Trouble in Triplicate was the third Nero Wolfe novella collection. It was the first to feature three stories (as the vast majority of Wolfe collections did.) One thing to understand is that oddly enough, the stories were not collected in the chronological order of publication. Usually this wouldn’t make a difference, but the first and third stories are set after World War II and the second is set in the middle of the War. It’s an odd publishing decision. Perhaps, they opted to arrange them in alphabetical order.  This is perhaps the most questionable decision about this collection of three stories with Wolfe and Archie. Two of the stories were dramatized for A Nero Wolfe Mystery and the outcome of none of the cases were a mystery for me.  That didn’t reduce  my enjoyment of the book in the least.

With that said, below are the stories:

Before I Die: In two prior novellas set during World War II, particularly in “Booby Trap,” Archie made a point of Wolfe’s kitchen being free of black market goods. Wolfe was extremely patriotic during the war.

By the time 1947 came around, the war was over but the meat shortages were still going on as the U.S. was trying to feed war-torn Europe. Wolfe had about had it. His hunger for some black market meat leads him to take on a job for a notorious mobster who might help him score some meat.  The mobster had hired a convict from Salt Lake City to pretend to be his daughter in order to protect his real daughter from his rivals. But the fake daughter commences to blackmail him and wants Wolfe to make it stop.

Before Wolfe can do that, Archie is present for the murder of the faux daughter and the mobster.  Wolfe has landed he and Archie in a tight spot. Will Wolfe uncover the identity of the true killer or will his appetite finally be the death of he and Archie?

The characters in the short story are fantastic, particularly the mob boss. With three on-screen shootings in the story, it has more action than the average Nero Wolfe story. “Before I Die” is also fun because Stout manages to take Wolfe out of his comfort zone as he deals with New York mafiosos, but still manages to handle himself surprising well.

Overall I give the story:

Rating: Very Satisfactory

“Help Wanted, Male”

In this last war-time Nero Wolfe story, a man comes to Wolfe for help when someone sends him a letter threatening murder. Wolfe provides his stock response and refuses the case advising him that there’s little that can be done to prevent a murder and suggests he tries hiring someone else.

When the man is murdered, Cramer questions him and Wolfe informs Cramer that he is, “not interested, not involved, and not curious.” However, this all changes when Wolfe receives a letter identical to the one sent to the murdered man.

Archie leaves for Washington on Army business, when he returns to New York, he finds that Wolfe has hired a king-sized decoy at $100 a day until Wolfe is able to identify the real killer.

The story is well-executed a nice variation on the Wolfe formula. If you’ve not seen the TV episode, the identity of the murderer is a great twist as well.

Rating: Very Satisfactory

“Instead of Evidence”: A partner in a novelty company comes to Wolfe convinced that his business partner’s going to kill him. He doesn’t Wolfe to prevent the murder, only to catch the murderer. Wolfe balks at the paltry $5000 offered to him as the bulk of it will be taken by taxes. However, he offers to report what the man has told him to  the police and take whatever action he deems appropriate.

The man is murdered by a potent exploding cigar  and Wolfe reports his visit to the police.  Dealing with people in the novelty industry allows Stout’s humor to run wild as the murder victim’s partner manages to chase Wolfe out of his own office. As usual, Archie is frustrated with the pace of Wolfe’s investigation. But don’t worry, this is one story that ends with a bang.

Rating: Very Satisfactory

Overall collection rating: Very Satisfactory

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In Too Many Women, Wolfe is brought on a personnel matter. The Naylor-Kerr company studying employee retention asked supervisors to fill out a card for each departed employee. One manager sets off a sensation when he lists the reason for one employee’s departure as “murdered.” Officially, the police had said the case was a hit and run. Wolfe and Archie are hired to quiet the rumors one way or another.

The client’s idea was to have Wolfe come and work undercover at the firm. Wolfe rejects this absurd idea out of hand but as he and Archie are quarreling he’s more than happy to have Archie go undercover as a consultant at the firm.

Archie finds himself involved in a complex web of rumors, gossips, and office jealousies in this post-war office dominated by females. The supervisor who made the original allegation informs Archie that he knows who the killer is. Archie reports the statement and then the supervisor is retracts it and is killed in the same manner as the first victim. Now Archie and Wolfe have to catch a murderer.

This is actually not one of my favorite Wolfe stories and I seem to be in the minority on this. I thought the overall idea of domestic discord in the Wolfe household was better handled in If Death Ever Slept. In Too Many Women, Wolfe has managed to tick everyone in the household off: Archie by demanding he replace his typewriter, Fritz through his interference in cooking, and Theodore by putting non-Orchid flowers into the orchid area. It’s hard to believe that Wolfe would simultaneously irritate everyone at the same time by interferring everyone else’s business given how much effort has gone in to establishing the tranquility of this home.

I also have to note that Stout did something different with his chaptering. Usually, Nero Wolfe books have around 20 (or less) chapters of about equal length with the first few chapters perhaps being a little longer as Stout establishes the premise of the story. Stout, chose to use several quick chapters at the beginning as the story was being established. An action-packed or suspenseful book can benefit from short chapters as it adds tension. However, Stout’s use of short chapters at the beginning gives you the feeling that the book is going nowhere fast when you look up and see that you’ve reached Chapter 11 and nothing significant has happened.

Stout usually crafts some interesting supporters characters. No such luck in Too Many Women. With the exception of the person who alleged the murder and one woman in the officers, the employees at Naylor-Kerr are mostly the same: hot-headed men and amorous gossiping women.

The story redeems itself towards the end when Wolfe and Archie rally under police pressure to patch up the differences and uses the deception and gossip within the office to solve the case. The end is particularly noteworthy given that the killer never sets foot in Wolfe’s office, which is certainly unusual for Wolfe stories.

Rating: Satisfactory

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A prominent citizen is accused of murdering one of his daughter’s suitors by poisoning his drink while he’s engaged in a blindfolded chess match with 12 different chess players. Wolfe is hired by the daughter of the accused who believes that her father’s lawyer is up to no good due to being in love with her mother. The lawyer opposes hiring Wolfe which means Wolfe must free his client’s father without his cooperation.

 

The language of Chess figures prominently in the story. Indeed, the title of the story comes from the realization by Wolfe that given that no one other than the accused had a motive to kill the victim leads Wolfe to conclude that the murder was a gambit meant to get the accused out of the way. Wolfe instead of searching for someone with a motive to kill the victim, he has to find someone with a motive to get the accused executed or sent up for life.

Once again, Stout creates a wonderful cast of supporting characters and suspects.  The scene where one suspect offers to hire Wolfe to suborn perjury to get the accused off is comedy gold, particularly as the man expects Wolfe to be on the hook for the crime and to protect him entirely.

Overall, Gambit was surprising in that except for the actual culprit, the suspects turned out to be mostly decent and honest people, a refreshing break with the stereotypical sociopath-filled murder suspect family.

Archie is good as always, and Wolfe is at his eccentric best. The novel opens with Wolfe burning an offensive book in the fireplace: the newest edition of the dictionary which Wolfe views as a threat to the English language. Wolfe asks his prospective client, “Do you use imply and infer interchangeably?… According to this book, you can.”   Wolfe has to struggle to be polite when pressure from her family to drop the case leads his client to take up temporary residence in the Brownstone for several days.

The payoff of the novel is just as good. This one is unique as Archie solves the mystery before Wolfe after obtaining a key clue. Though, both Wolfe (and myself for that matter) figured it out once this clue was revealed. So, for once Archie isn’t the dark when the payoff comes.

The only negative thing I can say about the book is that Stout did seem to be overusing the tape recorder to catch his criminals. It played a role in The Final Deduction as well as a Nero Wolfe novella. Still, overuse of the tape recorder is a small issue in a book that has so much to offer.

Rating: Very Satisfactory

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In Plot It Yourself, Rex Stout follows the old writing axiom of, “Write what you know.”

A joint writers-publishers committee turns to Wolfe to stop a plagiarism swindle. Four authors created successful novels and plays were sued by others writers who claiming that the successful works were stolen from them. The unknowns all cashed in with settlements or court victories which cost writers   and publishers in money and reputation.

Wolfe gets hold of the fraudulent manuscripts and by comparing the styles, discovers that with one exception, all of them were written by the same writer. However, when he compares that style to that of other writing by the phony claimants, he discovers that none of them wrote the fraudulent manuscripts, which means that the mastermind of the scam could be anyone and that the writers filing false claims are only shills.

Wolfe tries to beg off the case, but is persuaded to take part in a plan by the committee to pay one of the phony authors to obtain the identity of the mastermind. However, before Archie gets to him, the man is murdered much to the embarrassment of Wolfe and Archie. The body count rises quickly and so does the pressure on Wolfe to crack the case.

The murders at the center of the case were the result of Nero Wolfe bungling by failing to have a man guards the accomplices before approaching them. This seems to be a recurring theme in the Wolfe novels of the 1950s. Wolfe bungles led to deaths in If Death Ever Slept and Before Midnight. At this point, it seems to have been overdone. Master detectives shouldn’t require a warning label.

Other than that, the mystery went very well. I had suspected the murderer early on, but Stout was a master at misdirecting the reader, so I’d moved on to other suspects by the end of the novel.

Wolfe was wonderfully eccentric throughout the novel. He went on strike against himself, offended his own self-esteem, and even swore not to eat meat until the case was solved. Wolfe did go a little over the top when Wolfe spent the last few pages complimenting the murderer and building their self-esteem.

The only other thing to note is that a writer, I found the whole discussion of plagiarism swindles fascinating, however I could see someone who wasn’t a writer being less thrilled with the long and involved discussion that prefaces the case.

For my part, I’ll give it a:

Rating: Satisfactory

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While shopping in the thrift store, I found a 1968 Bantam Paperback copy of, Three for the Chair, a 1957 compilation of three Nero Wolfe novellas. While the book was not my planned next Nero Wolfe read, I decided to grab it cheap and enjoy the book.

There are three stories in this book and each should be reviewed in its own right.

A Window for Death:

A man who left his family under a cloud of suspicion and then made a fortune in mining, apparently dies of natural causes after returning home.  Members of the family aren’t so sure, and are suspicious of the man’s partner who inherited the entire mining interest. Wolfe is hired to determined whether there is enough to call the police in.

This story is very workmanlike. There’s little action. The majority of the story involves Wolfe questioning witnesses in the Brownstone and the rest involves Archie doing so outside. No added deaths occur and there are no real plot twists. Inspector Cramer does not appear in the story, with A Window for Death ending with Wolfe composing a note to him. Still, the actual solution is pretty clever.

Rating: Satisfactory

Immune to Murder

At the request of an Assistant Secretary of State, Wolfe leaves the comfort of the Brownstone for a rustic fishing resort to help with sensitive oil negotiations by cooking fish for the ambassador who had specifically requested Wolfe. Wolfe hates the  locale and plans to leave after lunch. Wolfe’s plans are upset when Archie discovers the Assistant Secretary of State lying dead in stream.

Given the other potential suspects (members of a diplomatic delegation who are immune to prosecution and two rich oil magnates), the District Attorney suggests absurdly that Archie was there as a hired assassin. The truth doesn’t come out until the murderer does something that insult’s Wolfe’s vanity.

This story was adapted for television on a Nero Wolfe Mystery as the last episode and was panned by fans. In my opinion, there was nothing wrong with either the episode or the story. It was, however unfortunate to make this the last episode, as we had none of the familiar supporting characters that fans loved, plus in the context of a final episode, the solution was unsatisfying. However, in the context of a Nero Wolfe reading binge, the story represents a nice change of pace.

Rating: Very Satisfactory

Too Many Detectives

Thanks to Archie’s interest in learning about wiretapping, Wolfe agrees to help a man tap his own phone. Later, Wolfe learns he was duped and the man who hired him didn’t own the phone being tapped.

Wolfe’s embarrassment is deepened when he’s summoned to Albany and forced to endure a long car ride to discuss the matter. Wolfe and Archie to find several other detectives waiting.

When it’s their turn to testify, they learn that the man who fooled them claimed they knew the wiretap was illegal. When it was time for the phony client to testify, he’s found dead, and Wolfe and Archie are arrested as material witnesses.

While Archie and Wolfe are released on bail, they can’t leave  the jurisdiction, a situation Wolfe can’t tolerate. The only way out is for Wolfe to find the killer.

Wolfe compares notes with the other detectives and finds that all but one of them was taken in by the same scheme as Wolfe. Wolfe then gets all six detectives to share every available operative back in New York City to solve the case, leading to a surprising and satisfying solution.

This story in notable for featuring Dol Bonner. Bonner had appeared in her own novel in 1937 and also appeared in a Tecumseh Fox novel. She and Wolfe got along well which had Archie nervous as he figured that Bonner was that rare type of woman Wolfe could actually fall for. Archie even imagines a situation where Archie, Wolfe, Bonner, and Bonner’s assistant Sally Colt all in the Brownstone solving cases together. Thus, even great authors have intriguing ideas occur to themwhich if tried would wreck their franchise.

As an aside, the story makes me curious to read Stout’s Dol Bonner novel.

As for Too Many Detectives, it was truly a good use of an hour and deserving of a:

Rating: Very Satisfactory

Overall rating for the Collection: Very Satisfactory

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The Red Box was the fourth of the Nero Wolfe novels and begins somewhat abruptly in the middle of the initial interview with Wolfe’s client. With a desperate need for a client, Archie connives with a potential client to get Wolfe to leave his house to travel down to a fashion firm several blocks away to interview witnesses in the poisoning death of a model who ate a candy from a box of chocolate and diet.  The client presents Wolfe with a letter from fellow orchid growers citing his participation in Orchid and urging him to undertake the case in the name of decency.

The client, Lew Frost wants Wolfe solve the murder and get his cousin Helen (who he is in love with) to quit her modeling job, as she is a wealthy heiress who is set to inherit a $2 million estate.

Despite his hating every moment, Wolfe uncovers one valuable clue in the course of his trip, in his interview with Ms. Frost and uncovers who the poison was really intended for. On confronting the target of the poison in his office on 35th street, Wolfe is shocked to learn that the man has made him the executor of his estate. He also wanted Wolfe to undertake a case for him, and an important to element of this was to be found in a red box, but before he could reveal the location of the box, he dies. Though, thanks to the will he remains a client.

As Archie says, this case is one client after another. Lew Frost dismisses Wolfe, but his cousin Helen hires Wolfe to find the poisoner, so Wolfe has yet another client.

The book contains a number of interesting features. The best may be Wolfe’s relationship with Helen Frost. It begins on a very rocky basis, but Wolfe ultimately wins her confidence and Helen matures throughout the book. It’s an interesting note that Wolfe seems to have an interesting effect on many spoiled children by treating them like adults. This is as compared to Helen’s friends and family who dote on her like she’s a child incapable of making her own decisions.

Also, my one big criticism of The Rubber Band was that Cramer was almost subservient to Wolfe. The Red Box thankfully has none of that as Cramer develops quite nicely and seems to be set in his cynicism and impatience with Wolfe’s games.

The story goes along quite nicely until the end when the book hits two big problems.

First, is a third murder, which was incredible. Stout’s fell into the mystery writer’s  trap of creating a murder scenario that is too clever to be practical. This murder involved carrying a volatile liquid in a purse or briefcase to a funeral, sneaking into the parking ar, getting into the murder victim’s car, and pouring this liquid into a teacup and then precariously positioning  the tea cup so that the victim will bump it and spill it on himself. The liquid by the way is so toxic that even casual exposure will send you to the hospital.  Rather than commending the plan for its ingenuity, Wolfe ought to have condemned its pure silliness that depended on dumb luck.

The second problem was the ending. While Wolfe used phony evidence to gain confessions or murder’s self-destructions several times, this particular book seemed to me to have the cheapest use of this trick I’ve yet encountered. And Wolfe’s actions hardly seem to work for his client’s emotional well-being. The main reason for Wolfe’s trick appeared to save the time and expense of finding the last missing necessary piece of the puzzle by substituting a phony.

However weak the end, I still enjoyed the book, with the Wolfe-Helen Frost relationship and the development of Inspector Cramer. While the book is probably the weakest of the first four installments of Nero Wolfe, I’ll give the book:
Rating: Satisfactory

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How annoying can a client or set of clients get? Nero Wolfe finds out in Before Midnight.

After the death of a hot shot advertising executive, his firm hires Wolfe not to find the killer, but to locate the dead man’s wallet which contained the answers to a verse-guessing contest with $800,000 in prizes at stake.

To me, the story plodded along. While some of the suspects were interesting, I couldn’t seriously consider most of them as likely suspects for either the murder or taking the wallet. The focus was on the contestants, four of five whom came from out of town. To go to a place you don’t know, commit a homicide, and evade detection by the police is a tough task, and nothing made me believe any of these out of towners would do it.

What held the story together was watching Wolfe’s clients from the advertising firm of LBA who represented some of the most annoying and foolish clients Wolfe ever had the misfortune of taking on. There was a pleasure of seeing these guys in action that wasn’t unlike watching a trainwreck. Wolfe had been about his leisurely pace of crime solving for 20 years, LBA was in a mode of “hurry up and do something,” even setting a deadline for Wolfe.

The book continues on with their battles with each other and Wolfe for most of the book. Towards the end, just when we’re expecting Wolfe to spend a few chapters and several glasses of beer unraveling the mystery, we’re thrown for a loop with a surprise twist that leaves Wolfe reeling, embarrassed, and determined to get a daring soul who committed a murder right in Wolfe’s office.

The twist makes up for the weakness of the book which was a letdown after the pure brilliance of, Murder by the Book. Still with a twist ending and some classically annoying clients, I’ll give it a:

Rating: Satisfactory

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The great thing about reading Nero Wolfe novels is you never quite know what to expect. The Nero Wolfe stories are a blend of hard-boiled stories as well as the genius/gentleman detective stories. The exact composition of the blend varies from book to book.

The Rubber Band is definitely closer to the cozy side of mysteries rather than the hardboiled detective story.  Published in 1936, it was the the third of the Nero Wolfe novels and came on the heels of much darker stories in Fer-de-lance and The League of Frightened Men.

The book begins with a corporate executive trying to engage Wolfe to investigate a theft of $30,000 in Cash. The person who has been fingered for the theft by the company’s vice-president is the beautiful Miss Clara Fox.

However, Miss Fox also wants to engage Wolfe to help her claim money owed to her father and his partner. An English nobleman in America in the Old West faced hanging by vigilantes. A band of men led by a Mr. Rubber Coleman formed “the Rubber Band” which helped the nobleman escape the vigilantes in exchange for 1/2 of his fortune. Clara recognizes the nobleman who is now quite wealth,  and she calls for  all of her father’s partners (except for Mr. Coleman who she can’t find)  and their heirs to claim their share of the fortune from the nobleman who is now staying in New York. She offers Wolfe a cut to help her collect.

One of  her father’s partners is killed after leaving the Brownstone to meet someone and the police want to question Clara Fox. Wolfe is determined to protect his client and hides her from the police.

This features the first appearance of Lieutenant Rowcliff, everyone’s least favorite police detective who gets a search warrant to find Ms. Fox, but Wolfe manages to foil him in a classic set up. This book is full of fantastic characters: A British lord, corporate robber-barons, and an old cowboy among others.

Fox is the first woman to successfully charm Wolfe in the series, with Wolfe even reading Hungarian poetry to her. By the standard of future stories, Wolfe’s reaction to her may be a bit bunch, but Stout was still getting a feel for the character when he wrote the Rubber Band.

The somewhat disappointing part of this story was Inspector Cramer. He was almost subserviant to Wolfe, and volunteered the fact that he liked Wolfe.  Clearly, it would take a few more books for Cramer to develop into the hardnosed belligerant cop that we all know and love.

However, for all the early hiccups in the series, The Rubber Band remains an enjoyable and well-paced mystery. In some points, its reminiscent of Agatha Christie stories as well as The Sign of Four. The mystery works out to a clever and satisfying conclusion.

It’s a shame that this one wasn’t made into a film like the first two books were. Both Fer-de-Lance and League of Frightened Men seemed like much more unlikely adaptations with their very convoluted plots. This one would have made a perfect 1930s mystery movie with the right cast.

Rating: Very Satisfactory

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Holmes had Moriarty, but who did Nero Wolfe have?

For three books, crime boss Arnold Zeck served as an antagonist for Nero Wolfe and Archie Goodwin.

And Be a Villain

A man who writes a horseracing tip sheet is poisoned on a radio talk show while drinking the sponsor’s product. Wolfe is hired to solve the case by the sponsors and the show’s star.

On the positive side, this mystery had many twist and turns as to who was even the intended victim. At one point, Wolfe gets so disgusted with the show’s staff for lying to him and wasting days of his time that he turns a key piece of information over to Inspector Cramer in hopes that Cramer will find the killer and earn Wolfe’s fee for him. When this plan fails, Archie executes a daring move to get Wolfe back on the case.

This particular volume had a few moments where it became a tad tedious. It takes until Chapter 4 for an exact agreement to be reached as to who will be paying Wolfe and how much. Then we have pages consumed by detailing when the staff came in to be interviewed in what turned out to be pointless and fruitless and interviews because they had all agreed to conceal a vital fact. Perhaps, this helps us sympathize with Wolfe when he walks off the case as we’re tempted as well.

But, no one ought to walk away. The book’s look at the world of 1940s radio is worth the read for fans of old time radio. Also, when Wolfe does get back  on the case, the mystery continues to twist and turn as we wrestle with who was the target and who had opportunity commit the crime.

In And Be a Villain, Zeck plays a minimal role. He threatens Wolfe to be careful where he treads in investigating the case. Wolfe figures out what Zeck’s role in the crime the lead to the murder he’s investigating, but as the fact isn’t essential to the police investigation, he leaves Zeck out of it.

Perhaps, this is the one of the great challenges with the Zeck trilogy. While Holmes and Moriarity were driven by ego and intellectual vanity ever closer towards a fatal confrontation,  Wolfe would rather not deal with Zeck if he had to and all things considered, Zeck would rather not rid the world of Wolfe because it would make the world less interesting. Not, that they’re not willing to do what they have to do, but as I finished listening to the audiobook of  And Be a Villain. I knew it was going to take something big to get this rivalry off the ground.

Rating: Satisfactory

The Second Confession

Something would come in The Second Confession. Wolfe takes a case for a rich industrialist who suspects his daughter’s girlfriend is a communist. Zeck calls Wolfe and makes it clear that he doesn’t want the case investigated and punctuates his demand by shooting up Wolfe’s plant room and destroying thousands of dollars in plants.

However, when the young man is murdered, everything is reversed. Zeck wants the man’s killer caught and brought to justice. Wolfe begins an investigations with plenty of caveats offered to everyone involved. Along the way,  Wolfe takes on the American Community Party to get information needed to seal his case. The Second Confession shows both the anti-communist leanings of the Montenegrin-born Wolfe as well as Stout. With plenty of twists and a nice bit of political intrigue thrown in, this was a fun and multi-faceted Wolfe story.

Wolfe begins to realize that a confrontation with Zeck may be unavoidable and so he begins to make preparations just in case. However, all things being equal, he’d still rather leave Zeck alone.

Rating: Very Satisfactory

In the Best Families

As The Second Confession ended with Zeck congratulating Wolfe on solving the case and Wolfe once again reiterating his independence, readers have a sense that this can’t go on forever.  In The Best Families things at last come to a head. Wolfe agrees to help a woman who merely wants to know where her husband gets his money. Zeck shows his disapproval of Wolfe taking on the case, by intercepting a package of expensive sausages and putting tear gas in its place.

After yet another menacing phone call from Zeck, Wolfe and Archie confer on what to do. Archie figures that since their last encounter with Zeck, they’d taken 40 cases, and Wolfe thinks that running in Zeck every forty cases is quite likely. Wolfe and Archie had to decide whether to oppose Zeck or to acquiesce to him and back off whatever case he didn’t want them on. Archie thought that without the other, either one of them might have given in to Zeck, but neither wanted to be seen as cowardly by the other. So their course was set, though Archie didn’t know what that course would entail.

Archie goes to spend a weekend with the client and her family to get a feel for her husband, and while he’s there, the client is murdered. He calls up Wolfe and fills him in. True to that old saying, “When the going gets tough, the tough get going,” Wolfe got going, fleeing the Brownstone, setting up alternate arrangements for his orchids and servants, placing the house on the market, and ordering Archie not to follow him. as he leaves his old friend Marco as Power of Attorney.

The next few chapters after Wolfe’s disappearance are fascinating for fans of the Wolfe stories as we get an idea of what the characters would be like in Wolfe’s absence. Theodore sulks, Fritz shows almost maternal concern, and Cramer shows up to offer some friendly advice.  Cramer’s appearance is noteworthy as it begins with Cramer showing that he’s a smart cop and ends with him taking a swing with Archie when the latter suggests Cramer is on the take.

Archie takes center stage in these chapters. Wolfe’s disappearance in a bad spot as the DA believes that Wolfe knows who committed the murder and that Archie knows where Wolfe is. Due to Archie’s reputation as  a skillful liar, no one believes him when he insists he has no idea where Wolfe has disappeared to.

In addition to this, while Archie is allowed to collect his salary and  stay in the house until a sale occurs, he has been left with nothing to do other than follow up on unfinished cases and collect payments from clients on payment plans. Wolfe left instructions for Archie with Marco that are incredibly vague, “You are to act in the light of experience as guided by intelligence.”

Archie is clearly miffed by Wolfe not leaving him holding the bag. He also  misses working with Wolfe. However, unlike a more modern assistant, Archie follow Wolfe’s command not to search for him.

The Zeck series does a good job showcasing the complexity of the Archie-Wolfe relationship, with its various elements that are understood by the two, even if they are never spoken.  At times, the relationship seems close to Father-Son or a Mentorship.

Wolfe can be protective of Archie. Indeed, when Archie first learned of Zeck in And Be A Villain, Wolfe ordered Archie to forget he’d heard the name. And there’s a sense that Wolfe was continuing that protective behavior by leaving Archie out of the loop during the dangerous preliminary stages of his plan against Zeck, only bringing Archie in when it was absolutely necessary.

Archie doesn’t care for being protected, nor was Nero Wolfe’s legman meant to sit around for months waiting for Wolfe to make a move.  So, therefore Archie stops taking a salary from Wolfe and opens his own private detective agency.  He hopes his first case will be to solve the murder of Wolfe’s last client. When he fails to get cooperation, he drums up business and prides himself on clearly more than Wolfe paid him. Still, when Wolfe comes back, there’s no question of staying on his own.

Given that there were 25 years of Wolfe books after In The Best Families, it’s not a spoiler to say that Wolfe returns and triumphs over Zeck.  However, I will say that the final showdown is anti-climatic after the fascinating character drama that drives the middle of the story. The final showdown between the two (if we can even call it that) is disappointing.

In the final analysis, Zeck disappoints because he is really not equal to the task in going against  Wolfe. To be sure, he is a dangerous technocrat, but he’s  still a technocrat. Zeck builds systems that keep him safe: a network of B, C, and D operatives that shield him while turning a profit. The original racket that incited the murders in And Be a Villain.It seems that nearly every racket that Zeck is involved in is one where Zeck thinks he’s figured how to avoid any danger.

In the midst of his foolproof systems, and risk-free crimes, Zeck seems weak at anticipating human behavior, expecting it to fall into neat patterns. Zeck handles Wolfe with typical mafioso style and forces a confrontation that he can’t win. Wolfe’s understanding of human behavior and his ability to see the flaws in Zeck’s systems assured the outcome as soon as Wolfe stepped out of the Brownstone.

The actual mystery of who killed Wolfe’s client is relatively simple. And indeed, it’s surprising that it remained a secret for so long as the police and was given the key clue early in the book.   Readers could be excused as Stout directed our attention to the character driven story and Wolfe’s dealing with Zeck.

So on one hand, In the Best Families had  a weaker mystery and a disappointing villain, but it also offered some insights into Archie and the characters in Wolfe’s world. The middle part of the book is interesting enough to carry the rest of the book. So, overall I’ll give the book:

Rating: Satisfactory

You can find all the Nero Wolfe books in Kindle, Audiobook, and book form on our Nero Wolfe page.

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