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A Review of the Columbo Collection

[This was originally slated to be posted on July 9th but was moved to today due to the passing of the great Peter Falk. You may also enjoy our look at the top 10 1970s Columbo episodes in parts one, two, and three ]

It's been nearly eight and a half years since the last Columbo movie and with star Peter Falk's health issues assured there would be no sequel. Now Falk's death may have some folks wanting a little bit more Columbo.

Creator William Link, has returned to working on Columbo sans Peter Falk, writing a play, Columbo Takes the Rap. Last year, Link released The Columbo Collection, the first ever compilation of Columbo short stories, featuring twelve Columbo adventures.

The Columbo Collection is a must for any fan of the series. Usually, writing these sort of volumes falls to people who are not really associated with the series or whose affiliation is loose, and they can't get the character accurate. Link brings credibility to the stories and gets Columbo pretty close to right.

To truly enjoy the book, your expectations have to be properly set.  Reading the stories is not going to come close to replaciating the fun of watching Columbo on television or the depth of the stories.  Each story is between 15-26 pages long. Some of the preludes to the murder in TV episodes would take longer than that to tell.

Columbo's unique structure doesn't lend itself well to these sort of limitations, so it's no surprise that the book is a mixed bag.

On the positive side, as a master of mystery, Link created several memorable gems, some of which approached the level of being lik e a mini-Columbo episode (imagine Columbo as a half hour TV show):

"The Criminal Criminal Defense Attorney"- A lawyer gets his client acquitted of  rape and then kills him. This story does a good job portraying the mental duel between Columbo and the attorney, and the final clue is classic Columbo. Also, a high powered defense attorney is perhaps the closest any of the stories come to Columbo's usual battle against an elitest.  The only weak spot of this story is that the motive is hard to believe.

"The Blackest Mail"-The longest story in the book  and well-worth the read. An actress murders a man who is trying to blackmail her by trying to make it look like self-defense. Now she has to evade Columbo. This one did a great job with the cat and mouse chase.

"Trance"-In several stories, Link doesn't show us the murder, but it's clear from the beginning who Columbo thinks is "the guy" (to quote Monk.) Such as is the case with "Trance" as we know from the beginning that Columbo's suspicion lies firmly on a hypnotist that has an airtight alibi. The way that Columbo breaks the alibi is classic. Unfortunately, the way Columbo puts the murderer at the scene of the crime is not credible.

"Murder Allegro"-Another where we don't see the murder, but are relying on Columbo who is sure that a musician murdered his wife, who was also part of the band. This one is not only a howcatchem but a howdidit. On both points, this story works.

"Photo Finish"-This story was unique in staying in the viewpoint of the murderer from start to finish as she plots the murder of her philandering husband. This character has a very distinct voice as a woman scorned out for revenge at all costs and annoyed by her amateur mistakes in the murder game. Unfortunatley for her, Columbo basically walks into the solution.

Opposite the table of contents, The Columbo Collection also features a very nice sketch of Columbo drawn by Peter Falk.  Link also writes an introduction to his piece that contains much the same information as he's posted on his website but had a couple interesting added details.

One was about Bert Freed, who was the first actor to play Columbo as the first Columbo telepay was an episode of the Chevy Mystery Show. Link ran into Freed and found out that Freed had forgotten he'd ever played Columbo. Freed had want Link called actor's amnesia, and it's easy to forget one role on a forgotten TV show dcades before.  I found it amusing that if Freed had somehow landed on Celebrity Jeopardy, he would missed the question, "The first actor to play Columbo."

On the negative side,  the story Grief was the weakest of the lot. Everything about the story was tedious. And the story was made worse when Columbo tried to mitigate one elderly man running over another, because the driver thought the pedestrian had committed a hit and run on his dog.

Most of the other stories that aren't listed above are forgettable, with weak plots, weak conclusions, or weak characters. They don't possess all of these problems, but they're seriously handicapped by the short story format and trying to have Columbo have a battle of wits and solve a case in 20 pages.

Also, in many of these stories, Link does a poor job choosing his villains. Part of the appeal of Columbo is the every man again battling the rich, famous, and powerful. Putting Columbo up against other everymen as Link does when he puts Columbo against a Gardener-War Veteran, another cop of about equal rank, a retiree, and a man who lost his girlfriend to a would-be-assassn's ricochet does just that. Of course, that would be realistic, but Columbo has never been about realism.

The first five stories contain motives buried in psychobabble that doesn't make a whole lot of sense. Thankfully, Link proceeds to a pattern of using more traditional motives like jealousy, greed, and revenge which work  far better in short story form.

One hopeful sign is that these stories do appear to be published in the order  in which Link wrote them and the last few attempts are far more refined, with the last three stories all making my list of the gems in the book., which means if he opts to do another Columbo collection, he may be in better form.

Personally, I would probably have much preferred a collection of three or four Columbo novellas which would have provided more time for the format to work.  Still, it was a worthy read, particularly for fans that miss that rumpled rain coat.

Rating:Three Stars out of Five.

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