Tag: audio drama review

Audio Drama Review: The Avengers: The Comic Strip Adaptations Volume 03: Steed & Tara King

Big Finish has released two prior sets of Comic Strip adaptations based on the 1960s Avengers TV show featuring John Steed and Emma Peel. This set features adaptions of comics strips featuring Steed (Julian Wadham) and Peel’s successor Tara King (Emily Woodward) There are four episodes on the set and here’s a run-down on each:

In It’s a Wild, Wild, Wild West: There have been several Old West style stick-ups and Steed and Tara King suspect an American-style Dude ranch opened in England and all is not what you expect. This is a well-acted story and the writing and acting is good enough to make a fairly absurd plot entertaining.

Under the Weather is not as humorous as other episodes. Steed and Tara race to save England from sinister forces that have seized control of the weather. This one has more mystery to it than many other episodes, while still having a far out concept that fits the Avengers of the later seasons.

Spycraft feels more like the Lost Episodes from Season 1 of the Avengers rather than comic strip adaptations as Steed and King are charged with guarding an important leader of an emerging African democracy. While working undercover, they stumble into agents of his own country’s government that are also working undercover.

The story has slow moments but does get going once they team up . Overall, this is a solid story with some of the most fun moments in the set.

…Now You Don’t is a standard “evil hypnotist” story where Tara is hypnotized to kill Mother. Decently executed, and well acted, but the villain is undone because he doesn’t understand the basic rules of hypnotism. Also Dorney’s decision to adapt this story and to then adapt the one that came before it featuring Emma Peel in the next box set is a little baffling and feels like just making things complicated for the sake of it.

Overall, this was a decent box set, without any bad stories, but it’s not as enjoyable as the Emma Peel box sets or the “Lost Episodes” productions Big Finish did. This felt like it took a middle ground approach between the strait-laced drama of the Lost Episodes and the wacky situations of the comic strip adaptations and wasn’t as satisfying as either.

Rating: 3.5 out of 5

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Audio Drama Review: The Prisoner, Series Two

Series Two of Big Finish’s Prisoner adaptation features four more stories that re-imagine the world of the 1960s TV series:

“I Met a Man Today” is based on the TV episode, “Many Happy Returns.” It takes a different approach than on television. In the TV episode, Number Six wakes up and goes to get his shower, and discovers everyone in the Village is gone. Eventually, Number 6 builds a raft, fights a couple men on a boat, and makes his way to London, finding himself at his old house where both his house and car are owned by a woman.

All that plot is summarized in the middle of the audio episode. The audio version focuses on Number Six’s emotional journey as he found himself in London, exhausted, unsure who to trust, or if this was real. The story also takes some time to develop and explore the relationship between Number Six and Kate (the woman who owns his house and car.) Lucie Briggs Owens is wonderful as Kate, and Elstob is on-point as Number 6 throughout the story.

Overall, this is a pleasing re-interpretation of a strong episode that may be better than the source material.

In “Project Six,” Lucy Briggs-Owens takes her turn as the new Number 2 and is the best thing about the  majority of the episode. She brings a menace to the role and creates a contrast with the character she played in the opener.

The plot is one of the most difficult ones in the set. Number 6 decides to not eat or drink anything given by the village for fear it might be laced with mind control drugs, but doesn’t seem to think he’ll need sustenance until he has to lick dew off the ground.

The take on the TV episode, “A,B, C” was weird and convoluted without offering much until the final moments when the story improved quite a bit.

“Hammer Into Anvil” bears a strong resemblance to the TV story of the same name. A new and more sadistic Number Two arrives determined to break number Six, quoting the axiom, “You must be the hammer or anvil.” However, when Number Six witnesses Number Two’s cruelty on someone else, he becomes just as determined to break Number Two, and sets out to wage psychological warfare on the people behind the Village.

Aside from the basic plot, the story goes off in a different direction. The route  Number Six takes to break down Number Two is different from in the TV show, and in some ways simpler and also more realistic, though a little less stylish. Both methods have their strong points, but it works to do something different in the radio version so it doesn’t feel superfluous. I also like that it plays off the end of the previous episode.

Overall, I think this is a case where the radio and TV versions are pretty close to being equal. Once again, the Prisoner gives us excellent acting and superb sound design.

In “Living in Harmony,” writer Nick Briggs takes an entirely different tact than the Western-themed Prisoner TV episode of the same name as this episode appears to be set in space.

Number Six finds himself on a rocket to a moon base, alongside Number Nine, who had apparently died in the previous series, but is now back and calling herself Number Ninety. Of course, being the Prisoner, the questions immediately raised is whether he’s going anywhere (or on a spaceship) and if number 9/90 is actually with him.

This is a great script for the Prisoner. It gives Number six pivotal, character-defining moments when he faces a key choice. At the same time, the sense of mystery as to what’s going on never entirely lets up. It answers some questions, but leaves so many questions that it serves to set up Series Three.

Overall, this was another solid set, and stronger than the first with compelling takes on memorable stories from the TV series.

Rating: 4 out of 5

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Audio Drama Review: The Prisoner, Series One

The classic British Sci-Fi series, the Prisoner,  comes to audio in a series of four episodes produced by Big Finish as Number 6 tries to escape the Village. Here’s a break down of the episodes:

“Departure and Arrival” is a re-imagining of the first episode of the TV series which finds Number 6 arriving in the village after offering his resignation. The story does a good job establishing the dystopian world of the Village. Most of the cast performed well, though  it took star Mark Elstob maybe the first twenty minutes to feel right as Number 6, and John Standing was a little over-the-top cheery as the first number 2.

At 78 minutes in run time, the story does go on a little longer than necessary and could have been tighter. I chuckled at the idea that leaders of British Intelligence wait at home like fathers whose children are out late after a dance because they’re meeting with a contact. It introduces Cobb and gives us a sense of how he knows Cobb (as opposed to the TV series which just had number 6 asserting that he knew him.) Otherwise, much of the new material before Number 6 is sent to the Village doesn’t add much.

Other change may have been disorienting but did work. The idea of online payments and AIs being part of the village  seems out of place for a series set in the 1960s and it seems to suggest someone had all of this technology since the 1960s but didn’t release it. However, the technology and feel of the village served to wow and capture the imagination of the original audience and if the audio version is to work, the technology has to impress twenty-first-century listeners.

In, “The Schizoid Man,” after seeming to escape, Number 6 ends up back at the Village (of course) and discovers Number 9 can do mentalist card tricks. Number 6 wakes up the next day to find himself with a mustache and using the wrong hand. Number 2 informs him that he is Number 12 and he’s been sent here to discomfit Number 6 about his identity. Number 6 returns to what he believes is his house to find a doppelganger of himself there.

There’s a lot going for this episode. The music and sound design is among the best Big Finish ever turned out. The story is intriguing and manages to capture a different angle on the horror that Number 6 feels. It’s helped that the audience really has to pay close attention to tell the two apart. The acting is great. Elstob is improved over a mostly solid performance in the first episode. Celia Emrie steals the show as Number 2. In this performance, she outdoes every TV Number 2 except Leo McKern. She is clever, cunning and manipulative, she plays cat and mouse with Number 6 and Number 9 and knows exactly how far to let them go before bringing them back. She wants them to feel like they might get away before bringing down the hammer.

My criticism centers around the ending. The original TV episode left some questions open, including  where did the “other” Number 6 come from and how did the woman in the TV episode gain this power of being able to see the card that Number 6 was holding away from her. Instead of leaving these as mysteries, this production decides to answer the questions. However, the answers are  stock sci-fi cliches and anti-climatic. It seems like an attempt to make the show less scientifically impossible. But one of these tired answers is more absurd and far-fetched than if it was left as a mystery.

Still Celia Emrie’s performance really does carry the day, and other than the attempted explanations, the story is still solid.

“Your Beautiful Village” finds Number 6 and Number 9  plunging into the midst of a horrific situation where all of their senses are challenged and for once, you begin to wonder if the Village is actually behind this.

This is a well-done episode and a necessary one. On television, the Prisoner was such a visual program, writing an episode that could only be done over audio was a must. The result is brilliant. You do have to focus hard on this, but the difficulty in the audio quality brings you to Number 6’s world where everything is spiraling out of control and his senses are coming and going rapidly, including his sense of time.

Sara Powell and Romon Tikaram are great as Number 9 and Number 2. Tikraram is particularly good at making subtle changes throughout the performance. However, Mark Elstob has to carry most of the weight of this performance, and he is masterful.

If I did have any complaint, it was that Number 6 has been made a slightly weaker character than the character on the TV show. The situation comes close to breaking him. Left to his own devices, he would have crumbled. If this method came that close, then there are  many interrogations methods that would have worked.

Still, despite a few conceptual problems, this is entertaining and does a good job of establishing the potential of the Prisoner in an audio format.

In the “Chimes of Big Ben,” Number 6 tries to help the Village’s newest arrival, a Lithuanian woman designated as Number Eight. He comes up with a bold plan by which they both can escape the Village.

Of the three adapted stories, this feels closest to the original episode with tweaks being added that improve the story, but otherwise it captures the same feel as the original.

While the entire cast performed well and Elstob was at his best, the highlight of the episode was Michael Cochrane’s Number 2 who begins the story exuding a lot of joviality which masks some far more sinister aspects.

Overall, this is a good set. I didn’t love every change made, but the changes didn’t objectively hurt the franchise. While the audio drama is different than the TV series, it’s not different in a bad way.

Rating: 4.25 out of 5

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Audio Drama Review: Wizard of Oz

Big Finish’s adaptation of the Wizard of Oz harkens goes back to L. Frank Baum’s original novel. Dorothy (Ally Doman) is thrown into Oz along with her dog Toto where she kills the Wicked Witch of the East when her house lands on the witch.

The adaptation is faithful to the novel and its darker tone rather than the more universally known 1939 film version. People who have only seen the film will be surprised by Dorothy getting the Wicked Witch of the East’s Silver Slippers, and even more shocked by the grisly tale of how the tin woodsman was changed from a normal woodsman to his tin form.

That’s not to say that the story is oppressively dark or over-accentuates these elements. It only does enough to convey what was in the original. The story moves at a good pace from one fantastical scene and setting to another, and the characters develop throughout. The score is nice, doing a good job setting the tone without overwhelming the story.

While Big Finish is a British company, the accents were very good for the most part. Canadian Actor Stuart Milligan was good as the Wizard and the narrator throughout the rest of the story. They did decide to make the lead flying monkey a British “Jobsworth” character, but I actually enjoyed it.
Overall, this an enjoyable take on a classic story.

Rating: 4.0 out of 5.0

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Audio Drama Review: Night of the Triffids

In Night of the Triffids from Big Finish productions, the survivors’ great advantage against the Triffids appears to be thrown in jeopardy by the coming of a worldwide darkness. David Masen, the son of the protagonist in Day of the Triffids leaves the Isle of Wight by airplane to investigate.

The Production has some commendable elements. The cast is strong, particularly Sam Troughton and Nicola Bryant. The effects do a good job of bringing the Triffids to life. The sound design helps create tense scenes, particularly the part with David and Marmi swimming and battling Triffids who have evolved to survive underwater.

The writing is the challenge.  Night of the Triffids is a good adaptation of a so-so book. The story has some interesting ideas such as finding out how the United States fared in the catastrophic blindness, the encroachment of the Triffids, and the aftermath. Yet, the story’s inciting incident fades from importance and resolves itself in the last two minutes. At the same time, the story asks us to follow a lot of wild and improbable plot twists. Most notably is the attempt to take a character from the original book and turn him into the prime villain of this story when this story is set mostly in America. They have to explain how the character survived probable death, got across the ocean in a post-apocalyptic future, and rose to be a major leader.

This is not horrible, but it isn’t a worthy successor for the original.

Rating: 3 out of 5

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