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22Nov/140

EP1424: Dragnet: The Brick Bat Slayer

Jack Webb
Friday and Romero investigate a series of brutal murders of women.

Original Air Date: September 24, 1949

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22Nov/140

Telefilm Review: Murder She Wrote: The Last Free Man

Murder She Wrote: The Last Free Man was the third made for TV movie featuring Jessica Fletcher following the cancellation of the long-time hit TV mystery show. This is definitely not your typical Murder She Wrote story.

In the film, while in Virgina, Jessica (Angela Lansbury) strikes up a conversation with Cassandra Hawkins (Phylicia Rashad) who is looking into the case of one of her ancestors Samuel Pickney who was labeled a murderer in the waning days of the antebellum South. To add to the mystery, he has not one but two gravemarkers with two different dates of death. Jessica and Cassandra uncover accounts left behind by Jessica’s Great Great Aunt Sarah (also played by Lansbury) who was a slaveowner who owned Sam Pickney (Michael Jace) but considered him a friend.

Through the journal entries, the audience is transported back to the late 1850s and we witness the events leading up to the murder and see how Sarah tries to solve it while dealing with prejudice and tense politics of the era.

The telefilm can be divided into two parts: The framing story and the Antebellum story that takes up most of the movie.

The latter is very well done. The cinemotography is solid and captures the feel of the era quite nicely. Lansbury has a nice turn as the proper but determined Aunt Sarah. Jace has a great emotional performance as Sam. The mystery is an interesting puzzle. It’s not great, but certainly worth watching.

The framing story is far more problematic. There are four scenes in the twenty-first century around the three larger scenes in the 19th century and the first three scenes involve uncovering letters and journals written by Aunt Sarah that tell the story of the murder and its investigation. In no case is the search actually interesting. There's no one trying to stop them from finding the information. Their search is simply finding a location, digging through boxes, and finding the documents for the next part of the main story. Where the final journal entry is found is not only easy to get to, it's absurd to imagine that something of that nature would not have already been found in the location they had it in.

Unfortunately, the framing story serves mainly to offer some ham-fisted political commentary about the modern South (the film clumsily suggests a link between Civil War re-enactors and people who spray paint racially motivated graffiti on cars) and debates over the history of the Civil War.  In some ways, it feels like the purpose of the modern day scenes isn't to tell a good story but to tell us how we should feel about the scenes from the 19th century, which is the definition of bad writing.

The historical portion with the antebellum mystery is enjoyable and evocative. but the weak writing on the modern day portions leads to wasted performances by Rashad, as well as David Ogden Stiers.

Rating: 3.0 out of 5.0

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21Nov/140

EP1423: Yours Truly Johnny Dollar: The Markham Matter

Bob Bailey
Johnny is called in when a wealthy insured woman disappears and her husband begins taking control of her finances.

Original Air Date: November 18, 1956

When making your travel plans, remember http://johnnydollarair.com

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20Nov/140

EP1422: Nick Carter: The Case of the Gold Headed Cane

Lon Clark

Nick Carter is hired  to recover jewels stolen from a foreign mine.

Original Air Date: January 19, 1947

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19Nov/140

EP1421: Philip Marlowe: Night Tide

Gerald Mohr
Marlowe is hired by a businessman who is concerned that a dock worker he sent to prison is out for vengeance.

Original Air Date: May 21, 1949

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18Nov/140

EP1420: Crime and Peter Chambers: The Sandra Mantel Murder

Dane Clark
Peter Chambers delivers ransom money and becomes a target for murderous.

Original Air Date: April 20, 1954

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17Nov/140

EP1419: The Saint: Sonata for a Slayer

Vincent Price
The Saint investigates the murder of a composer where the named suspect is Beethoven.

Original Air Date: June 18, 1950

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16Nov/140

Video Theater 058: The Triumph of Sherlock Holmes

Arthur Wontner stars in this adaptation of The Valley of Fear. 

Release Date: February, 1935

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15Nov/140

EP1418: Dragnet: James Vickers

Jack Webb

Friday and Romero investigate a seemingly random killing of a police officer.

Original Air Date: September 17, 1949

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15Nov/141

Audio Drama Review: Twenty-Six Hours

In Twenty-Six Hours (1952), Major Gregory Keen of MI-5 is dispatched to post-war Berlin. The diaries of a mentally unstable American general have been stolen by a ruthless ex-German General by the name of Manfred Von Remer who is holding them for ransom. The inflammatory nature of the diaries could set the world afire if they fall into the wrong hands  and its up to Keen to get the diaries with the initial plan of connecting with Remer, paying his ransom to get the diaries. However, it's not that simple when both the Soviet MVD led by Colonel Pavlov and a neo-Nazi group led by Heinrich Schiller want the diaries as well.

This is the third Gregory Keen serial  produced by Australia's Grace Gibson Productions (see reviews of Dossier on Demetrius and Deadly Nightshade) and far away, it is the best. For modern listeners, the serial may call to mind the TV series 24 and it bears some similarity to that, but not quite.

Like the previous two stories, 26 Hours is told over the course of 104 12-13 minute episodes. However, the previous two stories were set over the course of several weeks and in terms of story time, an episode might be set a few minutes after the previous or it might be set a day or two after the previous episode. In Dossier on Demetrius for example, there was time for a character to get critically wounded, go through weeks of recovery, and return to action. However, 26 hours is told in much more of a real time feel.

There's no ticking time bomb of that will happen if the mission isn't completed in 26 hours. It's just stated from the beginning that's how long Operation Quantro ran.

The result is quite pleasing as it creates a far more focused story. While there are a lot of characters in 26 hours, there are far less than in the previous stories and none as inconsequential as the shyster lawyer and designing legal secretary that showed up as a plot complication near the end of Deadly Nightshade.

The setting of 26 Hours in post-war pre-Wall Berlin is a fascinating and the series does a great job painting a picture of a bombed out ruined city still being rebuilt and going through the cold of winter. It's evocative and realistic.

26 Hours is an astonishingly good spy story with all you can expect from a pre-Bond adventure with car chases, escapes through the sewer , prison breaks, daring rescues, standoffs with hand grenades, and missions behind enemy lies. The story is packed with thrills, and also suspense, as the radio drama does a great job setting up one tense situation after another. The final twenty parts or so are absolutely gripping radio.

Unlike its predecessors, 26 Hours relies far less on characters making stupid mistakes. Keen's opponents: Remer, Pavlov, and Schiller are all solidly written intelligent characters who are very dangerous. The degree to which Keen outwits them comes from his own nerve (and boy he has nerve.)

Bruce Stewart, in his final serial as Keen, turns in a fantastic performance. In battle, Keen as tough as steel. However, away from the fray he's a bit fragile and shell-shocked. The hours tick by and Keen keeps going. He's haunted by the tragedy he's seen in the prior two adventures, and this one. He's fed up but he has a job to do.

The serial also features a solid romance with Keen falling for Remer's accomplice Anna Hoffman. He's determined to find someway to save her from the death that will eventually await Remer and offer her a better life than what she experienced in war-torn Berlin.

As usual, the story features a strong chemistry between Keen and his right hand man Sergeant Tommy Cutts. The strong bond of friendship between the two and conflict between friendship and duty is often quite moving.

There are things you could nitpick about  26 Hours. There are a few accents that are a bit off but not too many and some dialogue that's a bit forced. However, that's overwhelmed by just how good this story is. It is solidly entertaining and engaging, managing to portray realistic human emotion. The result is a true spy classic.

26 Hours can be purchased from the Grace Gibson shop which also has a free demo available.

Rating: 4.75 out of 5.0

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