Holmes
To write an introduction for Sherlock Holmes is a daunting task, it’s akin to writing an introduction to Shakespeare. The influence of Holmes is everywhere and in every culture on the globe. In the literature of Western Civilization, it’d be reasonable to state that Homes’ influence pales only in comparison to the Bible and Shakespeare. Holmes is quoted in productions as diverse as Star Trek VI and the Glenn Beck program.
The basic facts of Holmes are well-known to nearly every literate person on the globe. He was the creation of Sir Arthur Conan Doyle and made appearances in fifty-six short stories and four novels. He solved cases from 221B Baker Street in London with the assistance of his faithful companion, Dr. Watson. Holmes became so popular that Doyle couldn’t get away with killing him.
Holmes is one of the few true timeless characters in literature. His canonical adventures may have been set in the late 19th and early 20th centuries, but in the hands of a competent author, with a few modifications, Holmes could show up at a medieval castle or on a starship and still be a powerful character.
Every detective story that enjoyed any success in the past century, even if written as the antithesis of Holmes (such as Dashiell Hammett’s Sam Spade), owes something of its success to Doyle’s great detective for getting the public interested in the genre. Edgar Allan Poe’s C. Auguste Dupin may have been the first true detective in literature and an inspiration for Holmes, but even Dupin owes something to Holmes, as few people outside the academic world would care that Dupin existed without the wild success of Holmes.
Holmes has been recreated too many times to count, and each actor brings his own spin. The radio recreations of Holmes began October 20, 1930 when William Gillette, perhaps the great popularizer of Holmes, took the role to a new medium. It has continued off and on since them on a variety of networks including, NBC (1930-33) (1934-36) (1955), Blue Network (1939-42), Mutual Network (1943-46), (1947-49), ABC (1946-47) (1949-50) (1956), BBC (1954, and many more years.), BBC-WFMT Chicago (1959-69). Countless many others have featured Holmes, even after the official end of Old Time Radio in 1962. However, for the purpose of this series, we will focus exclusively on those renditions of Holmes believed to be in the public domain. Below is a profile of the actors to play Holmes in Old Time Radio. We will add new Holmes’ actors to our list as the podcast begins to share episodes featuring them.

William Gillette (1853-1937): Gillette only made two radio appearances as Holmes. The first, the 1930 pilot for the Original Sherlock Holmes radio series, and in 1935 on Lux Radio Theater. However, Gillette may have done more than anyone other than perhaps Doyle himself to popularize Sherlock Holmes. Gillette was tasked with writing the first theater adaptation of Sherlock Holmes, and then he took Holmes on the road. Gillette would perform the role of Sherlock Holmes more than 1300 times in theaters in the United States, Great Britain, and Australia among other countries. Doyle created the greatest detective in literature, Gillette’s touches turned him into a character that would stand the test of time. Gillette gave Holmes the bent briar pipe, a magnifying glass, the violin, and the syringe. From his writings, rather than Doyle’s, springs the phrase, “Elementary, my dear Watson.” Gillette also portayed Holmes in a lost 1916 silent film. Orson Welles paid tribute to Gillette on an episode of Mercury Theater on the Air saying, “It is too little to say William Gillette resembled Sherlock Holmes. Sherlock Holmes looks exactly like William Gillette.”

Richard Gordon (Unknown): I could find little about Gordon other than that he was a veteran stage actor who played Holmes on the stage and lived in Connecticut. Gordon played Holmes from 1930-33, with two episodes from his tenure suviving (Thanks to the Cobalt Club.)

Louis Hector (1883-?): Louis Hector, often spelled Luis Hector, was the third radio voice of Sherlock Holmes and the first to portray him on television, appearing in a 1937 adaptation of The Three Garidebs. In the later Nigel Rathbone series, Hector would portray Moriarity. Hector was a Broadway veteran, playing his first role in a Broadway play in “Unwritten Chapter” and his last in “Inherit the Wind.” As with Gordon, biographical information is scarce. The date of his birth can be ascertained, but not the date of his death, leading me to wonder if there was more than fiction to his appearance on a “Tales of Tomorrow” episode where a doctor discovers a serum that would allow people to live forever.
Orson Welles (1915-85) I'm not even going to attempt to write a fitting biography to Orson Welles in this space. Welles was a pioneering star of radio and film, beginning with his role of the Shadow at age 22. His numerous credits include "The Mercury Theater on the Air" and its famous "War of the World" special. He also hosted "The Black Museum" and starred in "The Lives of Harry Lime" which was based on the infamous character from the movie, "The Third Man" for Towers of London Productions, which was a worldwide syndicator of radio drama. Welles played Holmes in a Mercury Theater adaptation of a William Gillette play. For "Towers of London" he took on the role of Professor Moriarity in The Final Problem. Thus, he joined Louis Hector in having the distinction of playing both Holmes and his arch-nemesis.
Basil Rathbone (1892-1967): More than 40 years after his death and more than 60 years after he last played Sherlock Holmes, Rathbone is viewed as the definitive Holmes by viewers around the world. However, Rathbone was more than just the movie face of Sherlock Holmes for 14 movies and his voice for more than 200 radio adventures, co-starring with his friend Nigel Bruce.
Rathbone was a talented actor in stage, screen, and radio, a two-time Academy Award Nominee and Tony Award Winner, a man with three seperate stars on the Hollywood Walk of Fame, and most importantly a decorated war hero. Much more is available on his remarkable career at basilrathbone.net.
Sherlock Holmes Episodes
Richard Gordon:
- The House of the Three Gables (Original Air Date: November 11, 1931)
Louis Hector:
- The Hebraic Breastplate (Original Air Date: November 11, 1934.)
- Murder by Proxy (Original Air Date: Unknown.)
- Adventure of the Devil's Foot (Original Air Date: May 30, 1936.)
- The Armchair Solution (Original Air Date: June 6, 1936.)
Orson Welles:
- The Immortal Sherlock Holmes (Original Air Date: September 25, 1938)
Basil Rathbone:
- The Bruce Partington Plans (Original Air Date: November 6, 1939)
- The Retired Colourman (Original Air Date: March 25, 1940)
- The Copper Beeches (Original Air Date: October 6, 1940)
- Mrs. Warren's Key (Original Air Date: December 7, 1941)
- The Missing Bloodstains (Original Air Date: May 15, 1944)
- The Superflous Pearl (Original Air Date: May 22, 1944)
- Book of Tobit (Original Air Date: March 26, 1945)
- The Amateur Mendicant Society (Original Air Date: April 2, 1945)
- The Vienese Strangler (Original Air Date: April 9, 1945)
- The Notorious Canary Trainer (Original Air Date: April 23, 1945)
- The Unfortunate Tobacconist
Norman Shelley
- November 5, 2009: The Noble Gentleman (Original Air Date: August 8, 1959. Incorrectly identified as episode from February 15, 1933 featuring Richard Gordon)
Christmas Episodes (Played Out of Order):
- The Night Before Christmas (Original Air Date: December 24, 1945)
Video Theater Episodes:
- Sherlock Holmes and the Secret Weapon (Nigel Bruce)
Episodes posted every Thursday. Log information from OTRSite




November 21st, 2009 - 02:14
Dear Adam, I have this same copy of the “The Noble Bachelor” but my copy contains additional dialogue at the end, in which the actor playing Dr. Watson says, “In real life my name is Norman Shelley, my friend Carlton Hobbes played Sherlock Holmes.” The same recording is at the end of my copy of “The House of Three Gables. I have listened to both recordings side by side on my ipod and they are identical with your recordings, except for the fact that your recording does not have the additional actor identification at the end. I think, therefore that this might clarify some of the discrepancy in voice recognition you have expressed. These recordings are from the BBC recording that was broadcast from Chicago, and later sponsored by Berkley’s bank. I know that you will want this information, even though it means possible extra work for you!