Tag: Anthology

Book Review: DC Comics Greatest Detective Stories Ever Told

DC is known as one of the two big Superhero comic book companies in the United States. However, it’s easy to forget “DC” actually stands for “Detective Comics,” which is also the title of the company’s longest-running title. This book collects a selection of DC comics that center on some of the DC universe’s most noted detectives.

Most comic fans associate the title, Detective Comics with Batman. However, Batman didn’t appear in the series until Issue 27. The book opens with a story from Detective Comics #2, “Skyscraper Death” where two-fisted private eye Slam Bradley finds himself implicated in a murder. This 1937 story has a lot of action, compared to modern comics. The story is only 13 pages long but has a lot to it. It feels like a complete B-Movie in comic book form. The transfers on this story are not great, but they’re probably about as good as DC Comics could get given that it’s an obscure 75 year old story.

Next up is, “The Van Leew Emeralds” which finds the Sandman (Wesley Dodds) in a caper involving crooks and a game of getting them in the right place so the right people will be prosecuted by the police for them. It’s a fun bit of running around.  There’s a tough of Leslie Charteris’ Simon Templar (aka: The Saint) mixed a bit with the Green Hornet in the Golden Age presentation of the Sandman.

Then there’s, “The Puzzle of the Purple Pony” featuring Elongated Man (Ralph Dibney.) Elongated Man was a private detective who got stretching superpowers. He fell in love and married a wealthy woman named Sue and they traveled around and he found and solved mysteries. There’s more than a little touch of the Thin Man in the Dibney’s crime-fighting escapades. In this particular story, while out West, Sue becomes curious why a cowboy’s horse is painted purple. While initially, Ralph thinks its none of their business, Sue plunges them headlong into the adventure. The result is a fun Silver Age mystery that doesn’t take itself too seriously and doesn’t go over the top into silliness.

“When it Rains, God is Crying” is a much more recent story. It’s a two-issue Lois Lane series mini-series from 1986 in which Lois does her own investigation into a child’s death  As Lois becomes personally involved and answers become scarce, she begins to alienate everyone in her life. This was a relatively long story, the length of many graphic novels of the era, but felt a bit short. The story becomes a more focused on Lois’ emotional state and her alienation from her friend than it does the investigation itself. There are plot details that are incongruous or don’t quite make sense. For example, her sister Luci appears and plans to write something that she’s afraid Lois will be angry about but that could fix things. We never find out what exactly Lucy did, but we kind of see an outcome. There’s a lot of potential, but this could have used more space to develop as a story. I will say that the art is very evocative for the era, and while the ending is unsatisfying, I think that was intentional to the crimes against children at the center of the story.

“The Doomsday Book” is a giant-sized Issue of Detective Comics put out for the book’s 50th Anniversary. It starts with a visit to the office of the aging private eye Slam Bradley that goes wrong and requires help from Batman. The very involved mystery brings in not only Bradley, Batman, and Robin, but even involves an old case of Sherlock Holmes. Detective team-ups are tricky because generally one detective looks far brighter than the other. Here though, every detective is given their due, and it’s just a really fun yarn.

“The Mikado” is a story from the 1980s Question comic series that finds Victor Sage investigated of murders and mutilations by a man who follows the famous line from the Miakdo, “My object all sublime I shall achieve in time— let the punishment fit the crime.’ It’s actually an effective story that is contained within one issue. It’s gritty, but very well-written.

“The Origin of Detective Chimp” is a 1989 story that provides an origin story for Detective Chimp, a super detective introduced in 1952, and then popping up here and there throughout DC history. The story involves aliens, an incident in a jungle, and just weird things happening but also manages to work in a little bit of mystery for our newly minted detective to solve. I’m not the biggest fan of the artwork, but the story is a fun little jaunt.

The book concludes with an excerpt from the “Parallel Lines” part of the “A Lonely Place for Dying” story. Tim Drake shows up wanting to take on the mantle of Robin. He explains to Dick Grayson and Alfred Pennyworth how he figured out Bruce Wayne was Batman and Dick Grayson was the original Robin. It was based on a personal encounter and some information in the newspapers. While this excerpt’s only 11-pages, it’s an incredibly effective bit of storytelling. Drake’s discovery goes a long way towards making him a plausible Robin. His understanding that Batman needs someone to balance him out and bring a bit of lightness to his dark world would be another. This was a very effective and beautifully drawn excerpt.

Overall, while I had issues with the Lois Lane story, this was a really good collection. If you enjoyed detective-themed Comics, this will be a fun read.

Rating: 4.0 out of 5.0

Audio Drama Review: Mutual Radio Theater, Volume 1, Week Four

This is the final part of our review of Radio Archives’ Mutual Radio Theater, Volume 1 covering the third week of the series. For a look at an overview of the set, see the first week review.  Also see week two and week three

The Blind Gun:  The town bully murders the father of a nineteen year old blind man right in front of him. The local law refuses to do anything reasoning that it’s the boy’s word vs. the murderer’s and a blind man’s word isn’t worth as much as that of a man who can see. The young man asks an elderly alcoholic former gunslinger to teach him to shoot so he can get vengeance for his father’s death. Golden Age Stars: Vic Perrin, Marvin Miller, Parley Baer, Howard Culver 

Review: The story is about what you’d expect from this genre and hits all the right plot notes. Not only that, but the murdered father, the gunslinger, and the young blind man are written well and are quite likable characters. There’s no real shock in the outcome, although it does take a turn I wouldn’t have predicted in order to get there. It’s a good listen and delivers everything you could ask of a story like this. Grade: B 

Fontaine Harris, Hollywood Producer: It’s 1928 and a con man has bought a stake in a movie studio. However, the company’s head honcho has some odd ideas about films and our protagonist begins to suspect something’s off. Golden Age stars: Harold Peary, Barney Phillips, Shepard Menkin, Sandra Gould, Jack Kruchen, and Shirley Mitchell 

It was great to hear Harold Peary acting on radio as his performance as the Great Gildersleeve were so iconic. This one had funny moments, but didn’t reach a definitive conclusion. Doing some research, I found this story was a continuation of two prior stories that had appeared on Sears Radio Theater.  In the Sears Radio Theater, Pat Buttram (famous for playing Mister Haney on Green Acres.) plays the lead character. Here, Jesse White takes the role and he’s passable at best. 

The ending is unsatisfying and more than anything else, it just seems to stop.  It sets up a bit for the final sequel story (which would air six months later.) That’s a dubious decision that makes this hard to judge. Grade: C 

An International Sport: A young Soviet Ice Skater is planning to defect at the International Championships in London over the objections of her loyal Soviet patriot father. The KBG is aware of this and has plans to use this to their own advantage. Golden Age Stars: Shepard Menken,  Ben Wright, June Whitley-Taylor

This is fairly standard Cold War fare. Shepherd Menken does as good a job as the father as he possibly can, giving some warmth that lends believability for where his character goes in this story. It also does have a good mystery around why the Soviets are letting her go, knowing she intends to defect and what their agenda is. 

The biggest problem is that the Soviets are played in acartoonish way. When production treats them as bad guys who are figures of menace, it can work. When a production portrays them in silly stereotypical ways, it’s hard to take them as a serious threat, which undermines the story. Grade: B- 

Those Who Can…: An acting instructor and two of his students help coach a temperamental singer who is set to star in a big movie but has no movie experience. Golden Age Star: Byron Kane 

Review: This is an intriguing and engaging story. The acting instructor is an interesting character. He’s dedicated to his profession and got a lot of ideas but doesn’t always practice what he preaches. I like how the singer was played. She was stuck up, entitled, used to getting her own way, and full of herself, yet still in a way that wasn’t over-the-top and you could believe she could get by in most places by the strength of her celebrity. And of course, there’s Sandra, the acting student, who comes off a bit timid at first but really comes into her own at the conclusion of the story.  

This was just a nice piece of writing and acting. Grade: A- 

The Whale Savers: An aspiring photojournalist lands a berth on a whale saving ship bound for Antarctica. Golden Age Stars: Parley Baer 

“The Whale Savers” definitely has a viewpoint on the very hot 1980s issue of saving the whales and has a few educational moments about whaling and what whale-saving ships do as they try to stop a pirate whaler from killing a blue whale. However, this story never forgets it’s an adventure tale and it delivers. It mixes its thrilling sea and whale plot with a believable relationship that develops and resolves sensibly with the ship’s only female crew member and our glory-seeking photographer protagonist. It’s story that’s well-researched, not afraid to show it, but also never gets bogged down in unnecessary details.  

Having Leonard Nimoy narrate is fun given his most famous character, Mr. Spock, would go on a Whale-Saving mission of his own in Star Trek IV: The Voyage Home, a film that Nimoy also directed and wrote the story for a few years later. 

Whether this story had any indirect influence over Mr. Nimoy in writing Star Trek IV, I don’t know. However, whether you agree with its message or not, this story was one whale of a tale and a fine conclusion to the set. Grade: A 

Overall Thoughts

By nature of being an anthology program, there’s a wide variant in quality with the series. I’m so glad I got to hear certain episodes while other episodes were awful. The Western Night provided the most consistent quality. The Love Night was surprisingly strong, with some good dramas, and only one effort that was slightly subpart in week three. The mystery night was consistently passable, with no stories that stood out for either being good or bad. The adventure night was a mixed bag. After a so-so first week and a dreadful second, the third and fourth week featured some of my favorite stories of the set. Alas, the Comedy in this series is really a weak point, as so often it just wasn’t funny or wasn’t that funny.

On the other hand, the sound quality of the set really does shine through. The sound is superb from start to finish. However, at its price point, it’s a dubious value for a set where the stories vary in quality so much.

If you’re nostalgic for the show or remember the 1980s and want to go back, this could be a good set to purchase. If you love great sounding audio and have the cash, this is also a really superb listen. In addition, if your library has the Hoopla app, you can check this out and enjoy the stories that sounded like they interest you at no charge.

Rating: 3.5 out 5.0

Audio Drama Review: Mutual Radio Theater, Volume 1, Week Three

This is the third part of our review of Radio Archives’ Mutual Radio Theater, Volume 1 covering the third week of the series. For a look at an overview of the set, see the first week review.  Also see week two.

Oh Really, No O’ReillyIn a Western town that’s dying out since the railroad came through Denver, a crooked saloonkeeper and a dishonest undertaker engage a corrupt insurance salesman to take out a policy on a drunk drifter named O’Reilly when plans to poison him and collect the insurance money. That becomes a lot harder than they think. Golden Age Stars: Tyler McVey, Daws Butler, Marvin Miller, Don Diamond, Barney Phillips, and Howard Culver 

Review: This was based on a true story that was the basis of many stories including the 1955 Johnny Dollar serial “The Indestructible Mike Matter.” The story is hit and miss as a dark comedy but really does turn in a few very good plot twists at the end. Grade: B- 

The First National Radio Aptitude Test. An on-air radio aptitude quiz is conducted with some interesting answers.  Golden Age Stars: Alan Young, Marvin Miller, Daws Butler, Lillian Buyeff, Mary Jane Croft, Shepard Menken, Don Diamond, and Jerry Hausner 

This is a bit different. Andy Griffith gives a monologue about radio, its history, and the golden age of radio. I did have to chuckle when Griffin said he wouldn’t say anything about those headsets being worn by joggers and young people and wondered what he’d say to our modern world’s ubiquitous all-ages use of earbuds. He then sends the show over to a radio quiz master (Young) who provides a wacky quiz while receiving constant interruptions. 

There’s a lot to like. There are some funny jokes and if you’re a fan of the golden age of radio, there’s a boatload of talent from the era represented in this little production. 

On the other hand, this is a production that tries to overwhelm you with jokes, a lot of which don’t hit. There’s a Groucho Marx/You Bet Your Life parody that goes on too long. In addition, there’s a lack of logic. It was decided they wanted to include parodies of old time radio shows and poke fun at collectors, so without explanation they stop the quiz and do that. 

Still, this was entertaining. It plays well to nostalgia, has some funny bits, but could have been better. Grade: B 

The Mask: A businessman/art collector steals an old, sinister-looking mask from Africa with a bad reputation. He gets home and finds that reputation is deserved. Golden Age Star: Ben Wright 

This is an odd one, honestly. The businessman and a corrupt local official steal the mask and then the official is hospitalized with serious burns when his stove blows up and the businessman’s family start having minor fire-related injuries. Than the story has a twist…that’s almost absurd, but I think gives it a Twilight Zone feel to it. It does have some interesting turns, but there are also some flaws in the story logic. Still, it wasn’t a bad listen. Grade: B- 

For the Love of Laura: An actress and party girl frequently proposes marriage but never follows through until she asks herself who she’d really like to marry. Golden Age Stars: Janet Waldo, Shepard Menken,  Barney Phillips, and Vic Perrin.   

Janet Waldo does as good a job with the material as anyone could and the same can be said of all the actors. That said, Laura is just not a likeable character. The whole of the story is a combination of Laura leading men on, and imagining how good/how bad it might be to be married to each one.  She remains self-absorbed and shallow and strings each of these men along while she made up her mind. I will say she does show some character growth. She’s still shallow by the end, but not nearly as shallow as when she started. She’s self-absorbed but without being as foolish about it. 

I also think there are too many guys in the story. She has five beaus: a smart guy, a weightlifter, a golfer, her agent, and a guy who looks good but whose chief personality trait is breaking out a racist joke whenever there’s a lull in the conversion. Each time she remembers or fantasizes about one of them, she has to do it with each of them in turn. With so many male characters, they end up as shallow as her. If people wanted that much shallowness, they could just watch TV. Grade: C- 

Yes, Sir, That’s My Baby: More than a thousand years in the future, a couple are permitted by their government to get married and when they get a family-sized housing unit, they think the government is going to let them have a baby. They hope to be given a pink or blue card for their new baby. Instead, they’re horrified to draw a yellow card and find the extra room is designated for a seventy-five-year-old man who was cryogenically frozen in 1975 after having a near-fatal heart attack. Golden Age Stars: Herb Vigran, Marvin Miller 

This story deals with the idea of over-population, which was a huge environmental concern of the 1970s and 1980s. But I have to give writer Elliott Lewis credit for taking a different tact than many writers of the era. He doesn’t imagine some environmental cataclysm that wipes out the human race or humans going into space. He imagines humans continuing to find ways to survive until every inch of the planet is claimed and filled, the human population is in the trillions and has a powerful computer-led government running everyone’s lives, approving decisions to get married, where they can live, and how much food they’re given.  

The government that runs the plan does horrible things but is assured of it own beneficence, even stating so after having made a mistake that ruins this young couple’s life.  Whether you agree with or like Lewis’ setup, it was strikingly different. Of course, the radio program does dance around some of the ethical implications of this society.  

And it manages to get away with it because it acknowledges some broader human themes it chooses to explore through this world that manage to work. Herb Vigran is great as the man who finds himself more than a millennium out of time, awakened by Earth’s government because they need him for some purpose they don’t tell him. The character’s humanity pushes against a bureaucratic world. The character is very likable even as he makes questionable choices. 

The story also raises questions about the wisdom of cryogenic freezing, as it shows serious downsides with a little bit of upside at the end.

I do question its inclusion for a Friday program. Given its focus on having a baby, love, and relationships, this doesn’t fit with much with the “Adventure” theme Fridays were supposed to offer. Given a Sci-fi Comedy was played by comedy day, this might been a better fit on Thursday’s love day. 

Still, this merits a grade: B+ 

Our series will conclude on January 1st

Book Review: The Misadventures of Nero Wolfe

The Misadventures of Nero Wolfe is an anthology of parodies, pastiches, and a few other things that are hard to categorize, all inspired by Rex Stout’s greatest literary creation. I’m going to give a detailed look at everything in the book.

“Red Orchids” by French Author Thomas Narcejac finds Wolfe out from the Brownstone to investigate a case with the promise of a rare, red orchid. This translation by Narcejac does a fair job capturing the Wolfe-Archie relationship, but there’s too much emphasis on Wolfe firing Archie, which wasn’t nearly as much of a thing in the novels. It’s not a bad read at all.

Next, we get an excerpt from Marion Mainwaring’s book Murder by Pastiche. The book contains several pastiches of detective characters solving mysteries. Here we get a flavor for how the Wolfe pastiche works and the author does a great job capturing both Archie and Wolfe. It was well-written and made me want to read the whole book.

I should not like “Archie Hunters” as much as I do as it’s a bit ham-fisted. It involves a parody of Mike Hammer meeting up with Nero Wolfe. Writer Jon L. Breen states he was not a fan of Mike Hammer. This is hardly a necessary statement when he named the parody Mack Himmler. In addition, Breen (through Wolfe) gives us the moral of the story. I think makes it work is the degree to which Mr. Breen commits to it. While he’s having Wolfe make a broadly political (not partisan) point, it’s so in keeping with Wolfe’s voice and something I could actually imagine Wolfe saying.

“The Frightened Man” is a pastiche that uses different character names but is inspired by Wolfe. It’s a solid entry, though a bit short for my tastes.

As to the first Chapter of Murder in E Minor by Robert Goldsborough, I’ve had my issues with Goldsborough’s Wolfe books, but this is the one is good. It does a solid job capturing the feel of Stout’s work. The first chapter is well-written and I wouldn’t mind reading the book again.

“The Purloined Platypus” finds Wolfe and Archie solving the mystery of a museum theft in the present day. It’s a good story, but the mystery is more okay, and the author is fine but not brilliant at capturing the voices and transferring the main characters to the 21st Century. However, I’m a bit prejudiced as its hard for me to wrap my head around the idea of Archie taking pictures with his phone and finding information on the Internet.

“The House on 35th Street” and “The Sidekick Case” are two of the parodies that were run by the Saturday Review. Both are short, but I think this is a case where brevity is the soul of wit. “The House on 35th Street” pokes fun at the conventions of Stout novels, while “The Sidekick Paper” takes on bad word usage in a way that you could believe Wolfe actually would.

“The Case of the Disposable Jalopy” is a parody with Wolfe and Archie in a futuristic world where both have aged (contrary to Stout’s general practice.) Archie no longer has his photographic memory and Wolfe’s mental powers have gone downhill. In addition, due to automation, most jobs have been eliminated with people living on a negative income tax and Fritz forced to buy lower class food on a budget. This is very much a sort of a Saturday Night Live sort of take on Nero Wolfe (from when Saturday Night Live was actually funny) and it’s a solid piece of humor. It’s committed to its premise, and the humor is far more hit than miss, although one of the jokes feels a bit tasteless. Overall, it’s a fairly solid parody.

 “As Dark as Christmas Gets” finds a Nero Wolfe fan who believes Nero Wolfe is real and hopes to gain his favor. Leo Haig is brought in to solve the mystery of a Cornell Woolrich manuscript that disappeared at the Christmas Party. This was a good story with some intelligent dialogue and fairly drawn characters. Haig’s Archie Goodwin character Chip is more vulgar than Archie, but not so much it got in my way of enjoying this short.

Next up is, “Who’s Afraid of Nero Wolfe” and the lead detective Claudius Lyon is the answer to the question. Lyon, like Haig, believes Wolfe is real, but is afraid of getting sued by him, so his detective work is strictly amateur which also avoids the requirement of a license. This is a fun story about a search for a missing poetry contest winner from several years back. It revolves around word play and as far as a mystery goes, it works. I enjoyed all the little twists that Loren Estleman took on the Nero Wolfe world, starting with Lyon being located in Flatbush.

In “Julius Katz and the Case of the Exploding Wine” writer David Zeltserman takes a few of the ideas from the Wolfe story and adds a whole lot to it. Katz has an Archie, but Archie in this case is an AI in a tie clip that advises Katz who is a wine-drinking gambler with a fifth degree black belt. However, like Wolfe, Katz is lazy and needs prodded to go to work. I enjoyed this and all of the twists and turns. There were characters who had very definitive counterparts in the Wolfe stories (ex: Detective Cramer), but others you have to guess at.

“The Possibly Last Case of Tiberius Dingo” is an original short story for this collection that finds a Wolfe-like detective in a state of semi-retirement but tempted to take on one final case. The writer isn’t as immersed in the Wolfe canon as other contributors and it shows but not too much. The story is still an entertaining read with some clever twists. I found the ending uncomfortable, but other than that, this was fine.

The book has a section entitled potpourri, which is a bunch of miscellaneous bits and bobs about Wolfe.

“The Woman Who Read Nero Wolfe” is a delightful short about an intelligent 500 pound circus woman who takes to reading Nero Wolfe and then has to solve the murder of a young woman she’d taken under her wing. Pithy, fun, and has a superb twist. 

“Sam Buried Caesar” is from a series of short stories about a police inspector who named his children after famous detectives. This is the story of ten-year-old Nero Wolfe and the detective agency he founded with his friend and assistant Artie. This originally appeared in Ellery Queen Magazine and a story like this poses a unique challenge because it’s got to be true to being a story about kids, without boring the adults. This story nails it and was just a lot of fun to read.

The book includes Chapter 24 from Rasputin’s Revenge. Writer John Lescroat posited that Nero Wolfe was the illegitimate son of Sherlock Holmes and Irene Adler and born under the name Auguste Lupa. This chapter appears to be from the end of the mystery where Holmes, Watson, and Lupa are talking. This is fine and features interesting interactions. 

Joseph Goodrich adapted a couple of Nero Wolfe stories to the stage and the first scene of Might as Well Be Dead is included. This is probably as close to seeing the play as most of us are going to get as these haven’t been widely distributed or performed. The play appears to have some good ideas like having Archie as an on the on-stage narrator and really seems to condense the initial client interview from the book so the action can get moving. Other choices I’m less sure of, but they might make sense in the context of the full play. Its hard to evaluate it based on one scene.

The final short story by Robert Lopestri is amusing tale of two grandparents telling their granddaughter what it was like to live next to Nero Wolfe and why they eventually decided to move away. It’s an amusing and clever take.

While I have criticisms of many pieces in this book, I liked them all. If you’re a Wolfe fan, this book is for you. Taken together, the book is a fantastic tribute to Nero Wolfe and shows a bit of how Rex Stout’s work has been inspiring authors with the amazing characters and world he created.

Rating: Very Satisfactory

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AWR0070: Anthology: Memorial Day 1954

Amazing World of Radio

An episode of Anthology featuring a variety of poems and music including, “The Man Without a Country.”

Original Air Date: May 30, 1954

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