Category: Audio Drama Review

Radio Drama Review: Death on the Nile

The plot of Death on the Nile is familiar to me. In the past,  I’ve reviewed the Ustinov big screen version and the David Suchet version.   Recently, I was pleased to enjoy the BBC Radio 4 version.

It can seem odd to listen to, watch, and experience a mystery multiple times because to the viewer or listener, it’s no longer a mystery. We know whodunit and we know why. Yet, there are some stories that are so compelling that the stories never get old. And that’s definitely the case with Death on the Nile. 

The plot has Poirot (John Moffat) on vacation in Egypt and stepping smack into the middle of huge drama.  Simon and Linnet Doyle are on their honeymoon being staked by Jacqueline, Simon’s former fiancee who he jilted in order to marry Linnet, who was Jacqueline’s far richer best friend. Poirot sees trouble coming and tries to head it off, warning Jacqueline not to let evil into her.  However, the tragedy occurs when Linnet is murdered with Jacqueline’s gun. However, Jacqueline didn’t do it as she had just attempted to kill Simon and had panicked and was staying with a nurse at the time Linnet died.

The good news for Poirot is that the boat is full of potential suspects or at  the very least, people who have their own secrets to hide.  Thus Poirot has to sift through an amazing array of lies to find what really happened.

While you listening to the radio adaptation, you may miss the stunning visuals that defined the television and film adaptations, I think that the radio version may have the been the best at capturing the emotional conflicts at the heart of Death on the Nile. The pacing is very deliberate. It was aired a five part drama, and the first murder didn’t occur until the end of  part three. They really did a great job setting up the situation and the characters. The interactions between Poirot and Jacqueline are priceless, and the resolution to the secondary storylines add a more positive counterbalance that makes this enjoyable.

Death on the Nile is a great story that brings home the brilliance of the murder and the tragedy of the perpetrators in a way that captures the imagination and makes this a must-listen to Poirot adaptation.

Rating: 5.0 out of 5.0

If you enjoyed this post, you can have new posts about Detective stories and the golden age of radio and television delivered automatically to your Kindle.

This post contains affiliate links, which means that items purchased from these links may result in a commission being paid to the author of this post at no extra cost to the purchaser.

Radio Drama Review: The Interplanetary Adventures of Flash Gordon

In January 1934, newspaper readers were introduced to the adventures of Flash Gordon, an athletic Yale graduate who is kidnapped by Doctor Zarkov and taken in a rocket to the planet Mongol along with the lovely Dale Arden.

In 1935, Hearst brought Flash Gordon to radio a 26-part adventure starring Gale Gordon as Flash Gordon in The Interplanetary Adventures of Flash Gordon. Radio serials from this era are relatively rare, so I was surprised to find the whole 26 part story is available for listeners.

The serial is actually not all that good to start with. While it’s a faithful adaptation of the comic strip, the writers seemed to struggle with being faithful while transitioning Flash Gordon from a visual to an aural medium. One big thing was that very important scenes were skipped over in the early going, so you felt someone was giving highlight of the story rather than you listening to it.

The serial got much better around the sixth episode as the scene shifted to Flash’s goal of taking over  the Blue Magic land from the witch Queen Azura. What followed over the next eighteen episodes was a dazzling display of imagination and plot twists with hypnosis potions, invisibility machines, angry dwarfs and a wide variety of reversals of fortune. This was radio fantasy for kids with all its gusto.

The series did break with continuity in the comic books,  so it could bring listeners another program. Episode 24 ended with Flash, Dale, and Zarkov accidentally heading back towards Earth in a rocket ship and in Episode 25 they crashed in the Jungle near long time radio character Jungle Jim. In Episode 26, the two were finally wed to wrap up the series, so that Jungle Jim could take over its time slot.  This wouldn’t be the last Flash Gordon was heard on the radio, but it would be the last complete program.

Overall, the serial was good.  Some people might be offended by Flash’s active conquest, but in the end it’s just fantasy.  While the beginning was rushed, and the end while good was a little out of place, the middle chapters are packed with great story.  The acting quality varies quite a bit from character to character and there are a fair share of hams on the story, but the series works.

It particularly works as a promotion for the Flash Gordon comic strip. Characters like the Blue Magic Men, Hawk Men all sound exciting, fun, and worth seeing as well as hearing.

Rating: 3.5 out of 5.0

If you enjoyed this post, you can have new posts about Detective stories and the golden age of radio and television delivered automatically to your Kindle.

Audio Drama Review: Doctor Who: The Highlanders

Just like the first of the Second Doctor episodes of Doctor Who, only the audio remains for the second serial, “The Highlanders.”

In The Highlanders, the Second Doctor (Patrick Troughton) and his companions Ben and Polly find themselves caught in the midst of a war between the British red coats and the Scottish highlanders.  The Doctor and his companions have to escape from the British and get back to the TARDIS while also thwarting the plot of a corrupt government barrister who plans to ship captured Scots to brutal slavery on Carribean Islands.

This story isn’t as good as Power of the Daleks, but it definitely is worth a listen. This serial features some great comic scenes for Troughton and the Doctor certainly shows some cleverness in this tightly plotted story.  This was actually a surprisingly strong story for Polly who in two previous stories I’ve seen/heard her in, her role was limited to making coffee as serving as a hostage. In this case, she’s the one member of the TARDIS not captured and key to their rescue.

This serial was noteworthy for a couple other reasons. After about a third of the First Doctor stories were historicals, Troughton wanted to get away from them, so this would be the last purely historical Dr. Who episode until 1982. Also, this episode introduced the character of Jamie McCrimmon (Frazier Hines) who appeared in more Doctor Who episodes than any other companion.

Overall, this is a historic serial with plenty of fun, swashbuckling action, and the introduction of a great companion in Jamie, so it’s definitely worth a listen.

Rating: 4.25 out of 5.0

Audio Drama Review: The Power of the Daleks

Last Christmas, Time of the Doctor marked the end of Matt Smith’s reign as the Eleventh Doctor, and this fall the BBC will kick off a new series featuring Peter Capaldi in the role. Today, we take a look at the first regeneration from First Doctor William Hartnell to Second Doctor Patrick Troughton, “Power of the Daleks.”

Due to the BBC’s horrible archival policies in 1960s, this isn’t a story people can “watch.” This is one of several stories that are completely missing on video and the only way they can be enjoyed is as audio dramas using the TV soundtrack recorded by fans and narration by a star from the series..

Without belaboring the point, in the “Tenth Planet,” the last First Doctor story, it was clear that William Hartnell was pretty well played out in the role. The four episode story featured almost no action from the Doctor in the first, second, and the fourth episode, and the third episode was spent with the doctor asleep. The fourth ended with the Doctor changing into Patrick Troughton.

Troughton actually really gets into the role right off the bat. While long time Whovians have seen newly regenerated doctors go through the process of picking out their wardrobe and getting used to new appearances, Troughton was the first and does it quite well. His character is fun and clever. The Second Doctor plays a recorder which is another nice bit of characterization.

Of course, his companions, who were with the First Doctor, are skeptical that this is really the same Doctor, with Ben being far more skeptical than Paulie.

The Second’s Doctor’s inaugural adventure is a blast. The TARDIS lands in the future on Earth’s colony Vulcan where they discover the murdered body of a government official called an examiner. The Doctor assumes the examiner’s identity and is determined to uncover why the Examiner was killed and what was going on in the colony.

In the course of his investigation, the Doctor comes across his most dangerous enemies, the Daleks. One of their ships has crash landed and a scientists is studying the dead Daleks. The Doctor wants them destroyed but finds out to his horror that the scientist who discovered the Daleks is actually trying to revive one and that he succeeds.

The revived Dalek, whose gun armed has been removed insists, “I am your servant.” The Doctor of course doesn’t buy it and is trying to stop the crazy scientists from reviving more Daleks. However, the whole Dalek issue is caught in a web of political intrigue which has more than one person thinking they can use the three revived Daleks as pawns. Some consider the small numbers of Daleks to be minor matter, but the Doctor warns that one is enough to destroy the entire base.

This is a wonderful serial that really works on every level: it has intrigue, mystery, suspense, and fantastic sci fi action. This is a story that illustrates the true power of audio story telling. The early writers of Dr. Who had great imagination, but lacked in special effects. That’s no problem here. The music and the dialogue tell the story powerfully.

The story has some genuinely scary moments that are really brought home by the audio. Of course, the Daleks are up to evil and two separate episodes end with Daleks chanting and there are few things more scary than a group of Daleks chanting, “We will get our power! We will get our power!” as they circle the scientist brought them back to life.

The scientist, Dr. Lesterson also has a fascinating character arc as the Daleks true nature becomes more apparent and things go from bad to worse. His final scene is the last episode of the serial is just haunting and fascinating at the same time.

Bottom line: “The Power of the Daleks” packs a powerful punch with a tone that’s often a bit dark, but also brilliantly conceived and executed.
Rating: 5.0 out of 5.0.

The Power of the Daleks is available at Audible.

If you enjoyed this post, you can have new posts about Detective stories and the golden age of radio and television delivered automatically to your Kindle.

This post contains affiliate links, which means that items purchased from these links may result in a commission being paid to the author of this post at no extra cost to the purchaser.

Audio Review: Dr. Who: Marco Polo

Dr. Who has become a 21st phenomena with the series revival growing to even greater acclaim than the previous stories. Yet, it still has its roots in the 1960s where the first two Doctors played by William Hartnell and Patrick Troughton gave the character his roots. The stories of the Doctor and his companions were originally produced as half hour programs that were serialized stories as opposed to the one hour usually self-contained today.

I’ve watched a decent amount of first doctor material. I’ve seen the first three serials with Hartnell as well another, “The Aztecs.” News came out that two previously lost serials are now available for purchase both starring the second doctor Patrick Troughton, but that leaves nearly a hundred episodes of the show lost,  effecting twenty-six different serials including the last two Hartnell stories and first seven with Troughton.

While hopefully more of these videos will emerge, Dr. Who fans don’t have to wait to at least enjoy the stories because sound tracks of early Dr. Who episodes, recorded by fans at the time the series aired, and remastered and re-released by the BBC are available through Audible. So, I’m going to listen to all the Dr. Who missing  episodes I can’t see beginning with Marco Polo and see how the  audio format helps or hurts.

“Marco Polo”  is  the fourth Dr. Who Serial and ran seven episodes from February to April 4 and follows after the events of “The Edge of Destruction” which left the TARDIS  damaged and finds the Doctor and the TARDIS crew (Ian Chesterton, Barbara Wright, and Susan Foreman) stranded on top of a snow capped mountain and in danger of freezing to death. However, they encounter several Chinese as well as a Mongol warlord named Tagama who wants them killed. However, the Chinese are led by Marco Polo who saves them and treats them kindly.  However, they quickly find that Polo’s motives are not entirely pure: He wants to give the TARDIS to Kublia Khan in hopes of securing his own return home to Venice. However, the warlord Tagama has designs on TARDIS of his own.

The audio is narrated by William Russell (who played Chesterton in the series) who shares bits of action that the soundtrack can’t pick up. These bits are minor. In some ways, being in an audio format helps this series as the setting is quite ambitious  with luscious and ornate Oriental settings.  Given the budget of the original show, it’s safe for me to say that the theater of the mind will easily beat what 1960s British TV could do in its portrayal of the Khan’s palaces.

This serial also seemed reminiscent in its slower pacing of radio serials I’ve listened from the 1940s and ’50s which often had more deliberate pacing overall with cliffhangers built in to keep the audience’s attention.

Another big difference from the modern Dr. Who is that other than involving time travel, this story has very little science fiction. If there were a modern Dr. Who/Marco Polo stories there’d be ghosts, space aliens, or zombies thrown in.  Instead what we get is a great historical adventure with its share of twists but just an adventure happening in medieval China.

The character of Marco Polo makes this story unique from many early serials. While in other programs like “The Aztecs, ”  characters like Tagama scheme and turn initial allies of the TARDIS crew into enemies, this is a lot more complex as Polo is enlightened. He isn’t superstitious, bloodthirsty, and works to save the crew despite requests to kill them.  His broad experiences have made him willing to consider anything including their claim that the TARDIS is a flying caravan, which is why he stole it. He feels bad about it too.  Polo’s moral struggle really does create some solid dramatic tension. 

Less interesting is the overused trope of the girl about to enter into an arranged marriage that doesn’t want to do it, and the convenient plot device used to resolve it, though they did do a decent job making the character likable and someone you care about.

While the serial isn’t great, it’s good for what it is: a fun historic adventure serial. It works well with the audio format  and for now, it’s the only way to encounter the classic Marco Polo story line unless you want to read the novelization.

Rating: 3.75 out of 5.00

This serial is available from audible.com

If you enjoyed this post, you can have new posts about Detective stories and the golden age of radio and television delivered automatically to your Kindle.