (1992): No Time to Die” was based on an Ed McBain novel and really tossed the Columbo formula out the window in favor of a more straight police procedural. The result was an “okay” somewhat average TV mystery movie. For fans of the series, there’s a lack of Columbo being Columbo and he does unColumbo-like things like carrying a gun.

Of course, other TV shows such as The Rockford Files and Simon and Simon adapted novel plots for TV episodes. The difference was that they adapted that fit the tenure of the series. Columbo comes from a much more soft boiled tradition like Poirot. Throwing him into a procedural was entirely bizarre. The whole case centers around the kidnapping of a policeman’s new bride on his wedding night by a psychopathic sexual pervert. It’s not Columbo stuff. Falk did the best he could with it, but from me it just gets a: C+

A Bird in the Hand (1992): A problem gambler (Greg Evigan)  decides to murder his sports team owner father.  He wires his dad’s car with a bomb, but his father dies in an apparent hit-and-run accident, and his bomb instead kills the family gardener. This episode is an interesting experiment as we follow one person who plans the killing, but another person executes in an entirely different way. It doesn’t work out quite as well on the screen mainly because the writers did not give the talented Tyne Daley enough work with in her role as the not-so grief stricken widow. Grade: B

It’s All In the Game (1993): A wealthy socialite (Faye Dunaway) plots the murder of her boyfriend with the help of another woman he’s dating. Columbo is very courteous to her at the crime scene, but he’s also suspicious that the theory of a robbery motive for the murder may be wrong. Her plan to stop Columbo? Seduce him.  In the process, she actually starts to fall in love with him, telling her daughter that Columbo is “fun to be with.” While Columbo does like her, there are numerous signs that in the “romance” he’s only playing along until he gets what he needs: signs that she misses. Her confidence that her feminine wiles can get a veteran homicide cop to change a report border between attractive and over the top.

The episode also was made memorable by the fact that while we saw the murder, we were left with many mysteries as to the why and who the young woman with Dunaway’s character was. Overall, this was a very solid latter episode. Grade: A-

Overall set rating: B+

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