The plot of Death on the Nile is familiar to me. In the past, I’ve reviewed the Ustinov big screen version and the David Suchet version. Recently, I was pleased to enjoy the BBC Radio 4 version.
It can seem odd to listen to, watch, and experience a mystery multiple times because to the viewer or listener, it’s no longer a mystery. We know whodunit and we know why. Yet, there are some stories that are so compelling that the stories never get old. And that’s definitely the case with Death on the Nile.
The plot has Poirot (John Moffat) on vacation in Egypt and stepping smack into the middle of huge drama. Simon and Linnet Doyle are on their honeymoon being staked by Jacqueline, Simon’s former fiancee who he jilted in order to marry Linnet, who was Jacqueline’s far richer best friend. Poirot sees trouble coming and tries to head it off, warning Jacqueline not to let evil into her. However, the tragedy occurs when Linnet is murdered with Jacqueline’s gun. However, Jacqueline didn’t do it as she had just attempted to kill Simon and had panicked and was staying with a nurse at the time Linnet died.
The good news for Poirot is that the boat is full of potential suspects or at the very least, people who have their own secrets to hide. Thus Poirot has to sift through an amazing array of lies to find what really happened.
While you listening to the radio adaptation, you may miss the stunning visuals that defined the television and film adaptations, I think that the radio version may have the been the best at capturing the emotional conflicts at the heart of Death on the Nile. The pacing is very deliberate. It was aired a five part drama, and the first murder didn’t occur until the end of part three. They really did a great job setting up the situation and the characters. The interactions between Poirot and Jacqueline are priceless, and the resolution to the secondary storylines add a more positive counterbalance that makes this enjoyable.
Death on the Nile is a great story that brings home the brilliance of the murder and the tragedy of the perpetrators in a way that captures the imagination and makes this a must-listen to Poirot adaptation.
Rating: 5.0 out of 5.0
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