The Golden Spiders finds Wolfe and Archie in ill-temper. Archie decides to admit a neighborhood boy who comes to Wolfe because of Wolfe’s antipathy to police and the fact that he saw a woman in a car apparently in trouble. Wolfe handles the boy well and agrees to help by tracing the plate of the car.
However, the boy is murdered the next day and the case goes to another level. The boy’s mother asks Wolfe to find out why he was killed and offers her son’s savings which amounts to $4.30 to find the killer. They begin the process by placing an ad, and get a response that’s followed by another murder.
This sets Archie and the teers on an investigation that leads them to the high and low end of society and on to the trail of an extortion ring that’s the key to the whole plot.
This is really a mixed bag in terms of quality. It has more action than any other Wolfe story, including a torture scene that’s somewhat uncomfortable. To be fair about that, the bad guys started it by torturing Orrie Cather before Archie and friends turned the tables on them.
There’s also a very strong scene with Inspector Cramer that’s probably his best scene as a detective in any of the books he’s featured in. There are some good bits between Wolfe and Archie, and a pretty good final denouement.
The book’s weak point comes with Wolfe proposing a ruse for Archie that’s so transparent, it doesn’t fool anyone. It’s really pathetic and beneath the standard of fun ruses that characterize the Wolfe books.
The Golden Spiders was the basis of the pilot movie for A Nero Wolfe Mystery, and I have to say this is one case where the movie beat the book. And the biggest difference was emotional impact. The book deals with the death of a child, but it doesn’t seem to impact the characters correctly. Stout could do this and often did with tragic adult deaths which Archie or Wolfe inadvertently played a role in books like in Prisoner’s Base, but just doesn’t seem to deliver here. It’s worth noting that Pete Drossos is the only child to play a major role in any of the Wolfe stories, so writing children may not have been Stout’s forte.
There’s enough good stuff to keep this interesting, but overall I can only give the book a:
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