Day: July 16, 2011

Father Brown’s Not Buying It: A Review of the Incredulity of Father Brown

Twelve years after his second Father Brown book, G.K. Chesterton brought readers a new collection in 1926 entitled, The Incredulity of Father Brown.

While the previous titles, The Innocence of Father Brown and The Wisdom of Father Brown had very little with the theme of the stories, Incredulity is a key theme of each story in this collection.

In each story, an event happens to which a miraculous supernatural explanation is offered. Father Brown by and by doesn’t buy into the supernatural solution, but finds a natural, but often amazing solution to the case. Of course, in each case, the people expect Father Brown to go along with a supernatural solution as he’s a priest and all. However, the book makes the point that being religious and being  superstitious are not the same thing.

In “The Curse of the Golden Cross,” Brown explains his belief in “common sense as he understands it:

It really is more natural to believe a preternatural story, that deals with things we don’t understand, than a natural story that contradicts things we do understand. Tell me that the great Mr Gladstone, in his last hours, was haunted by the ghost of Parnell, and I will be agnostic about it. But tell me that Mr Gladstone, when first presented to Queen Victoria, wore his hat in her drawing–room and slapped her on the back and offered her a cigar, and I am not agnostic at all. That is not impossible; it’s only incredible. But I’m much more certain it didn’t happen than that Parnell’s ghost didn’t appear; because it violates the laws of the world I do understand.

Father Brown applies such incisive common sense to eight problems, with all but one of them involving murder. One thing that makes these stories different is that the goal of the story is not catching the murderer. In the vast majority of cases, the suspect is not caught. The story is about the puzzle and how Father Brown solves it. In one case, “The Oracle of the Dog,” Brown stays one hundred miles away from the scene of the crime and solves it secondhand.

The best story in the book is, “The Arrow of Heaven” which involves the seemingly impossible murder of a millionaire in a high tower with an arrow when it was impossible for anyone to be able to shoot it that distance.

“The Miracle of the Moon Crescent” is a fascinating story that has three religious skeptics contemptuously dismiss Father Brown but they begin to think a supernatural cause may be involved in the seemingly impossible murder of a millionaire when the police fail to turn up any satisfactory solution.

“The Doom of the Darnaways”  may be one of the most profound stories in the collection. Father Brown encounters a young man whose family is said to be subject to a curse that leads inevitably to murder and suicide. An expert on genetics declares the curse is nonsense, but that heredity indicates the same type of fate. Here Chesterton illustrated that it’s possible for both superstition and science to develop a fatalism about human life and destiny that excludes free and leads people to helplessness and despair. The story has a well-told murder mystery, though I don’t know why Father Brown put off the solution.

There’s not really a story I didn’t like in the collection, although I do think, “Oracle of the Dog” may have a little too much literary criticism and not enough story. Also, some of Chesterton’s rough edges and lack of racial sensitivity are present in this collection. However, if you can get past that, The Incredulity of Father Brown is a truly wonderful collection of stories about the original clerical detective.

You can find all the Father Brown books in Kindle, Audiobook, and book form on our Father Brown page.

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EP0450s: WW2 Special: Suspense: Menace in Wax and You Were Wonderful

Lena Horne

This Suspense doublebill features two episodes of CBS’ signature anthology series.

First, a reporter is summoned to a wax museum and finds a code that could spell trouble for a war plant in Great Britain.

Original Air Date: November 17, 1942

Then, the great Lena Horne plays a talented singer who finds herself embroiled in intrigue in Brazil and employed by rough characters with hidden motives.

Original Air Date: November 9, 1944

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