Category: Audio Drama Review

Audio Drama Review: The Twilight Zone Audio Dramas, Volume 5 Review

Volume 5 of the Twilight Zone Audio Dramas offers six more adaptations of Twilight Zone in TV episodes.

The set kicks off with, “The Rip Van Winkle Caper.” It’s a story of a well-planned robbery where a scientist is part of the gang and has a plot to avoid prosecution: have the gang hide out in the cave with their stolen gold and then put themselves in suspended animation. The story delivers a smashing twist at the end, but before it gets there, we’re given some great interaction between the members of the gang. The story is a clever and intricate morality tale that holds up quite well.

The next story is, “A Most Unusual Camera,” which is about small-time crooks getting a relatively small haul from a pawnshop burglary that includes a camera that, as they discover, can predict the future. After an unnecessary scene with the crime being reported to the police by the owners of the pawnshop (who are never heard from again), the interaction between the small-time crooks dominates the rest of the story and is a real treat to listen to with a lot of plans, double crosses, and twists.

In “Twenty-two,” a singer is terrified by dreams about the number 22 and she senses impending doom surrounding it and tries to avoid whatever fate awaits. This is a well-done suspenseful tale, though to be honest, it’s the weakest story in the set, which says a lot for this particular box set.

“The Midnight Sun” finds two women trapped in an apartment in a big city as the Earth is moving closer to the sun and everyone is trying to get away from it. The characters in this are great, and there’s a big twist at the end.

In “Walking Distance,” a stressed out ad executive takes a walk while his car’s getting fixed to the nearby town where he was raised. It’s a wistful, sad, yet wise story for anyone who’s ever visited somewhere they grew up and expected it to be exactly as it was as this time he finds it that way.

The set concludes with, “The Passerby” which finds a Confederate War Widow watching the defeated Southern Army return home. She begins to notice strange things, including the return of a soldier she’d believed dead. The story has some atmospheric moments, a great reveal, and an unforgettable closing scene. It’s a picture of the sadness and tragedy of war that’s beautifully realized.

Overall, this is one of my favorite sets in this series. Unlike previous sets, there are no recognizable guest stars in the cast, but to be fair, the original Twilight Zone series, most episodes didn’t feature huge stars or those who would become big stars. For every episode of the TV series featuring William Shatner, Peter Falk, or Burgess Meredith, you’d have an episode or two featuring actors no one remembers. The strength of the Twilight Zone are its writing, its concepts, and the thoughtful ideas at the heart of each script, and that strength really shines through here.

If you’re curious about the radio series, this is definitely a set I’d recommend. The stories are very well-realized and capture the spirit of the original series beautifully.

Rating: 4.5 out of 5

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Audio Drama Review: The Diary of River Song, Series 7

River Song (Alex Kington) was married to the Doctor in Doctor Who, making her last appearance opposite Peter Capaldi. This spin-off series continues her adventures.

One thing that was established in the TV series was that River Song was a detective, operating in New York under the name Melody Malone. For the Seventh Series of her spin-off, Big Finished did an anthology release featuring River encountering mysteries in a series of different genres from Scandinavian Noir to Legal Dramas.

“Colony of Strangers” finds River Song in a Nordic Noir story on an Earth Colony world that just happens to feature a Fjord and a perpetually frozen landscape. Bodies of creatures begin washing up on the shore where River Song is renting her house and the local police begin to suspect her.

The mystery, its solution, and the sci-fi element are all well thought out, but ultimately what makes this story so compelling is how it goes all in on its concept. This is River Song doing Nordic Noir and they hold to that pattern, unlike the 2018 Doctor Who audio story Hunting Grounds which borrowed some elements but was essentially a Doctor Who story. It maintains clipped stylized dialogue, sparse soundscape, and a downbeat feel. This could easily come off as pretentious, but it’s done well and the result is something that’s very different from any other River Song story we’ve heard.

In “Abbey of Heretic,” River arrives at a 12th Century convent disguised as a nun. When she arrives she discovers a strange disease spreading with the blame being cast throughout the nunnery.

“Abbey of Heretics” is inspired by the Brother Caedfel Mysteries and the TV adaptions starring Derek Jacobi which are set during the same time period. This is a fairly good story, though it felt longer than it needs to be. There’s a great sense of atmosphere and each of the characters is well-drawn. I also thought it showed a sufficient amount of respect for faith.

In “Barrister to the Stars”, River’s accused of murder at a bizarre space station. River appoints an English attorney from the 20th Century as her barrister. This is a remarkable story, particularly for the writer’s first Big Finish. While the writer cited a number of sources in the extras, Rumpole of the Bailey’s influences are clear from the barrister’s asides during Counsel/judge statements, and he refers to himself as an old Bailey hack. This is nearly a perfect Rumpole pastiche but set…in space. David Rintoul is fantastic as the barrister.

There’s quite a bit of imagination and world building that goes into creating this situation and the weird and amazing creatures that inhabit it. It’s a wonderful, hilarious, and practically flawless mix of genres.

“Carnival of Angels” is the only story in the set that doesn’t standalone. It’s a prequel to the Doctor Who TV episode, “The Angels Take Manhattan” and also sees the return of what seemed to be a one-off assistant character from the fifth River Song box set, though its not required to have listened to that story as its explained with some blatantly expositional dialogue.

The story finds River Song operating as a private detective in New York City as Melody Malone when a hard-boiled musician comes into her office to report he saw someone murdered…himself.

Like all the stories, this one aims for a sense of atmosphere…this time the feeling of 1930s and 40s Film Noir. It hits somewhat, but at times it tries too hard and at others gaps in knowledge show up. For example, the writer has American characters use British idioms like, “What are you playing at…”

Still, there are are some spooky moments as well as a great hook for the start of the episode. Despite the flaws, most American production companies couldn’t have done better in creating the feel of film noir. So this story was still a worthwhile hour of listening.

Overall, if you liked River Song on Doctor Who, or if you just like mysteries with a Science Fiction twist, this is a pretty good box set with Barrister of the Stars easily the highlight of the set.

Rating: 4.25 out of 5

Radio Show Review: The Danny Kaye Show

The Danny Kaye show starred singer/comedian Danny Kaye and premiered in January 1945. It remained on the air until 1946 and was sponsored by Past Blue Ribbon Beer.

Kaye was a talented performer, and the show was good whenever he was given an opportunity to sing, to do zany skits, or do things that suited Danny Kaye’s talents. Yet, the show didn’t often let Kaye do that in its first season.

The first seventeen episode January-May season had the series as half a good musical/variety show and half a lame sitcom about making the show.

The series featured Eve Arden and Lionel Stander as Kaye’s sidekicks. Arden was a few years away from stardom with Our Miss Brooks, and Stander could be fun in the right role. However, they’re not  given much to work with.

The first season has some groan-inducing and tedious moments, but it’s more than made up for by the hilarious moments and Kaye’s crazy singing.

The second season that began in the fall of 1945 saw some big production changes that made the show better with a focus on Kaye interacting with guest stars, and with Butterfly McQueen becoming the show’s main comedic regular for about one scene a week.

Unfortunately, while most of the first season is in circulation, the second season is scarce. Two of the available episodes are shows for which Kaye was absent during a USO tour and had Frank Sinatra and Jack Benny filling in.  While they both did fine, they were essentially doing their own thing.

However, those episodes we do have with Kaye show a much-improved series. There’s one episode from January 25, 1946 where Kaye is his own guest star.  The episode for March 1, 1946 with Orson Welles as the guest star is my favorite as Welles critiques and analyzes the song Kaye sings at the start of each episode. The Carmen Miranda episode (February 15, 1946) is also really fun as well.  The Arthur Treacher episode (May 24, 1946) is kind of ho-hum, but still these four episodes suggest that Kaye’s second season was a good improvement on the first one.

Overall, these episodes are worth listening if you’re a Kaye fan. If you do start at the beginning and are disappointed by the weaker parts of the first season, check out what survives of Season 2 for a better experience.

 

Rating: 3.5 out of 5

The Danny Kaye show is available for free download here

Audio Drama Review: The Prisoner, Volume 3

Big Finish concluded its reimagining of the Prisoner in the third volume of four audio episodes.

The series kicks off with a take on the TV episode, “Free for All” with there being an election for the new Number 2 with Number 6 finding a surprising groundswell for his candidacy.

The episode works well. It plays with the ideas in the TV show about Democracy but goes deeper in many aspects. Whereas, Number 6’s end is kind of sudden in the TV episode, we do get a build-up, a great final confrontation, and a memorable conclusion to the episode.

There are a couple of issues. I did find the village rifle association absurd. No prison is going to hand prisoners guns, not even the mad system of the Village. In addition, Lorelai King’s Texas accent didn’t ring true.

Other than that, this episode did a good job of setting the stage with a surprising conclusion.

In the next episode, “The Girl Who Was Death,” Number 6 is back in London with foggy memories of how he got there. He encounters Kate Butterworth (Lucy Briggs-Owen) again who tells him it’s been six years since his last return to London.

This story is intriguing. It revisits the smashing Series 2 opener, “I Met a Man Today” and challenges what we thought we knew about that story and how the aftermath played out over Series 2. There’s some real question as to what’s going on and who number 6 can trust. The answers aren’t obvious.

The flashback to tie in “Free for All” was a bit dull, and I miss the surrealistic majesty of the TV version. However, this does work a treat in continuing on this box set as a more inter-linked story.

The “Seltzman Connection” is an original story that’s a bit of a nod to the TV story, “Do Not Forsake Me, Oh My Darling,” Number Six teams up with another escapee to travel overseas and find out what happened to his girlfriend Janet before Number Six tendered his resignation. This is a story that has some intrigue and turns trippy towards the end to set the stage for the finale.

The series concludes with “No One Will Know” as Number Six now finds himself in Kate Butterworth’s body and questioned by Control. This a talky episode that deals with body-swapping and the ethical and practical merits of a world where no one would know who anyone was. It also ends up as a finale for the series so far and the result isn’t what I’d want, nor was it in line with the original, or something you can see being built up to from the beginning. Nevertheless, it’s one way to go and its handled pretty well.

Overall, I found the third series of The Prisoner to be a worthy updating of the original series. It evocative of the original series but goes deeper on some points than the classic television series did while developing its own themes. The acting and sound design is marvelous throughout, managing to evoke the 1960s while also having a very modern feel. Overall, a well-done final volume for what’s been a solid range at Big Finish.

Rating: 4.0 out of 5

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Audio Drama Review: Slick Bracer, P.I.

Slick Bracer, P.I. was a 2011 Summer series for Decoder Ring Theatre. Unlike the ongoing Red Panda Adventures and Black Jack Justice, the series was written by Eric Decker.

It starts Peter Nichols as Private Eye Slick Bracer and features a soundtrack and feel that places it in the late 1970s or early 1980s as opposed to the more golden age setting of the two regular series. It featured Christopher Mott as the extremely stereotypical Detective McGillicuddy.

In many ways, the series does feel a lot like the Sid Guy, Private Eye series with its comedic send-up of detective tropes. It’s not quite as adept. While it does sound like the actors were having fun, this doesn’t work quite as well.

Each episode tends to rely on running gags, most of which weren’t that funny the first time. Every episode, Slick’s secretary tells a caller that’s “Slick’s not there” however her words slur together into “Slick snot.” And Slick gets furious about it. Every single episode.

I did enjoy the last episode, “Slick Bracer and the Perils of Public Radio.” It did seem to be written with a lot of knowledge of the subject, which led to some funny jokes and even a nice running gag about a coffee mug.

Overall, this was not good, but it did have its moments.
Rating: 2.25 out of 5

You can listen to Slick Bracer, Private Eye on the Decoder Ring Theatre website.