Tag: Modern radio drama

Audio Drama Review: Imagination Theatre: The Investigators

The late Jim French is best remembered for his greatest creation Seattle-based, modern private eye Harry Nile. However, French produced many detective and crime shows during his remarkable four-decades plus in radio.  Imagination Theatre: The Investigators from Radio Spirits is a sampler pack of nine different crime shows that French produced over the years as part of his imagination theatre.

The set kicks off with three episodes of Harry Nile. These shows come from 1999, towards the tail end of run of Phil Harper (the original actor to play Harry Nile.) We’ve reviewed this series extensively before, but for those who haven’t heard of it, Harry Nile is a period piece set in the late 1939 through the late 1950s. Initially, he worked out of Los Angeles, but then he moved to Seattle where French’s research and attention to detail really shine. The episodes are superb. They’re tailored to provide a complete, compelling mystery in just about 20 minutes.

Next is three episodes of The Further Adventures of Sherlock Holmes which isn’t to be confused with the BBC Radio series of the same name.  This stars John Patrick Lowrie as Holmes and Lawrence Albert as Watson. I’d listened to one of these before and hadn’t thought much of it. However, I did enjoy these. While they’re not the greatest Holmes’ pastiches and a few of the British accents are a bit iffy, the stories do have a Doylesque feel to them. While I wouldn’t consider them in the same league as Big Finish’s or the BBC interpretations, it’s better than 1947-49 radio version with John Stanley. If you enjoyed that take, you’ll enjoy this one as well. 

Following that, we’re treated to two episodes of The Adventures of Dameron which I was happy about.  Dameron was French’s first radio detective. The episodes in this set aired in 1972 and were set in contemporary times. Dameron (Robert E. Lee Hardwick) is a freelance troubleshooter who takes on all sorts of cases. He’s like a 1970s Frank Race, though generally with better production quality. There’s a dearth of 1970s radio detectives, so the two in this set are a definite treat.  We also get to hear actress Pat French who later played the role of Harry’ Nile’s secretary and partner Murphy.

We further get two episodes of Mr. Darnborough Investigates starring David Natalie. These are cozy mysteries made in 2005 and 2015 but they could have been done in the golden age of radio or over the BBC in the 1940s. Darnsborough is a gentleman detective who calls to mind Campion and Lord Peter Wimsey. If you enjoy those characters, you’ll like Darnsborough.

Then we get a couple episodes of Kerides the Thinker. This series has a different setting for a mystery series: Third Century BC Alexandria, Egypt. Kerides (Ulrick Dihle) is a travelling Greek student who goes around solving mysteries, accompanied by Adria, a former slave girl (Sarah Schenkkhan) who was freed after Kerides revealed her former master is a murderer. On one hand, I love the idea for the setting and it’s clear the writers did their homework. On the other hand, the mysteries are so-so and the way Adria is written makes her seem insufferably whiny and unpleasant. Instead of being grateful for her freedom, she’s upset she has lost her place in the world and has no idea what to do. It’s an interesting concept, but the way it’s realized doesn’t quite work for me.

Next up are three episodes of Kincaid, the Strange Seeker starring Terry Rose. This one is a series about a TV reporter who investigates mysteries that always have a supernatural cause such as bank robberies that turned out to be done by ghosts. I’m not a fan of supernatural mysteries, and I also wasn’t sure how to feel about these episodes. They weren’t scary and don’t have a Twilight Zone twist. The stories seemed off the wall more than anything else. In addition, I was bothered by how Kincaid got hit with unwarranted skepticism despite a solid track record. Other than that, the production values were still good. This just wasn’t my thing.

Following this, we’re given three episodes of Raffles, the Gentleman Thief starring John Armstrong. These are based on the character of A.J. Raffles, a brilliant gentleman thief created by E.W. Hornung.  These were popular in their time but have faded from public consciousness.  The adaptation does a good job of capturing the spirit of the original stories with good acting and good effects. The first two episodes are adaptations of Hornung’s original stories and the third is a solid pastiche. I’m not a huge fan of Raffles, but I could appreciate the way they handled the character. My only complaint is that Raffles, particularly as portrayed in these stories, isn’t an investigator of any sort, but plenty of people who enjoy detective fiction love Raffles. If you do, you will enjoy these stories.

Then we have the Hilary Caine Mysteries which is my second favorite thing that Jim French Productions put out. It features Australian Actress Karen Heaven as Hilary Caine, an on-staff “girl detective” for the British Tittle-Tattle Magazine. The series was set in the 1930s and finds Hilary stumbling into a crime scene being investigated by Inspector Finn (Randy Hoffmeyer). At first, she seems to be a bit silly, but ultimately she shows her cunning in solving the case. These are fun, light mysteries and Heaven is wonderful in the role of Hilary Caine.

The collection rounds up with two episodes (including one double length episode) of the Anthony Rathe Chronicles which is a modern British drama that follows the career of a guilt-ridden attorney who solves crimes to atone for a case he got wrong. It definitely has a modern BBC feel. It’s a bit soapy for my tastes, but the mysteries are well-written.

Overall, this was a fun mix of programs. While I liked some more than others, it was interesting to hear or re-listen to such a variety of detectives. It’s great to have a chance to appreciate all the audio dramas Jim French put out over nearly half a century, when most people thought audio drama was a thing of the past. I also think the success of this set may help Radio Spirits determine whether they release larger sets for Jim French series outside of the quite popular Harry Nile and Sherlock Holmes series.

Rating: 4.0 out of 5.0

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Audio Drama Review: Lord Peter Wimsey: BBC Radio Drama Collection Volume 1

The BBC has begun release its adaptations of Dorothy Sayers novels featuring Lord Peter Wimsey. The series originally aired between 1973-1983 with one story being recorded in 1993. All feature Ian Carmichael as Lord Peter.  The first collection features radio adaptations of Wimsey’s first three novels.

The collection begins with the first novel Whose Body. It opens with his mother calling him when a dead man is found in an architect’s bathtub and the dead man is wearing nothing but a pair of pince-nez glasses.

The story does a good job of establishing Wimsey as a detective as well as much of the supporting cast. The story has a light tone. One big exception is when Lord Peter has an episode of what we would now call Post Traumatic Stress Disorder related to his service in World War I. His servant Bunter (Peter Jones) served with him in the war and has to bring him out of it.

Overall, Whose Body is delightful and at five parts, it moves at a quicker pace than the other stories in the set. It’s a well-done and pleasant puzzle mystery.

Next up is Cloud of Witnesses in which Lord Peter returns from abroad to find his sister’s fiancé has been murdered and his brother is suspected of the crime.

This is an eight-part adaptation, and the mystery is much more involved and complicated. It works and it gives some insights into Lord Peter’s family and their relationships to one another.

The final story in this collection is the seven-part adaptation of Unnatural Death which has Lord Peter investigating the death of an elderly woman three years previously that was apparently from cancer. Her heir was her great niece who had served as her nurse. A doctor became suspicious of the true cause of the death and was pushed out of the town because of it.

The question of motive is at the heart of the mystery. Lord Peter recruits a marvelous spinster to help with the investigation.

The mystery is complicated and several elements are a bit iffy. The story also suffers from a lack of Bunter, who is absent from most of the tale. By no means is it a bad mystery, it is just not as good as the other two.

Beyond the mysteries themselves, the acting is good throughout. I also love the theme music. It fits the detective like a glove.

I have to say I was impressed by the quality of the sound and the sound effects. It was better than it was on the Poirot’s Finest Cases set that the BBC released a while back, which is odd. The Poirot adaptations came later. Whether this is due to advances in audio restoration technology or due to the Whimsey production team creating a better sound, the sound design is very impressive.

Whether you’re a long-time fan of Peter Whimsey or you like old-fashioned British detectives in general, these radio plays are a delight and I highly recommend them.

Rating: 4.5 out of 5.0

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Audio Drama Review: Black Jack Justice Season 1

Black Jack Justice was produced by Decoder Ring Theatre in Canada. Like the Red Panda, it’s a period series. Black Jack Justice is set after World War II and is a detective series in the style of hard-boiled detective shows like Philip Marlowe and That Hammer Guy.

Unlike most narrated private eye series, Black Jack Justice features two detectives and each takes turns narrating the story. The series stars Christopher Mott as Jack Justice and Andrea Lyons as Trixie Dixon: Girl Detective, his partner. Writer Gregg Taylor plays their recurring police foil Lieutenant Sabien.

The format of the series works well. Both characters are hard boiled, but their styles vary. Justice’s narration tends to be a bit more world-weary and sarcastic, while Dixon is lighter and more smart alecky in her approach. It makes for interesting narration and also good banter between the characters.

There’s definition friction between them, and lots of sniping back and forth. Still, there’s a great amount of professional respect as well as a shared sense of right and wrong.

The first season features twelve episodes, unlike future seasons which would included only six. The episode titles in this first season employed many puns on Justice’s name, such as, “Justice Served Cold,” “Justice Delayed,” “Justice be Done,” and “Hammer of Justice.”

Almost every episode has a good mystery plot. The stories are intellectually engaging and often offer surprising solutions. Most have a tone and style that would fit into the golden age of radio. On some issues, particularly the role of women and domestic violence, it feels a bit more modern, but it doesn’t go overboard.

The music is great, particularly what’s used during the narration. It establishes the mood well.

The only episode that left me a bit cold was the series finale, “Justice and the Happy Ending.” The mystery was not challenging and the plot ultimately came down to how Justice would handle a temptation. However, it was somewhat predictable the way it played out.

Still, the season is overall quite strong. If you love golden age detective shows, it’s definitely worth a listen.

Rating: 4.5 out of 5

Season 1 of Black Jack Justice is available on the Decoder Ring Theatre website.

Radio Drama Review: Perry Mason and the Case of the Curious Bride

 

In The Case of the Curious Bride, awoman comes to Perry Mason for legal advice on behalf of “a friend” and aska a series questions.  The questions revolve around the ins and outs of what happens when a husband is declared legally dead and the legality of a subsequent marriage if the presumed dead spouse returns.

Mason clearly sees that: 1) these are questions that can’t be answered with generalities and 2) that the woman calling on him is asking for herself. When Perry calls the woman on, she leaves the office. Perry feels almost instantaneous regret for pushing too hard and seeks to find out who the woman is and what her problem is.

After some investigating, Perry finds the truth: the woman was married, her husband presumed dead, but in reality, he’s alive and blackmailing her after her second marriage to a weakling son of a wealthy man. Perry gets her to promise to think things over and not do anything until talking to him in the morning.

However, Perry wakes up the next day to find her first husband has been murdered and its only a matter of time before the police put their finger on her. Perry has to clear his client and represent her interests against non only prosecutors but a resentful father-in-law.

In this installment in the Perry Mason series, Mason is less crime-solver than troubleshooter. His goal is not to catch the killer, but to get his client off, whatever it takes. In The Case of the Curious Bride, Mason is reminiscent of what Jim Rockford would be like had he ever been admitted to the bar than the 1950s respectable Perry Mason that had evolved from later books. Mason cons his way through his initial investigation and then tricks the prosecuting attorney into shooting himself in the foot. In addition, Mason makes a rare foray into family law to achieve justice for his client.

Colonial Radio Theater has really gotten into the rhythym of these early Mason stories and they once again have a great period feel to them, even working in a good vintage radio pun when Perry Mason is telling Paul Drake about someone who was following his client.

Mason: Then there’s this matter of the shadow.
Drake: Lamont Cranston?

Jerry Robbins turns an another dynamic performance as the fast-talking Perry Mason. 

Overall, with great sound quality and dogged dedication to the original story, Perry Mason and the Curious Bride makes a great buy for fans of classic mysteries.

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 Note: The Author of this piece received a review digital copy of this drama.

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Audio Drama Review: Perry Mason and the Case of the Howling Dog

In the Case of the Howling Dog, a man approaches Perry Mason with two seemingly unrelated requests. First, he has questions about the requirements for drafting a will including whether the will would be valid if he were executed for murder. Then he complains about his neighbor’s howling dog which is keeping him up at night.

Mason takes action on the howling dog, contacting the district attorney’s office. The neighbor insists there’s no problem and that Perry’s client is mentally unstable. Then Mason’s client disappears with the neighbor’s wife and later on, the neighbor himself is found murdered. Mason has to unravel the sordid affairs of the dead man, find the client he’s supposed to represent, and unmask the real killer.

The Case of the Howling Dog is the best installment yet of the Colonial Radio Theatre’s Perry Mason series. The mystery is incredibly complex and engaging with an amazing amount of twists and turns. At 78 minutes, this is  a fast paced thriller. Also, this is only the second of the four to feature actual courtroom scenes (The other being “The Case of the Sulky Girl.”) CRT did a much better job with the courtroom drama than in The Case of the Sulky Girl as the court scenes in The Case of the Howling Dog were more vibrant and engaging. Fans of legal dramas will appreciate Mason’s brilliant legal manuvering in the program’s climax.

Throughout the episode, as has been the usual case in these shows, Mason walks a thin line ethically. When confronted over this by Paul Drake, he expresses contempt for lawyers who wouldn’t skate on thin ice for a client. Certainly, the CRT’s Perry Mason series wouldn’t be nearly as entertaining if he didn’t.’

Rating: 5.0 out of 5.0 Stars

Note: If you are an Audible Member, the digital download of these programs are only $2.95 each which is a fantastic price for these great productions.

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