Tag: glowing review

Audio Drama Review: Jimmy and the Star Angel

In Colonial Radio Theatre’s musical Jimmy and the Star Angel, Jimmy and Samantha, a young brother and sister, are dealing with their first Christmas without their dad. On Christmas Eve, Jimmy destroys one of his father’s Christmas tree ornaments which leads to them being shrunk to the size of ornaments. All the ornaments on the tree come alive. Jimmy and Samantha need their help to reach the top of the tree by dawn to ask the Star Angel for help or risk being turned into Christmas ornaments forever.

If you like Babes in Toyland or the Wizard of Oz, Jimmy and the Star Angel is that type of journey, so you’re sure to enjoy it. This magical quest up a Christmas tree is full of imaginative and fun characters. It’s also an emotional journey for Samantha and especially Jimmy.

The music in this is great. The songs alone are worth the price of the purchase. They vary in tone, mood, and purpose, but they’re all fun. I loved the swinging “Snowman Spectacular” and the penultimate song “Star Angel” is still bouncing around in my head more than a week and a half after I listened to it.

While the plot is a fantasy, there’s an emotional through line for  Jimmy and Samantha that’s moving. I also found the use of the Christmas trees to be interesting. Jimmy’s family has passed down ornaments for years and the idea these ornaments serve as a family connection through the generations is well-presented, and it helps to serve as a solution to the problem.

The plot has minor issues that adult listeners will pick up on. The villain, the pirate Scrimshaw (Jerry Robbins) feels like he’s  been written because these stories need a villain which leads to the less than satisfactory way in which he’s dispatched as well as the strained way he’s brought in. That said, though Scrimshaw’s not necessary to the plot, Robbins (who wrote the play) is a lot of fun in the role. I like the idea of a Christmas Tree ornament seeking revenge against the boy who broke him.

Overall, this is a great production for the whole family. I recommend you try it out and see if it becomes a tradition like your favorite Christmas tree ornaments.

Rating: 4.5 out of 5

Disclosure: I received a free digital copy in exchange for an honest review.

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DVD Review: Pie in the Sky, Series 2

Series One of Pie in the Sky was a good enough series with a likable lead that, despite some weaker stories, left me hungry for more. In Series Two, Pie in the Sky really hits its stride.

The basic set up of Pie in the Sky is that Police Inspector Henry Crabbe (Richard Griffins) is ready to retire and focus on running a restaurant. Due to a mishap and a crooked partner, Crabbe ends up in line for a murder wrap. Assistant Chief Constable Fisher (Malcolm Sinclair) knows Crabbe’s innocent but holds the threat of an inquiry over Crabbe’s head to keep him on call. Crabbe spends most of his time running the restaurant Pie in the Sky, but when Fisher calls he goes into action to solve a case.

Series 2 manages to expand and clarify much of Series 1. Including giving a clear understanding of Crabbe on a very fundamental level. It only took a single sentence, but in a conversation with newly promoted Detective Sergeant Sophia Cambridge (Bella Enaharo) about the importance he placed on doing police work as opposed to a police career. That defines the difference between Crabbe and Fisher, whose entire focus is on career advancement. For Crabbe, each case is a job that must be worked well and solved correctly. For Fisher, cases are important based on how the outcome will advance his long-term career goals. While In Series One, Crabbe’s problem with other policemen was  vague. In Series Two, it firmly nailed down that it’s officers who are more concerned about advancing their career rather than actually getting things right.

It also explains why Crabbe is so suited to being a chef. The focus on quality work and getting the job done right is at the core of that position. And whereas his lack of attention to career left him in a rut on a police force, the attention to detail serves him well in the kitchen.

Of course, this does lead to some conflicts with his accountant wife Margaret (Maggie Steed) who is the legal owner of the restaurant  to satisfy a British legal requirement that wouldn’t let Henry own the restaurant as a policeman. It doesn’t help that she has no real taste for fine food and only sees how the bottom line can be improved. She doesn’t meddle all the time, but most often her efforts to change the business to make it more profitable cut against Henry’s overall ethic and good restaurant practices such as when she decided to start double booking tables to maximize the profits.

Yet, despite their differences or perhaps because of them, the Crabbes make a lovely middle-aged couple, balancing each other out. Both can be kind. While Henry’s heart of gold and decency is much more obvious, Margaret also shines in the series and the way they play off each other is fun to watch.

We do get some insight on Fisher. In the episode, “The Policeman’s Daughter,” Fisher has Crabbe look for his daughter who has fled to an enclave of drifters. We learn all Fisher really has is his career and that his wife cheats on him regularly and he has lost the respect of his daughter. Crabbe does his best to bring some sort of peace.

Cambridge received a promotion after the first series and this one focuses on the challenges of it. In one scene, another department tries to get her and Fisher fights the head of the other department over her and it becomes apparent she’s merely being used as a way for them to beef up their rankings for racial diversity. This contributes to the fact there are several instances where she doesn’t get respect for her achievements or rank that are due. It’s all done in an understated way though. She’s a still a very good character, but both she and Fisher are in this series less than in the first.

The staff of the restaurant was used more creatively. In the first series, Pie in the Sky was Crabbe’s refuge from trouble. Yet, in a bit of realism, the restaurant itself began to present some genuine problems, particularly when Crabbe had to step away to solve a case. He’d be in and out while his restaurant was in the hands of his twenty-something assistant chef and waitstaff and problems would develop that he would eventually have to solve. My favorite example of this is when they decided to switch out the classical musical Crabbe plays in the chicken coop for heavy metal music in order to get the chickens to lay more eggs. It actually works but with a side effect.

There’s also tension between the assistant chef Steve (Joe Duttine) and the head waiter John (Ashley Russell) as the former is an ex-con and the later is an experienced waiter from many highly regarded establishments. The rivalry mainly serves to show Crabbe’s sense of diplomacy.

The episodes are well-written. Each has a mystery at the core that’s well-crafted, but not so complex it doesn’t leave time for the comedy and drama of the episode. Some of the better ones include, “The One That Got Away,” where Crabbe has to stop a friend from being railroaded from the murder of his fiancee by an ambition Detective Inspector. In “Black Pudding,” Crabbe meets up with an elderly woman whose cookbooks he admires and finds her relatives are after her steamy memoirs. The “Mild Ones” finds Crabbe in pursuit of two elderly con-women who rip off people for thousands but leave behind an amazing recipe for bread pudding. In the “Mystery of Pikey,” some locals pressure Fisher to get Crabbe to investigate a series of minor local crimes. He gets results, but not what they would hope for.

The only weak episode of the series is the series finale, “Lemon Twist” that has Crabbe, Fisher, and Cambridge attending a management training conference. The premise is problematic as its hard to see why Fisher would send Crabbe as Crabbe is only working part time and has no interest in managing for the police or a long-term police career. The mystery is weak and there’s some humor around Crabbe that requires him to act out of character. The episode is not that bad, though. The restaurant plot has some genuinely funny moments after they earn a five star review from a nationally known food critic.

So, the worst episode of this series was but mediocre. The rest of the Series is pure gold. The stories are fun cozy mysteries with a lovable lead doing his best to bring peace and order in the kitchen and to whatever case he’s called to investigate.

Rating: 4.5 out of 5.0

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Audiobook Review: Nightbeat: Night Stories

Nightbeat: Night Stories presents readers and listeners with six new stories based on the 1950s Radio series that starred Frank Lovejoy by Radio Archives.

Radio Archives offers an ebook of the stories for $3.99. There’s one reason to choose the audiobook version instead and that’s Michael C. Gwynne who does one of the flat out best readings that I’ve ever heard. He should read all the best hard-boiled detective novels. His voice carries the production and brings each tale to life. Gwynne doesn’t try to imitate Frank Lovejoy’s take on Stone, but his interpretation of the character captures Stone as the street wise yet warm hearted reporter.

The stories themselves have a very strong love for the series that comes through loud and clear. While the tone varies a bit from story to story, they all carry the idea that Stone is a hero and friend to the ordinary people of Chicago that are so frequently the subject of the Night Beat column.

The book leads off with, “The Strangler” which finds Randy going to an ex-girlfriend who returned to town and began working as a stripper. She’d promised a clue in a series of serial killings. Instead she’s the next victim. It’s probably the most hard-boiled story in the collection and it’s brilliantly written with a decent mystery that I didn’t figure out until 2/3 in. The atmosphere is perfect. It’s a little darker story than would have been played on the radio but I don’t think it went over the top.

In, “The Chicago Punch,” Randy is called in to help a boxer who is at risk of being drawn into an illegal fight scene that could ruin his career and maybe cost him his life. It’s a terrific story with the mix of knowing skepticism about the manager’s proclamation that the kid has what is to be champ, along with an interesting concept that seems plausible for the time.

“The Puzzle in Purple,” finds Randy walking into the police department only to find a lieutenant sweating over a puzzle that’s a potential clue to the location of a kidnapped woman. It’s a two act story with the first being Randy helping the lieutenant and how the two relate to each other as they try to solve the puzzle, and the second finds Randy trying to save the woman on his own when he solves the puzzle. The first half was superb as the interactions between the lieutenant and Randy are brilliantly written. The second half was okay but is probably one of the stupider things Randy Stone ever did, though not unbelievably stupid.

“Down Addison Road,” has a mother with an absent husband asking Randy’s help to get her teenage son out of a racket he’s become involved in. This story works well because it features some well-written action and also the type of quirky characters that made the best Night Beat episodes so interesting to listen to.

“Lucky” is inspired by a couple quirks in the show’s history. In the pilot episode of Night Beat starring Frank Lovejoy, the character was known as Lucky Stone rather than Randy.

In addition, there’s a division among fans as to whether the series is Night Beat or Nightbeat*. So it happens Randy Stone had a competitor, a guy nicknamed Lucky with a first name that starts with an “R.” And he started at a rival paper around the same time Randy started at his and he had a column on Chicago after dark and it was called Night Beat while Randy’s was called  Nightbeat. However, he was fired for plagiarizing one of Randy’s stories. When Randy gets word that Randy Stone’s dead, it’s actually Lucky who’s been killed and Randy has to figure out who wants him dead before the murderers find out they killed the wrong Stone. This story manages to take radio show production issues and add some tense action and make a very enjoyable yarn.

Finally, “The One that Got Away” finds Randy meeting another old flame, this one a famous singer who stopped writing him quite a while ago. She’s back in town and she’s in trouble. This one has good atmosphere, but the characters aren’t as strong as in other stories.. Though, it’s probably my least favorite of the six, it’s still a solid well paced tale.

I was blown away by this collection. There are so many mistakes that you can make with a book like this. It can easily become weak fan fiction or modern ideas and concepts can be inserted and take readers and listeners out of the story. However, the authors avoided these pitfalls and they produced stories that feel genuine to the era and also the type of adventures that Randy Stone might actually have. If you love Night Beat  or even good, 1950s, hard-boiled mysteries, this audiobook is definitely a must-buy.

Rating: 4.5 out of 5

*As best I can tell, the spelling of the show is Night Beat  based on promotional materials from the time. However, Radio Archives uses the spelling, “Nightbeat.”

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Audio Drama Review: The Reification of Hans Gerber

The Reification of Hans Gerber is an original Sherlock Holmes audio drama written in the twenty-first century. However, if you weren’t familiar with the Doyle canon, you’d be hard pressed to know that this was written by Doyle himself.

The plot captures the feel and atmosphere of Holmes without retreading over old ground. Holmes is called in to investigate the death of a wealthy man who left behind three nephews and a niece who expect to inherit until the will disappears, then one man is set to inherit. At first, it’s the eldest cousin, but a disowned relative named Hans Gerber emerges to claim the estate. It appears he’s out for more than the old man’s money when one of the cousins is murdered. The mystery is thoroughly engaging from start to finish.

Nicholas Briggs turns in his usual superb performance as Holmes, and Richard Earl plays Watson perfectly in the Edward Hardwicke tradition. One of the reasons the story feels so authentic is the amount of narration and description involved and Earl is a superb narrator. The other outstanding performance was Terry Malloy who plays Inspector Bainbridge, a police inspector who shows an amazing amount of competence.

It’s hard to overstate how much I enjoyed this. Pastiches so often fail to capture the feel of the original or are so busy inserting modern sensibilities and personalities into the story that they feel out of place. The authenticity of the story is outstanding. It’s tour de force  in writing, acting,  and production values.

Rating: 4.5 out of 5.0

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