Category: Book Review

Book Review, Golden Age Article, Nero Wolfe

Book Review: And Four to Go

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What could be better than the numerous Nero Wolfe books including three Novellas? How about one featuring four? Well, it doesn’t quite work out that way, but there are still some worthwhile stories in the lot:
 
“The Christmas Party”
 
Archie connives to get a fake wedding license for a dancing partner who wants her to boss to marry her. The boss is being stubborn so Archie gets a fake marriage license blank with both their names on it to force the issue.
 
When Wolfe starts to get bossy and unreasonable in demanding Archie drive him to meet an orchid expert, Archie springs the marriage license on Wolfe and tells him that he’s getting married. Wolfe is displeased but Archie gets out of the errand.

Archie ends up attending the Christmas Party where the boss is murdered and Santa mysteriously disappears after the crime is committed. Archie also can’t find the fake wedding license which has him at risk of a forgery charge. When Archie gets home he finds out that Santa was none other than Nero Wolfe, spying on him and his supposed fiancée. To make matters worse, a jealous young woman who believes the woman Archie helped was the murderess demands that Wolfe connive to help frame the woman. Otherwise, Wolfe will have to endure the embarrassment of being exposed as Santa. Wolfe and Archie are in a pickle and it’ll take all of Wolfe’s wits to get them out.
 
The story’s plot is priceless and along with some memorable characters, I’ll give it a:

Rating: Very Satisfactory

“Easter Parade”
 
A wealthy philanthropist, who is also an orchid grower has developed a new species of orchid that he’s keeping under wraps. Wolfe has to see it, and the only chance he has is that the philanthropist’s wife is wearing one of the orchids. So he has Archie hire a two bit hood to snatch the orchid as the lady is exiting the church and entering the Easter Parade. The orchid snatch is done right as the woman dies and Wolfe finds himself in a pickle, as police want to find the orchid snatcher.
 
The best part of this story is the look back at the Easter Parade, an event that was much more widely practiced both in New York and across the country in years past. In essence, Stout gives us a portrait of the Easter Parade in its heyday. 
 
The plot itself has problems. While Wolfe can tend to childish behavior in pursuit of his goals, this one takes the cake. The action has several accomplishments. Wolfe’s reputation and his license are both put at risk. More than that though, the stunt is itself quite mean and both the lady and her husband are sympathetic characters who have dedicated themselves to the betterment of others and  have done nothing to agrieve Wolfe aside from refusing to let him look at a flower. The idea of hiring a criminal to assault two saintly people coming out of church on the holiest day of the Christian year does little to make one sympathetic as Wolfe and Archie try to avoid embarassment.
 
Of course, Stout could have turned this around a little bit with a clever solution, a dramatic stunt to find the real killer, some clever interaction between Wolfe and Archie. Unfortunately, the story is wrapped all too easily on the spur of the moment. with Wolfe barely moving a brain cell. The story was first published in the April 1957 issue of Look and has all the earmarks of being written to satisfy the commercial requests of a magazine wanting a story for its April issue rather than the cleverness of a typical Wolfe story. If another writer wrote it, I’d say it was flummery. However, as Stout wrote it, I must give it a:
 
Rating: Pfui
 
Fourth of July Picnic:
 
After the death of Marco Vukcic, Wolfe assumed a key role in ensuring the qualtity of Rusterman’s restauraunt with Wolfe’s cook Fritz providing some consulting assistance. A restaurant union leader seized on this to try and force Fritz into the union and this became an annoyance to Wolfe. In order to rid himself of the annoyance, Wolfe agrees to speak at the Union’s 4th of July Picnic.
 
However, before Wolfe’s speech, the man who’d been annoying him is murdered after having taken ill. Every speaker went in to the tent he was resting in for one reason or another including Wolfe, but police suspect someone came through the back of the tent because they’d rather not suspect prominent citizens of the crime (other than Wolfe and Archie). However, Archie knows that a woman was watching that back entrance and no one had gone in but withholds the fact because he’s annoyed by the police and didn’t want He and Wolfe to be held as material witnesses in rural New York. When Wolfe finds out about the witness, he has to solve the crime quickly or risk going back as a material witness to be held by a very unhappy and unfriendly district attorney.
 
While not up to the best standards of Wolfe Stories, it features a good amount of atmosphere and a clever enough solution to make it:
 
Rating: Satisfactory.
 
“Murder is No Joke”

If Murder is No Joke had been set at the fall, this would have been a four seasons collection. As it was, Stout appears to have abandonned the seasonal stories after two middling efforts. Murder is No Joke is a much more solid story.
 
A woman comes to Wolfe’s office concerned that her brother’s business is being destroyed by a woman who has some hold over her. She wants Wolfe to investigate her but doesn’t have the money to pay him. However, she offers to pay Wolfe to call the woman. Wolfe dials the number and is promptly insulted by the woman and then hears sounds that indicates violence has occurred. Archie calls the woman’s office and finds she has indeed been murdered with Wolfe and Archie as likely ear witnesses.
 
However, Wolfe has a sense that someone is trying to make a fool of him and sets out to uncover the truth of what really happened and how the suicide of a formerly promising actress plays into what happened. He sends Archie down to the office where the murdered woman worked to ask about correspondence from the actress who committed suicide.
 
The highlight of this story is when Archie wants to know why Wolfe is an investigating and Wolfe and Archie share a moment of detective zen when Wolfe opens Archie’s eyes to a key clue. All in all, the story has a good cast of characters and a solution that really shocked me. 
 
Rating: Very Satisfactory
 
Overall, Four to Go features two middling stories in between two solid ones that make up for their lack.
 
Overall Collection Rating: Satisfactory

You can find all the Nero Wolfe books in Kindle, Audiobook, and book form on our Nero Wolfe page.

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Book Review, Golden Age Article, Leonidas Witherall

Book Review: Beginning with a Bash

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Beginning With a Bash was the first Leonidas Witherall novel written by Phoebe Atwood Taylor under the pseudonym Alice Tilton, published in the UK in 1937 but not in the US until 1972 due to some dubious advise from teh publisher.

The novels opens with Leonidas, former headmaster of a private school down on his luck even though he looks like William Shakespeare accept for his glasses.. The depression wrecked his retirement funds and now he’s reduced to being a book store’s janitor. A former pupil who is also down on his look comes in on a Saturday. He’s been accused of stealing from his former employer and is wandering the streets with his last remaining valuable possession, a set of golf clubs. Very quickly, a body discovered near the store and it turns out to be the former employer, who was killed by a blow from a blunt object. The police quickly take Leonidas’ former pupil into custody who conveniently had a grudge against the dead man and was carrying a bag of gold clubs that would be perfect to bludgeon the man to death.

However, Leonidas doesn’t believe the young man is guilty and sets out to prove it by Monday morning and find the missing money to boot. Leonidas sets off with the book store owner but quickly acquires a motley crew of assistance including a Italian gangster and his star-crossed girlfriend who is also the sister of her boyfriend’s Irish rival and the dead man’s housekeeper, as well the widow of a former Massachusetts Governor.

This book is a classic vintage style madcap comedy mystery that sees Leonidas and friends going from one jam to another. The book is light reading with the gangster being more in the style of Damon Runyan than Francis Ford Coppola. The book does include a few regrettable uses of the n-word (although I should note that this may have been removed from some modern editions), but if you can get past that, it’s a fun and exciting story full of improbable twists and turns sure to amuse you for hours.

This book has been re-released for the Kindle by St. Swithin Press which has also re-released the last Leonidas Witherall novel, The Iron Clew as well as several other novels in Taylor’s Asey Mayo series.
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Book Review, Golden Age Article

Book Review: Red Threads

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We continue our review of Rex Stout’s non-Nero Wolfe mysteries with 1939’s Red Threads.

Red Threads is often presented as an Inspector Cramer mystery: A case where Inspector Cramer is the star and solves the case without any aide from Nero Wolfe. It’s understandable to do that, but lets be clear Inspector Cramer is not the star of this book.

Millionaire Val Carew is founded murdered in tomb of his late wife who was an Indian princess. Carew, who was considering remarrying a white woman, was found scalped.

Jean Farris is in love with the dead man’s son, Guy but becomes angry when he asks her to return a skirt jacket she’d made with rare genuine bayetta thread that Guy had given her from his own jacket. Farris storms off from after this odd request and is then knocked out and wakes up in her underwear with the skirt and jacket gone. She then discovers the reason for the interest in the thread: the murdered man had a thread of bayetta in his hand.

Jean resolves who robbed her and who committed the murder and clear her beloved. It is Jean, not Inspector Cramer who is the heroine of the story and focal point of the story. She makes for a charming and intelligent amateur detective who dominates the narrative and lifts the whole work. Cramer is merely John Law. Stout saw no reason to work up another New York City Police Inspector when he’d created a perfectly servicable one for Nero Wolfe.

Inspector Cramer is not an entirely unsympathetic character in the story. Cramer is an honest cop, even if his methods are not necessarily laudable. Forced to return from his first real vacation in years, Cramer takes to the case with bulldog determination and shows a certain cunning in catching a suspect even if it turns out to be the wrong suspect. And once Jean sets him on the right track, he ties everything up neatly.

I can’t really blame Cramer for missing the solution to this case. At least five people including Jean withheld evidence from him and only one of them was in on the murder. Kind of hard to get the right conclusion without the  right information.

The book’s portrayal of Native Americans was a subject of some concern, indeed the whole foreword to the book was consumed with a critique of this aspect of the book. Woodrow Wilson, the only full-blonded Indian in the story talks like he’s ready to appear in a Republic Western or take up duty outside of a Cigar Store. Stout would treat a Native American character by the same name with far more sophistication and respect thirty years later in Death of a Dude. To me, it was only a minor distraction because the character’s part is relatively minor.

The final chapter is a bit silly and overdone, but overall the Jean Farris character carried the story through with a little help from Inspector Cramer making Red Threads an enjoyable 1930s mystery even without Nero Wolfe.

Rating: 3.25 out of 5.0

Book Review, Golden Age Article

Book Review: Inka Dinka Doo

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In Inka Dinka Doo, Jhan Robbins writes a biography of Jimmy Durante, beginning with his birth to a large immigrant family in the family’s kitchen to his early days playing dives in New York as a ragtime piano players to vaudeville success and motion picture hits and misses all the way to his death in 1980.

To Robbins, its a mystery. In the introduction, he lays out well what the mystery is, “Durante wasn’t a singer like Sinatra any more than he was a comic technician like Bob Hope. He lacked the polish of Johnny Carson, the bluntness of Humphrey Bogart.  When malapropisms and errors were deliberately inserted into his scripts he would mispronounce the mispronunciations. Other entertainers squeezed laughs out of vulgarity but not he. What was his secret?”

Robbins had gotten to know Durante over more than 20 years. The book is chock full of stories that tell the tale of Durante’s uncommon decency and kindness. Robbins’ book could seem one-sided but as Robbins stated, he looked desperately to find Durante detractors but couldn’t find any. The secret to Durante’s success was his genuine warmth and heart which spills out over the nearly 200 pages in Inka Dinka Doo. 

We learn of Durante’s closest and deepest friendships with his longtime partners Lou Clayton and Eddie Jackson as well as Eddie Cantor. His rocky career during Prohibition and his even bumpier landing at MGM in the 1930s where he continually drew forgettable roles even after getting a high dollar star contract.  We learn of his career on radio and triumphant entry into the new age of television.

The book is littered with anecdotes that show Durante’s heart and spirit. Durante was an extremely friendly person. In fact, Hollywood tour buses made a point to stop by his house knowing that he would run out and greet the bus, sometimes with a pitcher of lemonade to sell. It was Durante’s friendliness that got him out of the speakeasy business as an undercover prohibition agent came to the door and asked for him. Durante came down and the agent greeted him by name and Durante responded warmly. Then the agent complained of not being admitted and Durante let the guy in and the agent gathered evidence and the The Club Durant was shuttered the next evening.

Robbins also wrote of Durante’s loyalty and concern for others. When a fading Buster Keaton was released by MGM, Durante pleaded with Louie B Mayer on Keaton’s behalf and won Keaton’s reinstatement. When attending  a Dodgers’ game, Durante silenced a heckler who was mocking young future Hall of Fame Catcher Roy Campanella because he was black. Durante was kind and considerate even though he pronounced Campanella’s name as “Cantorbella.”

The book is full of such stories and makes for a light and engaging read with chapters slice up perfectly in digestible chunks.

I’d offer two criticisms of the book. First, I think Robbins did a bit of an injustice to both Durante’s first wife (who left Durante a widower in 1943) in the degree of his negative portrayal of her. Much of the source material for this information appears to be Durante’s longtime friend Eddie Jackson who the first Mrs. Durante didn’t get along with. What Robbins ended up with was a somewhat one side portrayal of Jeanne Durante. In addition, as Robbins stated, Durante never criticized or spoke negatively of Jeanne and so Robbins’ portrayal of Jeanne wasn’t quite in the spirit of Schnozolla.

In addition, the book has a somewhat uneven quality to it. For example, Robbins writes in painstaking detail about the one flop after another that MGM put Durante into. He then tells us that Durante’s pictures from the mid-1940s were better, but mentions no film by name between In the Army Now (1941) and The Last Judgment (1961). The book also tells us little about Durante’s latter day career as a ballad singer, a remarkable new direction for his that occurred at age 66.  Of course, Inka Dinka Doo was released before Sleepless in Seattle which created new interest in Durante’s ballads with Durante’s performance of “As Time   Goes By” and “Make Someone Happy” featuring prominently in the film.

Overall, there’s more to Durante’s life and career than this 200-page volume provides, however Robbins wrote with obvious affection for his subject and this book is not a bad place to start if you’re interested in learning about one of America’s best-loved entertainers. The book is out of print but may be available at your library (or through an interlibrary loan) or also as a used book through Amazon.

Rating: 3.75 out of 5.0 stars.

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Book Review, Golden Age Article, Nero Wolfe

Book Review: Three Doors to Death

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Three Doors to Death is a Nero Wolfe short story published in 1950 featuring three novellas published from 1947-49 in American Magazine.

It begins with a classic introduction from Archie Goodwin as he wants to avoid any confusion by strangers to the Wolfe genre who might think because Wolfe didn’t get paid in two of the cases that Wolfe makes a practice of solving murder cases pro bono. He also explains the symmetry of the stories. It does a great job setting the tone for what follows:

“Man Alive”

A fashion designer hires Wolfe because she believes she’s seen her Uncle at a fashion show. The problem? Her uncle committed suicide in spectacular fashion jumping into Old Faithful at Yellowstone National Park a few months before his partner does himself in. It turns out she was right about him being alive but not for long. Her uncle is murdered in her office and she becomes a suspect even though the police have no idea who the victim is. Wolfe has to find out who did it.  This one is solved with a clever deduction based on the behavior of one of the heirs.

Rating: Very Satisfactory

“Omit Flowers”

As a personal favor to Marko Vukcic, Wolfe undertakes to clear a former great chef of the murder of the boss’ husband and his heir apparent as head of a large chain of restaurants.  Wolfe has no lead, but  Archie makes a lucky guess that leads to startling information that the widow has been stabbed but she won’t reveal the identity of the perpetrator.

This is a very well-balanced story that shows Archie’s  intuitive reasoning in action. That allows him to uncover information another detective would have missed and that Wolfe absolutely needed.  The mystery is engaging and the identity of the actual perpetrator provided a solid surprise ending.

Rating: Very Satisfactory

“Door to Death”

Door to Death may be the crown jewel of this collection. When Theodore has to take care of his ailing mother and take an indefinite leave as orchid nurse for Wolfe, Wolfe is left with the full time job taking care of them. This because so intolerable that Wolfe not only leaves the brownstone, but gets in a car and travels to hire away Andy, the gardener of a wealthy family to tend the orchids. However, before Wolfe can get away with the replacement orchid tender, a dead body is discovered and Andy is the prime suspect.

Wolfe’s determination to find an acceptable replacement for Andy was enough to interest him in solving the case. However, when a young woman has the impertinence to call him Nero, Wolfe becomes determined to solve the case even as he’s being ordered out by the local police. Wolfe goes to extreme measures to get back into the house and obtain an opportunity to investigate it.

This was a very satisfying story that showed both Wolfe’s genius and self-awareness as Wolfe insists on staying away from home knowing that if he goes home, he’ll be impossible to get back out. And this is a case Wolfe wants to solve.

Rating: Very Satisfactory

You really can’t go wrong with any of the stories.  The whole collection is Rex Stout at his best and the best novella collection I’ve read so far.

Overall Rating: very satisfactory

You can find all the Nero Wolfe books in Kindle, Audiobook, and book form on our Nero Wolfe page.

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Book Review, Golden Age Article, Sherlock Holmes

Book Review: The Hound of the Baskervilles

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The Hound of the Baskervilles marked Sherlock Holmes return to literature after he was killed off by Sir Arthur Conan Doyle in “The Final Problem” eight years previously. Doyle had not yet brought Holmes back to life. This story was set prior to “The Final Problem.”

Sir Henry Baskerville is the heir of his late uncle Charle’s Estate. However, his uncle passed away under mysterious circumstances and one of Sir Charles’ friends, Dr. James Mortimer comes to Holmes to ask for assistance. Local legend is that Sir Charles was killed by a ghostly hound that haunts the moor to avenge the sins of one of the Baskerville ancestors. Mortimer confides to Holmes that he found a hound’s footprint at the scene of the death.

Intrigued, Holmes takes the case, and the case gets more interesting when Holmes spots a man following them inLondonand someone steals one of Sir Henry’s boots. Surprisingly, Holmes doesn’t go to Dartmoor, but sends Watson to investigate and report his finding to Holmes.

Watson find strange goings on: suspicious-acting servants, a dangerous convict on the moor, and of course, the legend of the hound.

This remains perhaps the most oft retold Holmes story and a pioneering mystery story that has been ripped off repeatedly over the years. While its a Holmes story, with Holmes absent from the main action for about half the book, it gives Watson a chance to shine and show his intelligence and resourcefulness.

Despite its popularity, I didn’t enjoy this as much as The Sign of Four. However, this is a matter of taste. Sign of Four was an action packed thriller while Hound of the Baskervilles relied much more on a build up of suspense. This one builds slowly and in a less skillful hand, it would have been easy for The Hound of the Baskervilles to become boring, but Doyle sensibly used Watson’s reports to Holmes and Watson’s diary entries to avoid bogging the story.

Overall, the Hound of the Baskervilles deserves its reputation as a true detective fiction classic.

Rating: 4.75 out of 5.00

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Book Review, Golden Age Article, Nero Wolfe

Book Review: Curtains for Three

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Curtains for Three was published in 1951 and featured three Nero Wolve novellas published from 1948-50. As usual, we’ll review the individual story and then include an overall rating for the book:

“The Gun with Wings”: The title sounds similar to a Father Brown story (”The Dagger with Wings”) but the story has an unrelated plot. The police have included that an opera star committed suicide. However, his wife and her lover aren’t satisfied because they found the body and when they found the gun, it was across the room. When they returned and the police arrived, the gun had moved to the floor by his body. Wolfe has to find out how the gun was moved and he knows his clients are lying.

The story is perhaps the most claustrophobic Wolfe case I’ve ready. Archie only leaves the house in one scene. Other than that one scene, all the on-stage action is confined to the office.  This means that the vast majority of the story is composed of Wolfe questioning people. 2/3s of the way through, I was convinced this was going to be the first Wolfe story I gave a Pfui rating to. However, Wolfe recovers when he plays Inspector Cramer off of his lying clients in a hilarious way. Once the lies are cleared up, Wolfe provides a flawless sage solution. It’s not quite Before I Die or Help Wanted Male, but I’ll give it a

Rating: Satisfactory

“Bullet for One”: An industrial designer is shot to death and his daughter and associates hire Wolfe to solve the case. One big problem for Wolfe is that the man his clients believe did it has an airtight alibi.

Some of the best Nero Wolfe novellas featuring a very memorable distinctive and it’s no different with Bullet for One and this one will always stand out as the one where everyone got arrested. One by one, Wolfe’s clients as well as their favorite suspect are arrested (most for issues not stemming from the murder investigation.) The story’s chocked full of humor and a solid conclusion typical of the best Wolfe stories.

Rating: Very Satisfactory

Disguise for Murder

This one was adapted for A Nero Wolfe Mystery and it was also done for CBC’s Rex Stout’s Nero Wolfe. So, it’s a stand out whenever anyone looks at adapting the Wolfe canon, and for good reason.

Wolfe has been talked into opening the Brownstone to a flower club. At the event, a woman takes Archie aside to confide him that she recognized a murderer at the party, but she’ll only confide it to Wolfe. It goes without saying that before Archie can get Wolfe back to the office, the woman is killed in Wolfe’s office.

This is not only unfortunate, but very inconvenient for Wolfe as Inspector Cramer peevishly orders the office sealed and Wolfe just as peevishly refuses to divulge a key observation to Cramer. He uses Wolfe’s dining room to interrogate the witnesses and Wolfe orders Fritz to make sandwiches for everyone but the police. The novella is far more subtle than the Television version for A&E, as it quietly shows the tension between Wolfe and the official police.

The story than features one of the most memorable climaxes in the Wolfe canon with Archie facing more physical danger than ever and a truly surprising solution. I’ve not read all the Wolfe novellas yet, but this one was the best so far. It makes the whole collection well worth reading.

Rating: Very Satisfactory

Overall Rating: very satisfactory

You can find all the Nero Wolfe books in Kindle, Audiobook, and book form on our Nero Wolfe page.

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