Mr. Moto (Peter Lorre) fight an international intrigue that attempts to damage relations between France and England. And they start out by killing Mr. Moto. Release Date: January 20, 1939
The fourth volume of the Father Brown Mysteries from Colonial Radio Theater collects four more G.K. Chesterton stories. More importantly, the middle two stories have been previously adapted either in the 1970s British TV series or the 1980s BBC radio series.
In the “Actor and the Alibi”, Father Brown is called in by a theater company to calm down a temperamental Italian Catholic actress and finds himself investigating the murder of the theater owner who most of the company holds to be a scoundrel. This solution as well as the distortion of reality that seems to have engulfed the situation is remarkable. Unless you have the sagacity of Father Brown, there’s little chance of solving it.
“The Worst Crime in the World” has Father Brown concerned about a young man that might marry his niece. A strange visit to the castle-home of his reclusive father does little to allay his concerns, particularly when the young man seems to have disappeared.
“The Insoluble Problem” is a classic story that finds Father Brown and Flambeau stumbling on an impossible murder after Father Brown is called the house while Flambeau is driving to a museum protect valuable jewels. Unlike all the weird murders Father Brown has solved, is this one truly insoluble? Really, this was a pretty clever concept that plays quite nicely with classic tropes of the mystery genre. I’m surprised that I haven’t seen this clever plot used more often.
“The Eye of Apollo” is a classic story which pits Father Brown against the founder of a sun-worshiping cult who has convinced a strong-headed wealthy woman to follow his way. When she dies, it appears to have been accident with the cult leader having a perfect alibi. The actual solution has a great ironic twist that’s pure Chesterton.
This is the best quality Father Brown set Colonial has put out yet. J.T. Turner has Father Brown down pat and M.J. Elliott is adept at giving listeners all the life and pleasure of the original stories. One thing I noted in this collection is how Turner would take some of Chesterton’s artful descriptive commentary and put it in the mouth of his characters.
Overall, this is a faithful and high quality adaptation that is a must for fans of Father Brown and of classic mystery.
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