Tag: neutral review

Audio Drama Review: Sherlock Holmes: The Final Problem / The Empty House

The second series of Big Finish’s Sherlock Holmes range kicks off with the adaptation of the two Sherlock Holmes stories. “The Final Problem,” where Sir Arthur Conan Doyle attempts to kill Holmes off,  and “The Empty House,” where Holmes returns.

As writer/star Nicholas Briggs admits, these are not traditional adaptations.  In the previous adaptation, a bonus talking book of “The Speckled Band” was released with a word-for-word reading of that story. This is similar but this production dispenses with “He said.” Otherwise this is a  straightforward, almost word-for-word adaptation of Doyle’s stories with most of it told through Watson’s narration or Holmes narrating to Watson what has happened previously. As such, the strength of these adaptations rest on the strength of the underlying story.

However, Big Finish does add some nice touches. There’s an emotional core in these stories that Richard Earl, as Watson, does a superb job of capturing. Briggs turns in a solid performance as Holmes, playing the character perfectly as written, even when he’s being smug in “The Empty House.”  And one of the most interesting and subtle things they do in “The Final Problem”is tell the narration as Watson writing this down, and we hear the pen crossing the paper and the sound of pen will change and become more pronounced at certain emotional points. It’s a simple bit of sound design, but it’s  clever and adds something interesting to the production.

These are solid, dramatic readings with a good soundscape added in. However, given the wealth of material and the countless adaptations of these stories, the appeal of this release is limited and this would be the last time Big Finish used the format for Sherlock Holmes.

Rating: 3.75 out of 5.00

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Telefilm Review: The Brazilian Connection

In the 1980s, the Saint returned to television with a series of TV movies starring Simon Dutton. “The Brazilian Connection” originally aired in 1989. In it, the Saint takes a hand to investigate when a baby is kidnapped in broad daylight.

The best thing about this updated Saint story is that Simon Dutton isn’t Val Kilmer. The second best thing about it is everything that doesn’t have much to do with the main mystery. There’s the early scene which has the Saint robbing a couple of criminals and getting away in style and then busting up an art fraud ring. Inspector Teal’s got a new boss who believes the Saint needs to be brought to heel, despite Teel’s support of Templar.

There’s lovely location shooting in London as well as some nice effects.

As a leading man, Dutton isn’t in the same league as the great Saint Actors: George Sanders, Roger Moore, or Vincent Price. He’s more like Hugh Sinclair, who played the role in two films in the 1940s. He’s certainly adequate, looks up to the part, and can be charming when the script lets him be. The problem is, far too often, the script doesn’t.

While this is better than the 1996 movie by a country mile, it seems the creative team doesn’t really understand the Saint and thus we’re given a story that could feature any 1980s Detective/Action hero.

The big failing of, “The Brazilian Connection” is it’s mystery story. It’s told with little style or real intrigue, and it’s hard to buy into the plot.

You could applaud the story for being years ahead of its time by its discussion of human trafficking, but the way the movie addresses the issue is unbelievable.

I’m not spoiling anything to explain the couple who kidnapped the baby in London worked for a black market baby ring that kidnapped babies from Brazil, particularly rural areas, taking advantage of local corruption to kidnap babies and smuggle them out of the country. The mystery is who the boss is.

So these kidnappers who have this Brazilian deal set up where due to their connections, they can easily smuggle babies out of the countries. So they are walking down the street, see a stroller, and do an impromptu kidnapping in the middle of London where they have none of the advantages they do in Brazil. Why? They figured they could pick up some extra bucks.

The story also does a disservice to adoptive parents who are concerned with overly strict regulations that made it difficult for them to adopt by tying people who support their cause to a baby smuggling ring.

Overall, the story isn’t awful, but it’s not great, either, and it didn’t leave me at all curious to see future episodes of this incarnation of the Saint.

Rating: 3.0 out of 5.0

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