12 Angry Men was first written as an episode of the Anthology Show, Studio One and then turned into the classic 1957 film starring Henry Fonda and Lee Cobb. It’s the culturally iconic story of twelve men in jury room in the Capital case of a young man accused of killing his father and how these very different people interact and how their biases and perceptions shape the way they vote. The film became a classic which was parodied and copied more times than anyone could count. In 1997, it was made into a HBO telefilm but updated to modern times. Rose also made a stage version which was performed by LA Theatre Works in 2005 and released as an audio drama.
Of course, the script is solid with great tension. The weakest part of the play is at the beginning. The judge reads the jury instructions in monotone and every line of dialogue seems to be delivered just a tad too fast. This might have been the director’s attempt to show the rush to judgment but it doesn’t work all that well.
However, once the cast gets going, they’re true professionals. Some of the voices in here include Hector Elizondo as Juror #10, Dan Castellaneta (Homer Simpson) as Juror #5, and Armin Shimerman (Quark from Star Trek: Deep Space Nine) as Juror #4. The story unfolds beautifully with a lot of high tension scenes and most of them come off brilliantly on stage and on audio.
The relatively weak performance of the play had to be Jeffrey Donovan as Juror #8, the story’s protagonist. It’s a tough role to be sure particularly when giants like Henry Fonda and Jack Lemon have played the role on screen, but Donovan’s performance was just weak. Given the caliber of the rest of the case, it’s surprising they didn’t get a stronger performer for this role.
Also, this is not a true audiodrama but rather a recording of a play. This really only hurts in one scene where Juror #3 delivers a racist tirade and the entire jury, those who vote guilty and not guilty turn their backs on him. On stage, the audience could see it, but the audio audience had to rely on memories of the film and just hope that was what was going on.
The way Rose wrote the play or the way the Director adapted Rose’s play (I’m not sure which) also hurt the quality of the story. In the scene where Juror #9 analyzes why an elderly witness may have pretended to see more than he actually saw due to his feeling insignificant, another juror challenged this and a single look at the camera told us that the elderly juror was just like witness. Here, it has actually be said and in a way that’s a little clumsy.
Discussion of a piece of psychological testimony is added to the play but that actually detracts from the story, and in the same scene from the movie that’s so powerful, Rose seems unable to resist the temptation to overwrite in the play.
In the ’57 film, After Juror #3 goes on a racist tirade and tells people to listen, Juror #4 says, “I have. Now sit down and open your mouth again.” The change is slight and perhaps in the 1997 version where Juror #4 says, “Sit down! And don’t open your filthy mouth again.” These are powerful moments. In the play version, Juror #4 gives a much longer less crisp response.
In some ways, this might be nitpicking, but when a radio play in based on such a famous and profoundly brilliant drama, it invites it. The original 12 Angry Men is nearly perfect for what it is, this stage play recording falls short.
That doesn’t mean the audio version is without merit. It’s $6.95 on Audible or $4.86 if you’re an Audible member and at 1 hour and 50 minutes (which includes a 17 minute interview with Rose’s widow) it’s great for a long drive and manages to do a good job with most of the key moments and performances.
Overall I’d rate it 3.5 out of 5.0.
12 Angry Men is available at audible.
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