Category: DVD Review

Broadchurch Series 3 Review

Chris Chibnall’s Broadchurch had a fantastic and brilliant first series (see my review here.)  It focused on the effect of the murder of a boy on a small British town and the search for the killer. The cast was superb, led by David Tennant as Detective Inspector Alec Hardy and Olivia Coleman as Detective Sergeant Ellie Miller.

Series 2 was, in my opinion, a bit of a mess. Miller and Hardy are in different positions within the police department. It focused on the ludicrous trial of the killer from series one that ends in his acquittal. Meanwhile Hardy and Miller work unofficially through a tedious mystery that had nothing to do with the small town but had some stakes for Hardy to settle an old case that had haunted him.

Series 3 is set two years after Series 2 and finds Miller and Hardy have both reset their lives. They’re back in their old positions when 49-year-old Trish Winterman (Julie Hesmondhalgh) reports she was raped at a party. Miller and Hardy investigate the case. Meanwhile, Beth Latimer (Jodie Whitaker) is the mother of the boy murdered in the first series. She shows up in series three, working as an advocate for SARA (sexual assault response association) but is estranged from her husband Mark (Andrew Buchan) who remains unable to find closure after their son’s killer was acquitted.

The process of investigating the crime is handled solidly. It’s a good procedural which was almost Dragnetesque at times (particularly in the first episode) as it took us step by step through the unique process of investigating the crime in the United Kingdom and showing what the victim experiences and what forensics they take as they try to preserve any evidence. It’s told with sensitivity and without sensationalism.

Julie Hesmondhalgh gives a believable and relatable performance as Trish. The story handles her in a realistic and sympathetic way. Not all of her actions are sympathetic, but they’re understandable within the context of what she’s going through. Hannah Millward plays Trish’s daughter well, creating a character caught between her mom and her estranged dad, who is one of the suspects in the case. She’s a likable and well-written character.

The stars turn in their usual great performances. The chemistry between Hardy and Miller has matured. Hardy is brilliant and caring, but he’s also no-nonsense and can be abrupt and harsh which Miller tends to soften out. In Series 1, they clashed frequently, but by Series 3, they’re comfortable with each other. Although, at times, it’s obvious he still annoys her.

However, there has been a balancing of the two characters. Hardy has softened a tad over time, while Miller has become a bit harder after the events of Series 1, which can be seen in her interactions with her father and her son.

Both are raising children on their own. Hardy has brought his daughter to Broadchurch so they can have a second chance while Miller is raising her young son and daughter alone.

The series runs headlong into the issue of the state of sexuality in Western Civilization today and the type of men produced by a society over-saturated with pornography. This is illustrated throughout the series and hits home for both detectives. Miller catches her son using and distributing porn, and sexual pictures of Hardy’s daughter are sent throughout the high school. This leads to one of the most memorable scenes where Hardy confronts the perpetrators and gets very Scottish on them.

The series message and the issues it raises are timely after the revelations of late 2017 and raises serious questions that society has to come to grips with.

The development of the Latimers is a realistic tale of contrasts. Beth has not forgotten her son and is dealing with the grief, although her husband’s drama is making that a challenge. She has taken stock of her life and taken that grief and used it to help others. The Latimers’ teenage daughter Chloe (Charlotte Beaumont) has grown. Mark’s inability to deal with it leads to tragic territory but is also very brilliantly performed.

For all that’s praiseworthy about the Third Series of Broadchurch, there are issues. In many ways, the greatest problem with Broadchurch Series 3 is that it isn’t Series 1.

With the exception of Trish and her daughter, the new characters add little depth. They are suspects, witnesses, and the friends and family of them, unlike the vibrant characters of Series 1 with ticks that made the audience care about them. One such character was totally dropped from the series finale, with us not finding out what happened to her and her husband.

This is typical of a detective drama. With few exceptions, outside of the detectives and close supporting characters, we’re concerned about most characters to the extent that they can provide a clue to help us solve the case. Broadchurch Series 1 was unique it won’t be easy to ever recapture that lightning in the bottle. That might be a case for leaving well enough alone and only making one series of Broadchurch, but it’s not an argument against the quality of the subsequent series.

The problem is Chibnall tried to make it feel like series one, particularly in bringing back characters. Reverend Paul Coates (Arthur Darvill) returns to deal with the declining church attendance in town. And newspaper editor Maggie Radcliffe (Carolyn Pickles)faces the Broadchurch Echo’s scummy corporate owners. They plan to close the local office of the Echo. Both Darvill and Pickles are solid performers and did great work in the first series. However, in Series Two, their work is wasted. Both characters are thrown into random scenes throughout the first six episodes, only achieving tangential relevance to the “B” plot of the series in the seventh episode. Only Maggie has a scene that ties into the series’ main plot. It’s good, but I question whether it was worth all the wasted scenes throughout this entire series.

There were also new characters who didn’t make much of an impact. Veteran character actor Roy Hudd played Ellie’s widowed father David, who mainly served as an object for Ellie’s contempt and occasional tirades, as well as managing to kick the already depressed Paul Coates.

While there’s much to the series’ message, it may undermine itself by painting with too broad of strokes. It would be easy to conclude from this series that Alec Hardy is the only decent man left in Broadchurch, if not the UK, or even the entire planet. Every other man we get to know is a fiend, a coward, or otherwise weakly leaving the women in their lives to pick up after them. Even Hardy almost takes a passive approach to a problem that has his daughter wanting to leave Broadchurch and needs Miller to get him to man-up. A bit more balance would have made the series more impactful.

Overall, Broadchurch Series 3 is a good crime drama with two strong leads,  great supporting actors, and a timely message. However, its attempts to live up to the greatness of Series 1 fail to do so and detract from the viewer’s experience.

Rating: 3.5 out of 5

 

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DVD Review: Assignment Redhead

Note: Twitter followers @radiodetectives voted this as the movie I’d review this week rather than Whodunit.

In 1951, the Australian radio company Grace Gibson released the first audio drama series featuring Major Gregory Keen, of MI-5. Series creator Lindsay Hardy turned this into a book, “Requiem for a Redhead,” which became a basis for the British movie, “Assignment: Redhead.” (aka Million Dollar Manhunt.)

The basic plot is the same as in the radio drama. A criminal mastermind known as Dumetrius kills a Colonel and takes his place on a flight from Germany to London. On the flight is a U.S. serviceman who takes a picture of Dumetrius. With the help of Hedy Bergner (Carole Matthews), a singer who is a secretly a spy for him, Dumetrius has the serviceman killed and a British Airman named Peter Ridgeway is framed for the crime. Keen (Richard Denning) steps in to locate Dumetrius and hunts for Ridgeway when he escapes.

The movie has some solid points. The original 104-part serial had a lot of repetition and the movie cut a lot of the fat. One thing I like is that we don’t get to see Keen acting like a fool in his being in love with Heddy Bergner and blind to the fact she’ s working for Dumetrius for more than 16 hours as in the radio drama. The plot remains interesting and engaging with some great elements still included. Richard Denning (star of Michael Shayne and Mr. and Mrs. North) turns in a good performance.

Yet, the movie is nowhere near as good as the radio drama overall. The film is low budget and it shows. With a Film Noir, a low budget feel can work, but a spy film needs a bit more room in the budget. The seventy-six minute run time cuts some of the more annoying elements of the radio serial, but it also eliminates a lot of the good stuff, including many complicated relationship dynamics. We don’t get to see Heddy’s growth as a character or her conflict as we do in the radio serial. Instead, her change towards the end of the story is abrupt. In addition, because Keen is an American in this version and his aide Sergeant Coutts is a Brit, there’s not some of the shared backstory and Coutts’ tireless loyalty which was such a great highlight of the radio drama. Key sequences from late in the story are cut or compressed. Even if I hadn’t heard the radio serial, I’d know something was missing. Weirdly, the initial set up is kept mostly intact. The acting is as spotty as you’d expect from a low-budget film.

Overall, this isn’t a horrible movie, but it’s tough to offer a general recommendation. If you’ve heard the radio series, then it’s worth checking out for the curiosity’s sake. If you’ve thought about listening to the radio serial, and want to check out the movie first, I’d recommend listening to the radio drama first. It’s far better than what was put out on the screen.

Rating: 2.5 out of 5

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DVD Review: The Last Detective Series 2

Police Constable “Dangerous” Davies (Peter Davison) returns for four more mysteries.

Overall, the series improved both in the quality of the writing and the quality of the cases given to Davies. His professional life is on the upswing as he does seem to be gaining some grudging respect from his boss.

At the same time, his personal life takes a hit. He has to temporarily vacate his rooming house and move in with his friend Mod (Sean Hughes). This creates tension in a relationship that’s mainly been supportive in Series 1. In addition, his estranged wife continues to be horrid. They’re separated, yet she calls him over to complete household repairs and to take the family dog at her convenience. She dates other men and tells him about it. She ignores him when he puts up clear hints that this is hurtful. She gets annoyed when he doesn’t want to hear details about the man she’s going to Paris with for the Easter Holiday.

Despite his griefs, at work Dangerous gets his killer in four separate cases:

Christine: Davies investigates the unexplained death of a lottery winner. The lottery winner had a trophy wife and a mentally challenged Haitian boy as his ward. This one is a good case. The character of Christine, the dead man’s wife, is fascinating. She’s dishonest and evasive, but why? We slowly come to understand her as the episode goes on. It’s a great character story and a good mystery to boot. Rating: 4.5 out of 5

The Long Bank Holiday: Davies has plans for the long Easter Holiday weekend while trying to help a local pharmacist, called a chemist in this show from Britain. Davies comes across numerous humans remains on the chemist’s property. Most of the department is busy processing the crime scene. This leaves him to solve several cases all on his own. Several of them interlink.

This one leaves me with mixed feelings. On one hand, I can appreciate the cleverness of the story. On the other hand, this is almost too clever. The story is far too busy and has way too many plotlines for a 70 minute TV show. A nice show, but it’s a bloated story. Rating: 3/5

Benefit to Mankind: Dangerous goes in for assertiveness training. On anyone else, it would lead to the character going too far and becoming a jerk. Davies is so non-assertive, it just helps him to show a healthy degree of assertiveness that’s required for the job and his personal life. In one case, he demands his wife give him his turn with the family dog. She typically only lets him have the dog when she doesn’t want it. The mystery will require the assertiveness as Davies investigates the apparent suicide of a researcher. Davies is stonewalled at every turn by the owners of the research firm. This episode is fun. The only dumb part is Mod’s awkward attempt to attract the attention of the woman teaching the assertiveness class. Rating: 4/5

Dangerous and the Lonely Hearts: Davies is called in to investigate when a young girl refuses to speak and can’t be identified. He discovers that she’s a refugee and locates the girl’s mother only to find her murdered. The best clue Davies has is the mother’s involvement in a lonely hearts club. He discovers one of the men she’d dated was his boss. The mystery is good and the story also features Davies trying to express his feelings to his wife in a beautifully acted scene by Peter Davison. The one big problem with the episode is that a character attempts suicide. This serves as a red herring but it’s never adequately explained. Rating: 4/5

Overall, this series isn’t perfect, but I thoroughly enjoyed these episodes and they’re definitely worth a watch.

Rating: 4 out of 5.

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DVD Review: Father Dowling Season Three


After a TV movie and two partial seasons, ABC gave the Father Dowling Mysteries a regular season of 22 episodes in 1990-91.

The same cast of regulars from Season 2 returned with Father Frank Dowling (Tom Boswell), Sister Steve (Tracy Nelson) investigating mysteries and Father Prestwick (James Stephens) and housekeeper Marie (Mary Wickes) providing comic relief.

The series maintained a pleasant, family friendly voice tone with likable characters. Steve does a lot of undercover work and handles most tasks well, but you don’t get the impression she’s unrealistically super competent in everything like during Season One.

Some of the past seasons had episodes that could more rightly be called “adventures”  than “mysteries,” but these are true mysteries. The plots are thought-out but never too intricate.

The one thing I did miss from Season Two was the little touches that made Father Dowling and Sister Steve seem more like a real Catholic priest and nun. Except as discussed below, they don’t do anything to cut against that idea other than the fact that the two can always run off to investigate a mystery.

My favorite episodes of this season is, “The Christmas Mystery.” It’s a nice mystery with a few suspect twists, but it’s a fun Christmas treat and there aren’t enough good Christmas mysteries out there. In, “The Moving Target Mystery,” a contract killer comes into Father Dowling’s confessional and confesses he was hired to kill him. He is backing out because he won’t kill a priest but somebody else will. It’s a good set up for a story.

The “Fugitive Priest Mystery,” finds Father Dowling on the run thanks to his evil twin Blaine, and he has to clear his name and find out what Blaine’s up to. “The Hard-Boiled Mystery,” is my favorite episode of the season. Father Dowling goes to have words with a writer who decided to write a story based on Father Dowling. It’s set during the 1930s with Dowling as a hard-boiled priest-detective. We flash from the present to the hard-boiled detective scenes and they’re absolutely hilarious.

On the downside,  some stories just didn’t work. After having an angel in Season 2, the writers decided, “How about having Father Dowling encounter the devil?” Thus we were given, “The Devil and the Deep Blue Sea Mystery.” What we get is a Hollywood version of the devil who is defeated by a plot ripped off from, “The Devil and Daniel Webster.” The story introduces an older brother for Steve and contradicts a previous season’s story featuring Steve’s younger brother. Further, it has the characters acting really out of character. It’s the worst episode of the series.

“The Consulting Detective Mystery,” is a bit of clunker. Father Dowling makes a deduction as to who committed a crime. He’s wrong, leading to an innocent ex-con losing his job. This leads to Sherlock Holmes appearing in order to restore Father Dowling’s confidence. It’s not a great setup and the actor playing Holmes doesn’t work. It’s not as bad as, “The Devil and the Deep Blue Sea Mystery,”  but it’s weak and poorly executed.

The rest of the box set is serviceable and fun. Father Dowling was never a big budget show, and it never featured television’s most clever mystery writers. It was a show you could enjoy with the whole family. Another reviewer described the show as “cute,” and I’ll go with that. This season, in particular, features Father Dowling and Sister Steve working to save a cute zoo monkey framed for murder. It’s easy viewing with a bit of nostalgia for simpler times thrown into the deal.

Rating: 3.5 out of 5.0

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DVD Review: Pie in the Sky, Series 2

Series One of Pie in the Sky was a good enough series with a likable lead that, despite some weaker stories, left me hungry for more. In Series Two, Pie in the Sky really hits its stride.

The basic set up of Pie in the Sky is that Police Inspector Henry Crabbe (Richard Griffins) is ready to retire and focus on running a restaurant. Due to a mishap and a crooked partner, Crabbe ends up in line for a murder wrap. Assistant Chief Constable Fisher (Malcolm Sinclair) knows Crabbe’s innocent but holds the threat of an inquiry over Crabbe’s head to keep him on call. Crabbe spends most of his time running the restaurant Pie in the Sky, but when Fisher calls he goes into action to solve a case.

Series 2 manages to expand and clarify much of Series 1. Including giving a clear understanding of Crabbe on a very fundamental level. It only took a single sentence, but in a conversation with newly promoted Detective Sergeant Sophia Cambridge (Bella Enaharo) about the importance he placed on doing police work as opposed to a police career. That defines the difference between Crabbe and Fisher, whose entire focus is on career advancement. For Crabbe, each case is a job that must be worked well and solved correctly. For Fisher, cases are important based on how the outcome will advance his long-term career goals. While In Series One, Crabbe’s problem with other policemen was  vague. In Series Two, it firmly nailed down that it’s officers who are more concerned about advancing their career rather than actually getting things right.

It also explains why Crabbe is so suited to being a chef. The focus on quality work and getting the job done right is at the core of that position. And whereas his lack of attention to career left him in a rut on a police force, the attention to detail serves him well in the kitchen.

Of course, this does lead to some conflicts with his accountant wife Margaret (Maggie Steed) who is the legal owner of the restaurant  to satisfy a British legal requirement that wouldn’t let Henry own the restaurant as a policeman. It doesn’t help that she has no real taste for fine food and only sees how the bottom line can be improved. She doesn’t meddle all the time, but most often her efforts to change the business to make it more profitable cut against Henry’s overall ethic and good restaurant practices such as when she decided to start double booking tables to maximize the profits.

Yet, despite their differences or perhaps because of them, the Crabbes make a lovely middle-aged couple, balancing each other out. Both can be kind. While Henry’s heart of gold and decency is much more obvious, Margaret also shines in the series and the way they play off each other is fun to watch.

We do get some insight on Fisher. In the episode, “The Policeman’s Daughter,” Fisher has Crabbe look for his daughter who has fled to an enclave of drifters. We learn all Fisher really has is his career and that his wife cheats on him regularly and he has lost the respect of his daughter. Crabbe does his best to bring some sort of peace.

Cambridge received a promotion after the first series and this one focuses on the challenges of it. In one scene, another department tries to get her and Fisher fights the head of the other department over her and it becomes apparent she’s merely being used as a way for them to beef up their rankings for racial diversity. This contributes to the fact there are several instances where she doesn’t get respect for her achievements or rank that are due. It’s all done in an understated way though. She’s a still a very good character, but both she and Fisher are in this series less than in the first.

The staff of the restaurant was used more creatively. In the first series, Pie in the Sky was Crabbe’s refuge from trouble. Yet, in a bit of realism, the restaurant itself began to present some genuine problems, particularly when Crabbe had to step away to solve a case. He’d be in and out while his restaurant was in the hands of his twenty-something assistant chef and waitstaff and problems would develop that he would eventually have to solve. My favorite example of this is when they decided to switch out the classical musical Crabbe plays in the chicken coop for heavy metal music in order to get the chickens to lay more eggs. It actually works but with a side effect.

There’s also tension between the assistant chef Steve (Joe Duttine) and the head waiter John (Ashley Russell) as the former is an ex-con and the later is an experienced waiter from many highly regarded establishments. The rivalry mainly serves to show Crabbe’s sense of diplomacy.

The episodes are well-written. Each has a mystery at the core that’s well-crafted, but not so complex it doesn’t leave time for the comedy and drama of the episode. Some of the better ones include, “The One That Got Away,” where Crabbe has to stop a friend from being railroaded from the murder of his fiancee by an ambition Detective Inspector. In “Black Pudding,” Crabbe meets up with an elderly woman whose cookbooks he admires and finds her relatives are after her steamy memoirs. The “Mild Ones” finds Crabbe in pursuit of two elderly con-women who rip off people for thousands but leave behind an amazing recipe for bread pudding. In the “Mystery of Pikey,” some locals pressure Fisher to get Crabbe to investigate a series of minor local crimes. He gets results, but not what they would hope for.

The only weak episode of the series is the series finale, “Lemon Twist” that has Crabbe, Fisher, and Cambridge attending a management training conference. The premise is problematic as its hard to see why Fisher would send Crabbe as Crabbe is only working part time and has no interest in managing for the police or a long-term police career. The mystery is weak and there’s some humor around Crabbe that requires him to act out of character. The episode is not that bad, though. The restaurant plot has some genuinely funny moments after they earn a five star review from a nationally known food critic.

So, the worst episode of this series was but mediocre. The rest of the Series is pure gold. The stories are fun cozy mysteries with a lovable lead doing his best to bring peace and order in the kitchen and to whatever case he’s called to investigate.

Rating: 4.5 out of 5.0

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