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23Aug/140

Audio Review: BBC Crimes: The Saint Overboard & The Saint Plays with Fire

In late Summer 1995, the BBC brough the Saint back to radio in a series of three radio plays starring Paul Rhys as Simon Templar: The Saint.

The first two of these plays are collected in a single audio release, “The Saint Overboard” and “The Saint Plays With Fire.”

“The Saint Overboard” has the Saint teaming up with a female insurance investigator who is trying to catch the culprit behind the looting of sunken vessels. She has a suspect but has to find out where he’s hidden the loot.

“The Saint Plays with Fire” on the surface level is about an arson and murder investigation but it has strong political overtones in a story that was originally written right before the outbreak of World War II.

Of the two, “The Saint Overboard” is the weaker story. It’s not a bad tale, but it does drag a bit in the middle and some of the side characters were a little tedious. The Saint also plays much more of an anti-hero in the story.

“The Saint Plays With a Fire” is a much more solid play. It’s a good mystery and the pre-war setting is pretty intriguing.

Overall, Paul Rhys is decent as the Saint. He’s definitely not going to make anyone forget George Sanders, Roger Moore, or Vincent Price, but he does a good job. He’s certainly not Val Kilmer and he’s a cut above Hugh Sinclair who replaced Sanders as the on-screen Saint in the 1940s.

The rest of the cast turns in exactly the type of solid performance you’d expect from the BBC. While it’s not a must-hear for fans of Leslie Charteris’ most famous creation, it’s still a well-done adaptation.

Rating: 3.5 out of 5.0

This production is available from audible.com.

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5Jul/142

Film Review: The Saint (1996)

This film attempts to remake and update Leslie Charteris' character of Simon Templar (aka: The Saint.) In this modern setting, the Saint is still a criminal who hasn't gone straight and finds himself entangled in issues in post-Soviet Russia where control of energy is vital to the future and evil Communist turned evil Billionaire is planning to topple the government by obtaining the secret to cold fusion. The Saint must obtain the secret from Doctor Emma Russell (played by Elizabeth Shue).

Positives: The film does a great job with its location work, bringing to life Russia in Winter with all its cold and grittiness. Elizabeth Shue's character is pretty well-crafted, cutting against the grain of stereotypical scientists who are cold and lifeless and she's longing for something deeper and is hungry for philosophy, truth, and beauty.

Kudos to whoever did Val Kilmer's make up. In this version, Simon Templar is a master of disguise and it seems plausible that he could pull it off with how different he looks in each disguise and Kilmer's dialects are masterful.

Negatives: We can start with spending the first six minutes of the movie gratuitously showing Simon being beaten by a stereotypically overbearing priest for refusing to accept the name chosen for him as he was left at the orphanage as a nameless orphan. Will Hollywood decide this cliche is ever overdone?

In the film's second and third acts, the best it can really manage is typical action slock which is not bad but not really good either. Plus the ending drags out through senseless decompression after the resolution.

I also have to say that the film's understanding of science is dumbfounding. The formula obtained for cold fusion is incomplete, but all our heroine needs is two hours in a room without computers or anything to wrap it up. But hey, it's an action film.

The film's biggest flaw goes back to Templar. The character just isn't likable. In fact, we rarely understand why he does anything. He wants to get $50 million in his bank account to retire...why? Why $50 million? And why does he want to quit? Is he wanting to stay out of jails? Does he not like what he does and feels on some level its wrong? It's never explained.

Part of this is Kilmer who lacks any charm or charisma that actors like George Sanders or Roger Moore brought to the role. There's no swagger in Kilmer's Saint until the end by which point its too late. There's no sense of fun. It's just a guy doing a job and wanting to make money.

The other thing is the way the film was written makes the character hard to like and it's the way he seduces vulnerable women and uses them for his own ends. First, it's a passenger on the plane who just found out her husband is cheating on her and then Doctor Russell, a lonely eccentric romantic longing for something deeper. This is contrary to the original Saint films and TV shows, that while roguish, always fought on the side of angels, and left you with the impression that no innocent person had been hurt.

It would have taken magnificent performance to make such a character likable and Kilmer's mediocre performance just doesn't do it.

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31May/140

Book Review: The Saint v. Scotland Yard

The Saint, a character who remained popular for decades and has been portrayed by everyone from George Sanders and Vincent Price to Roger Moore and Val Kilmer, got his start in literature.

The Saint v. Scotland Yard  is a book published in 1932 and it collects three novellas, each featuring the Saint working outside or even against Scotland Yard, near the start of the character’s literary career . . “The Inland Revenue” sees Simon trying to shut down a blackmailer. “The Million Pound Day” pits the Saint against a ruthless gang of kidnappers who have a plan to force the printing of a million pounds in fake Italian currency. The final story, “The Melancholy Journey of Mr Teal” finds the Saint trying to steal a jewel thief’s loot before the thief's caught by Scotland Yard.

Overall, the stories are decent for the period. They’re much more adventures than they are mysteries. The cases are well-written and fun to read.

Those who know the Saint from golden age mediums like radio or the Sanders movies may not recognize much about this early version. While the Saint’s billed as the “Robin Hood” of modern crime, the Saint robs from the rich but seems more self-centered. Of course, as this was the 1930s, many people resented the rich and believed the police were corrupt or incompetent, so there was some catharsis in his antics for the common man of the day.

The brilliance of Charteris is that despite the Saint’s less than sterling conduct, he makes it really hard not to like him. The Robin Hood analogy seems inapt. The Saint in this book is really reminiscent of a romantic pirate. The Saint is a swashbuckler who laughs in the face of danger and death, and writes poetry in perilous situations. He and his girlfriend Pat are pure adrenaline junkies who get their kicks out of exposing themselves to danger which is kind of fun for people who live more tame lives.

While the Saint is no paragon in this book, he doesn’t hurt innocent people. Indeed, the book works because whoever the Saint crosses, we have a sense that they somehow deserve it.

The only other negative to this book are some unfortunate racial language which may make the book less accessible to some readers. Overall though, this was a decent early Saint novella collection.

Book Rating: 3.75 out of 5.0

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26Apr/140

DVD Review: The Saint Double Feature

In 1941, George Sanders left the role Simon Templar in the Saint series and was replaced by Hugh Sinclair.

The contrasts between Sanders and Sinclair is pretty striking.  For Sanders, the Saint was an early highlight of a career that would see him earn parts in A pictures and even earn an Academy Award. For Sinclair, this was as good as it got.  Sinclair just didn't have the presence that Sanders did, and so both of his Saint films were below Sanders best stories. Though both films were better than Sanders subpar The Saint's Double Trouble.  

The Saint's Vacation (1941)  is the better of the two films and truthfully above average when compared to most 1940s B detective features. The Saint is on vacation and gets involved in international intrigue over a music box which serves as the stories Macguffin. It's not an original idea, but the execution of it in this film is pretty enjoyable. The end is somewhat frustrating and drawn out particularly since we never get to find out what exactly the hubbub was about other than that it was a Macguff.

The Saint Meets the Tiger  (1943) is based on the first Saint Novel and finds the Saint on the trail of international gold smugglers. Most of the movie is a little boring and hard to follow, so it's a bit below average. However, at the end of the movie, a madcap scene where the Saint's sidekick and girlfriend are knocking people out aboard a ship really livens things up.

So in short,  the two films are almost mere images of each other. The Saint's Vacation is an above average film that's pretty interesting in the beginning but is bogged down by a slow ending. The Saint Meets the Tiger is a below average film that's propped up by an ending that's a lot more fun than the film itself.

Overall, I'd give the DVD 3.0 out of 5.0 and recommend it only for Saint completists at its retail price.

 

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