Last Christmas, Time of the Doctor marked the end of Matt Smith’s reign as the Eleventh Doctor, and this fall the BBC will kick off a new series featuring Peter Capaldi in the role. Today, we take a look at the first regeneration from First Doctor William Hartnell to Second Doctor Patrick Troughton, “Power of the Daleks.”

Due to the BBC’s horrible archival policies in 1960s, this isn’t a story people can “watch.” This is one of several stories that are completely missing on video and the only way they can be enjoyed is as audio dramas using the TV soundtrack recorded by fans and narration by a star from the series..

Without belaboring the point, in the “Tenth Planet,” the last First Doctor story, it was clear that William Hartnell was pretty well played out in the role. The four episode story featured almost no action from the Doctor in the first, second, and the fourth episode, and the third episode was spent with the doctor asleep. The fourth ended with the Doctor changing into Patrick Troughton.

Troughton actually really gets into the role right off the bat. While long time Whovians have seen newly regenerated doctors go through the process of picking out their wardrobe and getting used to new appearances, Troughton was the first and does it quite well. His character is fun and clever. The Second Doctor plays a recorder which is another nice bit of characterization.

Of course, his companions, who were with the First Doctor, are skeptical that this is really the same Doctor, with Ben being far more skeptical than Paulie.

The Second’s Doctor’s inaugural adventure is a blast. The TARDIS lands in the future on Earth’s colony Vulcan where they discover the murdered body of a government official called an examiner. The Doctor assumes the examiner’s identity and is determined to uncover why the Examiner was killed and what was going on in the colony.

In the course of his investigation, the Doctor comes across his most dangerous enemies, the Daleks. One of their ships has crash landed and a scientists is studying the dead Daleks. The Doctor wants them destroyed but finds out to his horror that the scientist who discovered the Daleks is actually trying to revive one and that he succeeds.

The revived Dalek, whose gun armed has been removed insists, “I am your servant.” The Doctor of course doesn’t buy it and is trying to stop the crazy scientists from reviving more Daleks. However, the whole Dalek issue is caught in a web of political intrigue which has more than one person thinking they can use the three revived Daleks as pawns. Some consider the small numbers of Daleks to be minor matter, but the Doctor warns that one is enough to destroy the entire base.

This is a wonderful serial that really works on every level: it has intrigue, mystery, suspense, and fantastic sci fi action. This is a story that illustrates the true power of audio story telling. The early writers of Dr. Who had great imagination, but lacked in special effects. That’s no problem here. The music and the dialogue tell the story powerfully.

The story has some genuinely scary moments that are really brought home by the audio. Of course, the Daleks are up to evil and two separate episodes end with Daleks chanting and there are few things more scary than a group of Daleks chanting, “We will get our power! We will get our power!” as they circle the scientist brought them back to life.

The scientist, Dr. Lesterson also has a fascinating character arc as the Daleks true nature becomes more apparent and things go from bad to worse. His final scene is the last episode of the serial is just haunting and fascinating at the same time.

Bottom line: “The Power of the Daleks” packs a powerful punch with a tone that’s often a bit dark, but also brilliantly conceived and executed.
Rating: 5.0 out of 5.0.

The Power of the Daleks is available at Audible.

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Dr. Who has become a 21st phenomena with the series revival growing to even greater acclaim than the previous stories. Yet, it still has its roots in the 1960s where the first two Doctors played by William Hartnell and Patrick Troughton gave the character his roots. The stories of the Doctor and his companions were originally produced as half hour programs that were serialized stories as opposed to the one hour usually self-contained today.

I’ve watched a decent amount of first doctor material. I’ve seen the first three serials with Hartnell as well another, “The Aztecs.” News came out that two previously lost serials are now available for purchase both starring the second doctor Patrick Troughton, but that leaves nearly a hundred episodes of the show lost,  effecting twenty-six different serials including the last two Hartnell stories and first seven with Troughton.

While hopefully more of these videos will emerge, Dr. Who fans don’t have to wait to at least enjoy the stories because sound tracks of early Dr. Who episodes, recorded by fans at the time the series aired, and remastered and re-released by the BBC are available through Audible. So, I’m going to listen to all the Dr. Who missing  episodes I can’t see beginning with Marco Polo and see how the  audio format helps or hurts.

“Marco Polo”  is  the fourth Dr. Who Serial and ran seven episodes from February to April 4 and follows after the events of “The Edge of Destruction” which left the TARDIS  damaged and finds the Doctor and the TARDIS crew (Ian Chesterton, Barbara Wright, and Susan Foreman) stranded on top of a snow capped mountain and in danger of freezing to death. However, they encounter several Chinese as well as a Mongol warlord named Tagama who wants them killed. However, the Chinese are led by Marco Polo who saves them and treats them kindly.  However, they quickly find that Polo’s motives are not entirely pure: He wants to give the TARDIS to Kublia Khan in hopes of securing his own return home to Venice. However, the warlord Tagama has designs on TARDIS of his own.

The audio is narrated by William Russell (who played Chesterton in the series) who shares bits of action that the soundtrack can’t pick up. These bits are minor. In some ways, being in an audio format helps this series as the setting is quite ambitious  with luscious and ornate Oriental settings.  Given the budget of the original show, it’s safe for me to say that the theater of the mind will easily beat what 1960s British TV could do in its portrayal of the Khan’s palaces.

This serial also seemed reminiscent in its slower pacing of radio serials I’ve listened from the 1940s and ’50s which often had more deliberate pacing overall with cliffhangers built in to keep the audience’s attention.

Another big difference from the modern Dr. Who is that other than involving time travel, this story has very little science fiction. If there were a modern Dr. Who/Marco Polo stories there’d be ghosts, space aliens, or zombies thrown in.  Instead what we get is a great historical adventure with its share of twists but just an adventure happening in medieval China.

The character of Marco Polo makes this story unique from many early serials. While in other programs like “The Aztecs, ”  characters like Tagama scheme and turn initial allies of the TARDIS crew into enemies, this is a lot more complex as Polo is enlightened. He isn’t superstitious, bloodthirsty, and works to save the crew despite requests to kill them.  His broad experiences have made him willing to consider anything including their claim that the TARDIS is a flying caravan, which is why he stole it. He feels bad about it too.  Polo’s moral struggle really does create some solid dramatic tension. 

Less interesting is the overused trope of the girl about to enter into an arranged marriage that doesn’t want to do it, and the convenient plot device used to resolve it, though they did do a decent job making the character likable and someone you care about.

While the serial isn’t great, it’s good for what it is: a fun historic adventure serial. It works well with the audio format  and for now, it’s the only way to encounter the classic Marco Polo story line unless you want to read the novelization.

Rating: 3.75 out of 5.00

This serial is available from audible.com

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