Category: Telefilm Review

Telefilm Review: Lord Edgeware Dies

The second episode of the seventh Poirot series was Lord Edgeware Dies. This is notable as it’s the first time ITV adapted a Poirot story that had been previously adapted with Peter Ustinov, though Ustinov’s adaptation was, “Thirteen at Dinner.”

The Lady Edgeware, Jane Wilkinson wants a divorce from her unhappy marriage to Lord Edgeware and asks Poirot’s help. Poirot visits Lord Edgeware and finds to his suprirse that Lord Edgeware and already agreed to the divorce. Poirot reports this back to Lady Edgeware who says she never received the letter. That night, Lord Edgeware is murdered and the servants at his home point suspicion at Lady Edgeware. However, Lady Edgeware spent the whole with twelve respectable people at a dinner. Poirot sets out to find who committed the murder and is trying to frame the beautiful Lady Edgeware.

This film works great with the requisite twists, turns, and red herrings you expect from an Agatha Christie mystery, plus a solid performance by Suchet as well as the guest stars. This clearly beats Ustinov’s much more ambiguous adaptation. My one complaint in this film is its portrayal of Poirot having a crush on Lady Edgeware. I didn’t buy that, but the rest of film is pure gold.

Rating: 4.5 out of 5.0

 

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Telefilm Review: The Murder of Roger Akroyd

Four years after the end of the sixth series of Poirot, the mysteries returned for a seventh series with David Suchet. The Murder of Roger Ackroyd begins with Poirot in blissful retirement in the country as he focuses on his gardening.

However, a baffling murder brings him out to investigate the buried secrets of a small town.

As usual with Poirot stories, the mystery’s not a problem, nor is the acting by the lead. The fundamental problem with this play is dramatic. Here, I try not to give away the game to anyone unfamiliar with the story. The Murder of Roger Akroyd much Christie’s Murder on the Orient Express, is noted for an unusual twist solution that’s actually quite shocking in the annals of detective fiction.

The ending works great in a book or in a well-done radio adaptation like Orson Welles’ Campbell playhouse version, however it’s understandably difficult to pull off in a cinematic way.  But, what they tried to do instead failed with a gratuitous chase scene to resolve the story just didn’t  feel right.  The film also suffered somewhat from the decision to include the Poirot family of actors even if it really didn’t work for capturing the spirit of the book.

In addition, the story had a somewhat maudlin, overly sentimental feel to it. To be fair, I wasn’t following the Poirot series in 2000 and maybe fans appreciated it back then, but it doesn’t age well.

It’s a weak entry and a bumpy start to the second half of the Poirot mysteries.

Rating: 2.5 out of 5.0

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Telfilm Review: Dumb Witness

Dumb Witness was the last episode of the sixth series of Poirot and the series went on a four year hiatus afterwards.

Poriot receives an urgent letter from a woman who fears she will be murderered by her family. Poirot goes to the scene and advises her to make a change to her will. She ends up dying apparently of natural causes, but there’s some suspicious circumstances as two old ladies think there was a supernatural origin. And Poirot finds that the old women’s dog is the key witness in the case.

This was probably my least favorite Poirot mystery of what was a solid sixth series. The Novel Dumb Witness was an expanded version of a short story called, “The Incident of the Dog’s Ball.” The short story actually works quite well, but this expansion really felt like it just made the story drag on rather than adding true meat to it.

However, it must be said that David Suchet turned in a good performance as Poirot in an otherwise forgettable adaptation.

Rating: 3.75 out of 5.0

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