The Great Detectives of Old Time Radio The great ones are back in action.

11Oct/141

Telefilm Review: Dead Man’s Folly

In the Series 13 film, Ariadne Oliver’s been hire to set up a “Murder Hunt” for a fête, which is a sort of  bazaar or carnival. However, Oliver is suspicious by some changes requested to her scenario and calls Poirot in for help.

Trouble starts with the actual murder of the Girl Guide who was to play the victim in the murder hunt. This is followed by the disappearance of the lady of the house.

This is a solid mystery that lives up to the highest standards of the Poirot series. I also preferred this over the Peter Ustinov version from the 1980s, if for no other reason than I really had trouble buying Jean Stapleton as Mrs. Oliver in the Ustinov version while Zoe Wanamaker carries the role off with style.

Rating: 4.25 out of 5.0

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27Sep/140

Telefilm Review: The Big Four

The Big Four was described by Mark Gatiss, the writer who was charged with adapting it for television as, an “almost unadaptable mess.” Massive restructuring was required and much of the book's plot was cut for the telefilm, but what remained was a solid and enjoyable mystery.

Most of the story feels like a bit of political thriller as a series of strange deaths occur, and a muckraking reporter believe it’s tied in to an international conspiracy known as “The Big Four” which also appears connected to the Peace Party. The solution takes the story in a different direction and I didn’t enjoy the last twenty minutes as much as what came before. But even that had its moments. My favorite was when the killer through Poirot’s comments that the killer was “theatrical” right back at the Belgian detective who does one of his most theatrical denouements ever.

Overall, this was a very enjoyable story. It wasn’t one of the best, but with great acting and a solid script by Mark Gatiss, this is definitely worth watching.

Rating: 4.00 out of 5.00

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13Sep/140

Telefilm Review: Three Act Tragedy

In Three Act Tragedy, Poirot attends a dinner party at the home of Sir Charles Cartwright where a harmless clergy men collapses and dies after cocktails. It’s thought just to be a natural death until a Doctor friend of Sir Charles dies in the same manner. Poirot and Sir Charles then team up to find out what’s the truth behind the deaths.

Overall, this is a beautiful production. It’s stocked with great characters, chief of which is Cartwright, who really plays a big role in the investigation. It doesn’t hurt that this is a simply marvelous story and the creative team were mostly faithful to it.

Comparing to the 1986 telefilm with Peter Ustinov and Tony Curtis, “Murder in Three Acts”, this one works better for being a faithful adaptation in the original time and setting of the book. However, I still have a warm place in my heart for the Ustinov version and what achieved in a modern setting and really taking advantage of lucious California landscapes. While Martin Shaw turns a good performance at Cartwright, it’s not near as strong as Curtis.

Overall 2010 telefilm is a great adaptation of one of Christie’s most interesting tales.

Rating: 4.5 out of 5.0

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17May/140

Telefilm Review: Cat Among the Pigeons

In Cat Among the Pigeons trouble is brewing at a posh girl's boarding school Poirot visits as a favor to the headmistress, an old friend of Poirot's.  The murder of a truly horrid physical education instructor named Grace Springer puts the school in a state of a crisis and as more murders follow, parents panic.

Poirot has to solve a case that not only involves international intrigue but also a disappearing princess of an unstable  nation.

Cat Among the Pigeons is a delightful Poirot mystery. While I wouldn't put it up there with the very best episodes, it's easily worth the hour and a half to watch it. The film has everything you can reasonably expect: great acting from the entire cast, solid writing,  and a tangled web of lies that Poirot skillfully untangles to uncover the truth and solve the murder.

Rating: 4.0 out of 5.0

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5Apr/140

Telefilm Review: Mrs. McGinty’s Dead

After a rocky tenth series, the eleventh series of Poirot kicked off with Mrs. McGinty's dead.  A man is convicted of murdering his landlady in what seems like a clear cut case. However, the investigating officer has doubts,  so he asks Poirot to take a second look at the case. Poirot investigates and as often happens, Poirot finds himself in a small English community where multiple secrets are being kept.

I loved this episode. I may have enjoyed  this even more than its merits deserved after my problems with  the tenth series, but this is what Poirot is supposed to be. The program has Poirot traversing the English country side in search behind the truth about two photographs which could save the life of a man on a death row. There are plenty of twists and turns, with sensational cinematography and competent acting from the supporting cast. This episode was a very strong and enjoyable adaptation of Christie's story.

Rating: 4.25 out of 5.0

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9Nov/133

Telefilm Review: The Hollow

This is the final film in the ninth series of Poirot, originally broadcast in 2004.

In, “The Hollow” Poirot is staying at a cottage in the country. After being invited for a return visit, Poirot finds a doctor dead and his wife holding a gun. The doctor’s secret mistress tells the wife to thrown the gun to the water which in the end doesn't matter as it’s not the murder weapon.

Poirot seeks to untangle the truth of the very complicated relationships but runs into resistance and new suspects at every stage.

Overall, I thought this was a solid production and it rose above the typical mystery of its sort where the characters of wife and the other woman can be cardboard cutouts. The husband is really just a very selfish person in his private life with the only thing coloring that is his more noble professional efforts as a doctor. However, both the wife (played by Gerda Christo) and the mistress (played by Megan Dodds) were fully fleshed out as complex and fully developed characters. The interaction between the mistress and Poirot was particularly well done. It was also a thrill to see Edward Harwicke (Watson from the Grenada Sherlock Holmes series) in it.

I had two complaints about this. First was the ending which featured Poirot allowing the murderer to walk away and get something after their identity has been revealed based on their promise not to go anywhere and tragedy results. It really is out of character not that Christie’s original ending would have worked but they had to come up with something better. Also they added in a sex scene that while not r-rated and not even showing actual flash was just unnecessarily gratuitous and titillating which doesn't suit this series at all.

Overall, despite these flaws, The Hollow is a great adaptation of a book that’s not usually considered one of Christie’s best.

Rating: 4.25 out of 5.0

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6Oct/130

Telefilm Review: Death on the Nile

This was third episode in the ninth series of Poriot films starring David Suchet and was originally broadcast in 2004. It finds Poirot on vacation in the Middle East and embarking on a cruise down the Nile. However, all is not well. A wealthy American heiress stole her best friend's fiance and married. The jilted woman decides to spitefully haunt the young married couple's Honeymoon which was the same Honeymoon played by she and her former lover. Poirot attempts to intervene but tragedy escalated. The groom is shot and wounded by his ex-lover and the bride is found murdered. The most likely suspect has a perfect alibi.

With this Poirot begins his investigations and more bodies drop until Poirot gives a solution that turns everything the audience understood about the love triangle and other passengers on its head.

The film is brilliantly acted and filmed through out and an incredible adaptation of an incredible story. Naturally, I mentally compared to the Peter Ustinov film version and found it to be a draw. Both featured great lead actors, and a decent cast. Both deliniated from the original story to similar degrees though in slightly different ways. The biggest difference may be between the casts. For my money, I'll take David Niven from the Ustinov movie over James Fox from the ITV story. Though, there is a case to be made that Angela Lansbury took her role of Salome Otterbourne over the top in the 1970s version and so the performance of Frances De La Tour may be preferable. Both versions are just extraordinary works that actually make you want to read the book if you haven't.

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21Sep/130

Telefilm Review: Sad Cypress

Sad Cypress tells the story of a young woman named Elinor Carlisle on trial for murder. Through flashbacks we see Elinor speaking to her dying aunt who she inherits a fortune from. A girl named Mary had won a place in her aunt's heart and subsequently steals her beau Rodney. When Mary dies at a party held by Elinor. She's arrested for murder and Poirot steps in to investigate.

This is actually one of the best adaptations I've seen yet. The mystery had me guessing until the end, the producers did a great job creating plenty of misdirection, to make this one a puzzler. It also really worked on an emotional level helped by a top notch score that created the perfect mood. Suchet was fabulous as always, making this a nearly perfect production.

Rating: 5.0 out of 5.0

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1Sep/130

Telefilm Review: Five Little Pigs

Sixteen years after her mother was convicted of murdering her father and subsequently executed, a young woman asks Poirot to uncover the truth and clear her mother's name.

To do this, Poirot begins a meticulous series of interviews, trying to jog the memories of witnesses and using their stories, he tries to piece together what really happened and to do that he has to cut through people's biases which are as fresh they were when the murders first happened. The story is intriguing, intelligent, and the solution is shocking as perceptions are turned on their head. Suchet gives a sold performance as Poirot and the rest of the cast is well in this first episode not featuring the Poirot "family" of the first-eighth series.

The only downside is the ham-fisted tampering with the plot. They changed the sexuality of one character and added some gunplay at the end. The tampering was obvious and was distracting from the story. Still, Christie's original story was so strong and Suchet's acting so good, that it is still a must-see movie for mystery fans.

Rating: 4.5 out of 5.0

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29Jun/130

Telefilm Review: Evil Under The Sun

Poirot's Eight series in 2001 began with the telefilm of Evil Under the Sun. Poirot has an apparent heart attack after eating at Captain Hastings Argentinian restaurant, so on doctor's orders he goes to an island to rest and to eat a healthier, blander diet. When he arrives, he finds actress Arlena Marshall has a large number of enemies on the island, thanks to her obvious stepping out on her husband with a man whose married to another woman, who is also on the island and witnessing this.

When the actress is murdered, there are plenty of suspects, though the wronged woman has an airtight alibi. With multiple suspects, Poirot seeks to find the truth with the help of Captain Hastings, Inspector Japp, and Miss Lemon.

This episode like Lord Edgeware Dies had been adapted as a film starring Peter Ustinov. Both the motion picture and this release made changes from the book. In this case, I think the changes made by the telefilm version were detrimental to the story. They changed the gender of the murdered woman's stepchild which took a clue that was mostly unremarkable and made it stick out like a sore thumb. My wife, never a fan of mysteries had her hackles raised by a fact that would not have gone on her radar had the character been female as in the book.

In addition, attempts to keep the original Poirot family in the story were really awkward in this production and the part about Captain Hasting restaurant was especially problematic. It all seemed rather forced. It was with good reason that none of these characters have appeared since the eighth series despite how well they were liked through the first six and how much I look forward to the return of Hastings in the final one.

It's a bit better than okay adaptation, but it could have been better and Ustinov's take was far a far stronger version.

Rating: 3.75 out of 5.00

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