Reading Please Pass the Guilt right after The Silent Speaker provided quite an interesting contrast. Both cases involve Archie and Wolfe drumming up business, but the times have changed in 25 years.

In the first place, technoligically things are quite different. In, The Silent Speaker, recording cylinders were a cumbersome  yet important part of the case that Wolfe and Archie didn’t really understand. By the time of Please Pass the Guilt, Wolfe and Archie are recording nearly every conversation to occur in the office. (Them and Richard Nixon both.)

Perhaps, more striking is the cultural change. Archie has to compete with a television when trying to pitch the widow of a murder victim on hiring Wolfe. Wolfe for his part remains the same iconoclastic figures as always. When asked if he watches television, Wolfe responds curtly, “I turn on the television rarely, only to confirm my opinion of it.”

Stout was clear that Nero and Archie had not changed in their basic temperment and behavior in the past thirty-eight years of the series while the world around them has transformed and that tension manifests itself. Stout even brushes with the more modern times and approaches (but back away from) edgier profanity when a women’s libber obsessed with the supposed sexism of language asked. “What is one of men’s favorite four-letter colloquial words that begins with f?” Archie demurred, claiming not to know what she was getting at. Acceptance of the use of that language may have been growing in the late 1960s and early 1970s but not in Rex Stout novels.

In a key moment, Archie expressed exasperation when unable to convince a female suspect go on a date as is his usual practice. Archie declared, “I’m done. Washed up. I’ve lost my touch, I’m a has-been. You knew me when.”

Fritz provides a rare moment of sagacity. “Then she is washed up, not you. You are looking at the wrong side. Just turn it over, that’s all you ever have to do, just turn it over” Perhaps, this served as a metaphor for the book and for Nero Wolfe and Archie’s place in a rapidly changing world. If 1970s American readers reached the point where they could no longer appreciate these characters, then readers were washed up, not them.

As one reviewer pointed out on Amazon, this is as much a period piece as the Wolfe stories from the 1940s. For most of Wolfe’s long-time fans, it’s just not a period they like as well. The case begins when Doc Volmer asks Wolfe to do a favor for a friend of his. A young man has shown up at a local psychological clinic and states he has blood on his hands, but he won’t even give his right name. He suggests Wolfe apply his skills to the problem to help unearth the truth. When the young man shows up, the most Wolfe is able to do is to connive to find out his real name. Wolfe discovers he’s one of the figures in the murder of an executive who went into another executive’s room and opened a drawer he kept whiskey in.

With the bank balance low and Wolfe having worked even less than usual the first five months of 1969, Archie goes on his own initiative to the widow of the executive to lobby her to hire Wolfe. She does so and answers a key question: What was her husband doing in another executive’s private office? Simple, he was spiking his whiskey with LSD so his would blow his interview with the board to become the next president of the company. Welcome to the 1960s, man.

From there, Wolfe embarks on an investigation to find the truth. Along the way, he runs into a steady stream of lies: from employees of the firm, complete strangers who respond to an ad for information, and even from his client. Wolfe has never treated a client with such contempt as he does in Please Pass the Guilt. However, the contempt was well-earned. What’s perhaps most astounding is that a truth embedded in one of the lies Wolfe’s told leads him to the true solution of the case.

So, while it’s not vintage 1940s Wolfe, Please Pass the Guilt shows the timeless power of Nero Wolfe and Archie Goodwin.

Rating: Very Satisfactory

You can find all the Nero Wolfe books in Kindle, Audiobook, and book form on our Nero Wolfe page.

If you enjoyed this post, you can have new posts about Detective stories and the golden age of radio and television delivered automatically to your Kindle.

I hadn’t planned on getting into Nero Wolfe novels that had been adapted to TV until after finishing the novels that weren’t adapted (except for A Family Affair) and the novella collections. However, the Silent Speaker was included in the library edition of Black Orchids, so I thought to go ahead and enjoy the bonus.

The Silent Speaker starts is set in the aftermath of the World War II. The head of the federal Bureau of Price Regulation was bludgeoned to death just before he was scheduled to address the National Industrial Association, a group that bore him ill-will. Suspicion falls upon the NIA as culprits.

With Wolfe’s banking balance suffering, Archie undertakes “Operation Payroll” to ensure that all of Wolfe’s employees (including him) get paid, Archie cleverly horns in on the case after clearing it with Inspector Cramer and the FBI, neither of which are getting anywhere. So Wolfe is hired by the NIA to solve the case, which centers on a case of missing Dictaphone cylinders.

Wolfe is able to interview all the principle players in the case in a group interview, except for the dead man’s secretary: a beautiful and extremely intelligent woman.  After Wolfe interviews her individually, he issues an unusual injunction to Archie. Archie’s not to see the woman unless Wolfe order him to. Wolfe warns, “A woman who is not a fool is dangerous.” Someone else agrees as she becomes the murderer’s second victim when she’s found dead outside the second gathering of the witnesses and suspects.

The case is fantastically written with plenty of red herrings. It all comes down to a search for ten transcription cylinders that disappeared on the night of the murder and finally just one. And Wolfe and Archie are initially duped by a very clever ruse.

This book is notable for many reasons. Wolfe’s relationship with his client has rarely been more complicated, and his relations with Inspector Cramer have never been friendlier. When Cramer is relieved of command, Wolfe has to not only solve the case but to solve in it such a way as to restore Cramer and avoid having Cramer’s pig-headed replacement permanently in charge of Homicide. This leads Wolfe to take some of the most extreme measures of his career to avoid police harassment. And before it’s all over, Archie provides a revelation of its own. All in all, The Silent Speaker is one book that far exceeds the TV version.

Rating: Very Satisfactory

You can find all the Nero Wolfe books in Kindle, Audiobook, and book form on our Nero Wolfe page.

If you enjoyed this post, you can have new posts about Detective stories and the golden age of radio and television delivered automatically to your Kindle.

Nero Wolfe had twice as many novels published as Sherlock before he ever broke into short fiction. However, author Rex Stout would create some of his most memorable stories in the Wolfe novellas. The first two of these are collected in Black Orchids.

Black Orchids

The title story for the collection was originally published as Death Wears an Orchid. Archie has found himself assigned to flower show duty to watch a new Black Orchid bred by Lewis Hewitt to see whether it wilts or not. Wolfe finally makes a trip down in person to see it. But then fate takes a hand when Archie triggers the murder when he picks up a stick, triggering a Rube Goldberg style murder, which is the least practical part of the story.

The stick that served as the trigger belonged to Hewitt. Wolfe offers to solve the case and protect Hewitt in exchange for all three of the black orchid plants, insisting on them in advance.

To hold on to his plants, Wolfe has to not only sift through blackmail and jealousies of orchid growers, but he has to endure not one, but two women living under his roof, all while keeping his client’s name out of the press. Wolfe has a clever and somewhat shocking way of doing this that makes for a great twist ending.

Rating: Satisfactory

Cordially Invited to Meet Death

New York’s Premier party planner, Beth Huddleston, engages Wolfe to stop malicious letters that are threatening to ruin her business.  Wolfe has her entire household under suspicion and sends Archie out to investigate. Archie finds a virtual mad house with a Chimp that blocks his way in unless he plays tag with him as well as bears roaming around. Their investigation is cut short when Huddleston dies of a tetanus infection with Wolfe only having learned one key thing: the secret to preparing great Corned Beef hash which Wolfe achieved through a precedent-breaking decision to  allow a woman suspect into the kitchen to help him.

However, her brother is convinced its murder. When Archie and the brother both get the same idea and proof is found that the death was no accident, Wolfe has little reason to be engaged as he has no client. However, when Cramer insults Wolfe by taking a dinner guest downtown for questioning, Wolfe not only resolves to solve the case. He plans to rub Cramer’s face in it.

Within the story, Archie offers a mystery as to why Wolfe sent some of the rare black orchids to Huddleston’s funeral and never answers the question. The question is left open though Archie offers readers their choice of potential theories. Archie confesses there may even have been some past association between Wolfe and Beth Huddleston, but that much of Wolfe’s past remains a mystery to him.  And the puzzle of the black orchids only adds to Wolfe’s mystery.

Rating: Very Satisfactory

Collection Rating: Very Satisfactory

You can find all the Nero Wolfe books in Kindle, Audiobook, and book form on our Nero Wolfe page.

If you enjoyed this post, you can have new posts about Detective stories and the golden age of radio and television delivered automatically to your Kindle.

Having firmly established the rules of Nero Wolfe’s first few books, Rex Stout felt free to force Wolfe to bend or break some of his rules.  Other than In the Best Families, Stout never forced Wolfe to break so many rules as he did in The Black Mountain.

Wolfe’s lifelong friend Marco Vukcic is killed and Wolfe leaves the Brownstone in a cab to pay a visit the crime scene and goes to question witnesses. Then, tracing Marco’s murder to his support of Montenegrin rebels opposing the Yugoslav Government under Tito, he and Archie  fly to Italy and cross the Adriatic an old boat and begin a hike to the place o f Wolfe’s birth under assumed names with no passports. Archie doesn’t speak any of the languages, so he has to rely on Wolfe’s translations to even let us know what is being said.

This is definitely not the typical Nero Wolfe story, which is what some people don’t like about it. However, I thought this story worked very well. It was thought provoking in many ways, not the least of which was how much of Wolfe’s eccentricity was put on as he abandons many of them in order to complete this mission to track down Vukcic’s killer. We also have a few hints of what Wolfe’s life was like before he departed for America.  Stout as he does in countless novels, breathes life into his setting.

Stout’s Yugoslavia is a Cold War backwater where you don’t know quite who to trust and the oppression of the Communists has cowed the Montenegrin people, a fact that clearly pains Wolfe.  The story is filled with intrigue and espionage on multiple levels.

The story does lack the same level of influence for Archie. There’s no girl for Archie to chase  as he can’t understand one word of the languages, thwarting any romantic inquiries.  Archie also gets little chance to mouth off to authority except in the first few chapters which are set in New York.

However, this is one novel where the spotlight is rightly on Nero Wolfe, who shines. The story encounters Wolfe dealing with his most personal loss. Wolfe, ever the master of words, uses action instead to show his feelings about Marco as he travels half way around the world to bring Marco’s killer to justice. Of course, words come in handy when, in the face of the lawlessness dominating his homeland, he decides to get killer back to the United States trial without extradition. To achieve this, he has to create one of his most elaborate and risky rouses he’s ever undertaken. And even then, the action doesn’t let up until the final page.

Overall, one of the best I’ve read yet.

Rating: Very Satisfactory

You can find all the Nero Wolfe books in Kindle, Audiobook, and book form on our Nero Wolfe page.

If you enjoyed this post, you can have new posts about Detective stories and the golden age of radio and television delivered automatically to your Kindle.

Trouble in Triplicate was the third Nero Wolfe novella collection. It was the first to feature three stories (as the vast majority of Wolfe collections did.) One thing to understand is that oddly enough, the stories were not collected in the chronological order of publication. Usually this wouldn’t make a difference, but the first and third stories are set after World War II and the second is set in the middle of the War. It’s an odd publishing decision. Perhaps, they opted to arrange them in alphabetical order.  This is perhaps the most questionable decision about this collection of three stories with Wolfe and Archie. Two of the stories were dramatized for A Nero Wolfe Mystery and the outcome of none of the cases were a mystery for me.  That didn’t reduce  my enjoyment of the book in the least.

With that said, below are the stories:

Before I Die: In two prior novellas set during World War II, particularly in “Booby Trap,” Archie made a point of Wolfe’s kitchen being free of black market goods. Wolfe was extremely patriotic during the war.

By the time 1947 came around, the war was over but the meat shortages were still going on as the U.S. was trying to feed war-torn Europe. Wolfe had about had it. His hunger for some black market meat leads him to take on a job for a notorious mobster who might help him score some meat.  The mobster had hired a convict from Salt Lake City to pretend to be his daughter in order to protect his real daughter from his rivals. But the fake daughter commences to blackmail him and wants Wolfe to make it stop.

Before Wolfe can do that, Archie is present for the murder of the faux daughter and the mobster.  Wolfe has landed he and Archie in a tight spot. Will Wolfe uncover the identity of the true killer or will his appetite finally be the death of he and Archie?

The characters in the short story are fantastic, particularly the mob boss. With three on-screen shootings in the story, it has more action than the average Nero Wolfe story. “Before I Die” is also fun because Stout manages to take Wolfe out of his comfort zone as he deals with New York mafiosos, but still manages to handle himself surprising well.

Overall I give the story:

Rating: Very Satisfactory

“Help Wanted, Male”

In this last war-time Nero Wolfe story, a man comes to Wolfe for help when someone sends him a letter threatening murder. Wolfe provides his stock response and refuses the case advising him that there’s little that can be done to prevent a murder and suggests he tries hiring someone else.

When the man is murdered, Cramer questions him and Wolfe informs Cramer that he is, “not interested, not involved, and not curious.” However, this all changes when Wolfe receives a letter identical to the one sent to the murdered man.

Archie leaves for Washington on Army business, when he returns to New York, he finds that Wolfe has hired a king-sized decoy at $100 a day until Wolfe is able to identify the real killer.

The story is well-executed a nice variation on the Wolfe formula. If you’ve not seen the TV episode, the identity of the murderer is a great twist as well.

Rating: Very Satisfactory

“Instead of Evidence”: A partner in a novelty company comes to Wolfe convinced that his business partner’s going to kill him. He doesn’t Wolfe to prevent the murder, only to catch the murderer. Wolfe balks at the paltry $5000 offered to him as the bulk of it will be taken by taxes. However, he offers to report what the man has told him to  the police and take whatever action he deems appropriate.

The man is murdered by a potent exploding cigar  and Wolfe reports his visit to the police.  Dealing with people in the novelty industry allows Stout’s humor to run wild as the murder victim’s partner manages to chase Wolfe out of his own office. As usual, Archie is frustrated with the pace of Wolfe’s investigation. But don’t worry, this is one story that ends with a bang.

Rating: Very Satisfactory

Overall collection rating: Very Satisfactory

You can find all the Nero Wolfe books in Kindle, Audiobook, and book form on our Nero Wolfe page.

If you enjoyed this post, you can have new posts about Detective stories and the golden age of radio and television delivered automatically to your Kindle.

In Too Many Women, Wolfe is brought on a personnel matter. The Naylor-Kerr company studying employee retention asked supervisors to fill out a card for each departed employee. One manager sets off a sensation when he lists the reason for one employee’s departure as “murdered.” Officially, the police had said the case was a hit and run. Wolfe and Archie are hired to quiet the rumors one way or another.

The client’s idea was to have Wolfe come and work undercover at the firm. Wolfe rejects this absurd idea out of hand but as he and Archie are quarreling he’s more than happy to have Archie go undercover as a consultant at the firm.

Archie finds himself involved in a complex web of rumors, gossips, and office jealousies in this post-war office dominated by females. The supervisor who made the original allegation informs Archie that he knows who the killer is. Archie reports the statement and then the supervisor is retracts it and is killed in the same manner as the first victim. Now Archie and Wolfe have to catch a murderer.

This is actually not one of my favorite Wolfe stories and I seem to be in the minority on this. I thought the overall idea of domestic discord in the Wolfe household was better handled in If Death Ever Slept. In Too Many Women, Wolfe has managed to tick everyone in the household off: Archie by demanding he replace his typewriter, Fritz through his interference in cooking, and Theodore by putting non-Orchid flowers into the orchid area. It’s hard to believe that Wolfe would simultaneously irritate everyone at the same time by interferring everyone else’s business given how much effort has gone in to establishing the tranquility of this home.

I also have to note that Stout did something different with his chaptering. Usually, Nero Wolfe books have around 20 (or less) chapters of about equal length with the first few chapters perhaps being a little longer as Stout establishes the premise of the story. Stout, chose to use several quick chapters at the beginning as the story was being established. An action-packed or suspenseful book can benefit from short chapters as it adds tension. However, Stout’s use of short chapters at the beginning gives you the feeling that the book is going nowhere fast when you look up and see that you’ve reached Chapter 11 and nothing significant has happened.

Stout usually crafts some interesting supporters characters. No such luck in Too Many Women. With the exception of the person who alleged the murder and one woman in the officers, the employees at Naylor-Kerr are mostly the same: hot-headed men and amorous gossiping women.

The story redeems itself towards the end when Wolfe and Archie rally under police pressure to patch up the differences and uses the deception and gossip within the office to solve the case. The end is particularly noteworthy given that the killer never sets foot in Wolfe’s office, which is certainly unusual for Wolfe stories.

Rating: Satisfactory

If you enjoyed this post, you can have new posts about Detective stories and the golden age of radio and television delivered automatically to your Kindle.

You can find all the Nero Wolfe books in Kindle, Audiobook, and book form on our Nero Wolfe page.

A prominent citizen is accused of murdering one of his daughter’s suitors by poisoning his drink while he’s engaged in a blindfolded chess match with 12 different chess players. Wolfe is hired by the daughter of the accused who believes that her father’s lawyer is up to no good due to being in love with her mother. The lawyer opposes hiring Wolfe which means Wolfe must free his client’s father without his cooperation.

The language of Chess figures prominently in the story. Indeed, the title of the story comes from the realization by Wolfe that given that no one other than the accused had a motive to kill the victim leads Wolfe to conclude that the murder was a gambit meant to get the accused out of the way. Wolfe instead of searching for someone with a motive to kill the victim, he has to find someone with a motive to get the accused executed or sent up for life.

Once again, Stout creates a wonderful cast of supporting characters and suspects.  The scene where one suspect offers to hire Wolfe to suborn perjury to get the accused off is comedy gold, particularly as the man expects Wolfe to be on the hook for the crime and to protect him entirely.

Overall, Gambit was surprising in that except for the actual culprit, the suspects turned out to be mostly decent and honest people, a refreshing break with the stereotypical sociopath-filled murder suspect family.

Archie is good as always, and Wolfe is at his eccentric best. The novel opens with Wolfe burning an offensive book in the fireplace: the newest edition of the dictionary which Wolfe views as a threat to the English language. Wolfe asks his prospective client, “Do you use imply and infer interchangeably?… According to this book, you can.”   Wolfe has to struggle to be polite when pressure from her family to drop the case leads his client to take up temporary residence in the Brownstone for several days.

The payoff of the novel is just as good. This one is unique as Archie solves the mystery before Wolfe after obtaining a key clue. Though, both Wolfe (and myself for that matter) figured it out once this clue was revealed. So, for once Archie isn’t the dark when the payoff comes.

The only negative thing I can say about the book is that Stout did seem to be overusing the tape recorder to catch his criminals. It played a role in The Final Deduction as well as a Nero Wolfe novella. Still, overuse of the tape recorder is a small issue in a book that has so much to offer.

Rating: Very Satisfactory

You can find all the Nero Wolfe books in Kindle, Audiobook, and book form on our Nero Wolfe page.

If you enjoyed this post, you can have new posts about Detective stories and the golden age of radio and television delivered automatically to your Kindle.

In Plot It Yourself, Rex Stout follows the old writing axiom of, “Write what you know.”

A joint writers-publishers committee turns to Wolfe to stop a plagiarism swindle. Four authors created successful novels and plays were sued by others writers who claiming that the successful works were stolen from them. The unknowns all cashed in with settlements or court victories which cost writers   and publishers in money and reputation.

Wolfe gets hold of the fraudulent manuscripts and by comparing the styles, discovers that with one exception, all of them were written by the same writer. However, when he compares that style to that of other writing by the phony claimants, he discovers that none of them wrote the fraudulent manuscripts, which means that the mastermind of the scam could be anyone and that the writers filing false claims are only shills.

Wolfe tries to beg off the case, but is persuaded to take part in a plan by the committee to pay one of the phony authors to obtain the identity of the mastermind. However, before Archie gets to him, the man is murdered much to the embarrassment of Wolfe and Archie. The body count rises quickly and so does the pressure on Wolfe to crack the case.

The murders at the center of the case were the result of Nero Wolfe bungling by failing to have a man guards the accomplices before approaching them. This seems to be a recurring theme in the Wolfe novels of the 1950s. Wolfe bungles led to deaths in If Death Ever Slept and Before Midnight. At this point, it seems to have been overdone. Master detectives shouldn’t require a warning label.

Other than that, the mystery went very well. I had suspected the murderer early on, but Stout was a master at misdirecting the reader, so I’d moved on to other suspects by the end of the novel.

Wolfe was wonderfully eccentric throughout the novel. He went on strike against himself, offended his own self-esteem, and even swore not to eat meat until the case was solved. Wolfe did go a little over the top when Wolfe spent the last few pages complimenting the murderer and building their self-esteem.

The only other thing to note is that a writer, I found the whole discussion of plagiarism swindles fascinating, however I could see someone who wasn’t a writer being less thrilled with the long and involved discussion that prefaces the case.

For my part, I’ll give it a:

Rating: Satisfactory

You can find all the Nero Wolfe books in Kindle, Audiobook, and book form on our Nero Wolfe page.

If you enjoyed this post, you can have new posts about Detective stories and the golden age of radio and television delivered automatically to your Kindle.