Month: August 2013

EP1029: Yours Truly Johnny Dollar: The Bennett Matter, Parts One and Two

Bob Bailey

Johnny flies to San Francisco to investigate a fire set in a warehouse belong to a slick owner.

Original Air Dates:  February 20 and 21, 1956

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TV Series Review: Agatha Christie’s Partners in Crime

Agatha Christie’s best known detectives are Poirot and Miss Marple but far from their only ones. The 1983-84 series, Agatha Christie’s Partners in Crime followed the adventures of a lesser known detective pair Tommy and Tuppence (played by James Warwick and Francesca Annis). 

Before the series began, an adaptation of the first Tommy and Tuppence novel The Secret Adversary aired as a telefilm and told of the first adventure of Tommy and Tuppence when they met after World War I in need of work and began their careers with an ad in the newspapers and found themselves involved case of international intrigue. The plot was superb with a lot of tricks and an amazing number of red herrings. The cinematography was great for the 1980s with a far better quality than the typical British TV show of the era.

The cinematography of the main series was more typical of the era which was a definite downgrade. The series finds a married Tommy and Tuppence taking over a detective agency and assuming the pseudonym of the jailed original owner of the Agency, Mr. Blunt while Tuppence pretends to be his confidential secretary, Miss Robinson.  The stories are set in the 1920s  and the producers do a great job creating a period feel, even on a limited budget. Annis carries the show in that regard, looking very much the fashionable 1920s woman in looks as well as her general manner.

The book upon which the series was based,  was a bit of a tongue in cheek look at popular detective fiction and that feel comes through with several tips of the cap to the great detectives while maintaining a light feel to most stories.  The pacing could be a bit slow with too much melodrama and lead to a resolution that was more than a little bit rushed.  There were some great episodes in the series, but some stinkers as well.  The best episodes in the series are arguably the last two, “The Case of the Missing Lady” (from a comedy standpoint) and “The Cracker” from a dramatic standpoint with “The House of Lurking Death” probably the weakest.

In the end, the series is worth watching because of the delightful performance of Annis and her chemistry with Warwick. While not a great show, like many other programs of bygone days, it will beat most of what’s on television these days.

Rating: 3.25 out of 5.0

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EP1028s: Play It Again Adam: Barrie Craig: A Time To Kill

William Gargan

A woman hops into Barrie’s car and they’re chased by another car all the way to New Jersey. Who is this woman and why is someone after her?

Original Air Date: February 13, 1952

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A Look at John J Malone

John J Malone was the best known creation of mystery writer Craig Rice a pseudonym of Georgiana Ann Randolph Craig that was pretty popular in the 1940s, spawning two movies, a TV series, and several radio incarnations. I’ve read two of the out of print books ahead of the launch of the Mr. Malone programs

I actually found The Fourth Postman at my local public library, but wasn’t thrilled with it, so I decided to give an earlier book a chance.

The Corpse Steps Out was the second John Malone mystery comedy. Jake Justus is a publicist for a radio star who is being blackmailed. She and Justus find the blackmailer dead, and then the body disappears. Quickly, the book becomes a tale of disappearing bodies, bodied being moved, and more murders follows while Jake, Helene, and Malone seek to solve the mystery and get married.

The theory behind the Malone stories was that everything was better with booze. Characters have drinks to be social, drinks to calm down, drinks to think, drinks because it’d been twenty minutes since their last drink. In that way, it was similar to the Thin Man, only moreso. As post-prohibition America embraced these stories of over the top fantastic drinking as catharsis or a weird sort of alcohol fantasy.

At any rate, readers we’re treated to a good enough mystery, some decent humor, and some keen philosophical points that were obtained when the characters were, of course, drinking. The big downside to the book was that no characters was all that likable or human even other than the murderer. The drinking buddies didn’t really care about catching the murder or justice, only protecting the reputation of Jake’s client, a well-beloved radio singer who was like one of ancient sirens who led men to their ruin. So perhaps that gave it a cynical element of realism.

The Fourth Milkman finds John J Malone investigating the murder of three postmen with a wealthy and meek man accused of the crime.

It was released in 1948, fifteen years after the end of prohibition. Orgies of alcohol were really out of fashion. Perhaps more than that, the talents of Craig Rice were in decline. Call Ms. Rice many things, but she was no hypocrite. She practiced the wild hard drinking lifestyle her books uplift and perhaps that caused a decline of her writing ability ahead of her too early death.

Jake Justus was the main on-stage character in The Corpse Steps Out and had been relegated to third banana. He finally married the wealthy woman sometime after that book and seems to have become a shiftless derelict whose main scene involved waltzing into the crime scene with a murder weapon while in a drunken stupor.

Malone investigates the case somewhat ably in his constantly pickled state. The book is a notch below The Corpse Steps Out with no real likable characters and even more of its humor falling flat.

Jake Justus was the main on-stage character in The Corpse Steps Out and had been relegated to third banana. He finally married the wealthy woman sometime after that book and seems to have become a shiftless derelict whose main scene involved waltzing into the crime scene with a murder weapon while in a drunken stupor.

Malone investigates the case somewhat ably in his constantly pickled state. The book is a notch below The Corpse Steps Out with no real likable characters and even more of its humor falling flat.

Overall, neither book is horrendous, but neither holds up well over time. The radio shows are a different matter of course. While the best known detectives like Sherlock Holmes and Nero Wolfe were defined to some extent by their literary counterparts, most other detectives from books took the names of their literary counterparts and a few elements of their stories but made their own way. The Malone radio shows did this under several different actors and we’ll look forward to bring you these radio episodes in September.

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EP1028: The Line Up: The Bakery Bandit’s Bad Blooper

William Johnstone

Guthrie investigates a bakery robbery by a robber wearing a stocking over his head.

Original Air Date: March 25, 1952

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EP1027: Yours Truly Johnny Dollar: The Cui Bono Matter, Part Five and Crime For a King, Part One

Bob Bailey
Johnny is ready to leave town and admit defeat but a random meeting at a dive changes everything.

Original Air Date: February 17, 1956

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EP1026: Nick Carter: The Glass Coffin

Lon Clark

Nick Carter visits a movie studio that’s been abandoned for years and finds a murder.

Original Air Date: September 27, 1943

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EP1025: Yours Truly Johnny Dollar: The Cui Bono Matter, Parts Three and Four

Bob Bailey

Johnny runs into road blocks as he investigates a woman who killed her father-in-law, claiming to have mistaken him for a burglar.

Original Air Dates: February 15 and 16, 1956

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EP1024: Mr. Moto: The Crooked Log

The widow of a sea captain sets Mr. Moto looking for the artist of a mysterious painting that could provide a clue to the sinking of a ship.

Original Air Date: September 30, 1951

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EP1023: Yours Truly Johnny Dollar: The Cui Bono Matter, Parts One and Two

Bob Bailey

Johnny investigates a case where a young woman claims she shot her stepfather by accident and stands to inherit $50,000.

Original Air Date: February 13 and 14, 1956

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Book Review: The Thin Man

Dashiell Hammett’s novel, The Thin Man  launched one of the golden age’s greatest detective movie franchises, along with a popular radio program, as well as a 1950s syndicated TV series. The movies remain a fantastic showcase of the talents and chemistry of William Powell and Myrna Loy.

The Nick and Nora in this book don’t have the pure level of charm and chemistry that made the movies so enjoyable. That was all the work of Powell, Loy, and direct W.S. Van Dyne. The book is good but different. The Thin Man is a comedy of manners mixed with a solid mystery.

Nick Charles is a retired private eye who gets pressed into investigating the murder of a woman in which a former client of his named Clyde Wynant is a suspect, though Wynant (who was the actual thin man not Charles) has been missing for quite some time. The mystery is actually pretty well done. The interaction between Charles and the policeman investigating the case are great detective work and thinking.

The comedy of manners portion works on many levels. Nick Charles is the ex-detective and committed husband who operates and understands many circles in life: from the wealthy socialites to the petty hoods that predominated during prohibition. The Wynant family is a freak show of children ruined by money and an ex-wife who is a compulsive liar. Compared to high society, the criminals and mobsters in the story are a far more sane and decent lot.

Of course, that leaves us with a story where the only sympathetic characters are Nick and Nora. Nora tries to help the daughter, Dorothy Wynant despite the fact that she’s just as much a part of the craziness as everyone else. Nick is a mature man whose grounded and wants nothing more to do with the Wynants (understandably) or the murder, but is fully settled down from his hard-scramble days as an operative.

Hammett does make a few odd decisions. Most notable was the verbatim inclusion of a story of the Donner party or a reasonable facsimile thereof that took more than ten minutes for the audiobook narrator to read. And there were a few characters that were just plain tiresome rather than amusing, particularly the ex-wife Mimi and the son Gilbert. Also the conclusion lacks the class of the silver screen denouement.

Still, it’s amusing mix that features Dashiell Hammett’s talents at his peak.

Rating: 4.25 out of 5.0

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EP1022: The Line Up: The Murdering Mercers Malingering Case

William Johnstone
Guthrie goes to a pawn shop informed that a young boy is trying to sell a $5,000 necklace for $5. He finds that both the boy and his brother were abandoned.

Original Air Date: March 4, 1952

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Telefilm Review: Murder in Mesopotamia

While on vacation in Iraq, Poirot meets up with an archaeologist and his wife. The wife confides in Poirot that she fears her former husband, a traitor who was declared dead, but was secretly alive and menaced nearly every relationship she entered after his apparent death until she met and married her husband. She gives Poirot a threatening letter she received. Before Poirot can get to the bottom of it, she’s murdered.

This is a solidly told mystery with a great surprise ending that is thoroughly well-adapted. The second episode of the eight series is noteworthy for being the last episode to date featuring Hugh Frasier as Captain Hastings, though he’s expected to appear the 13th series episodes, The Big Four and Curtain. The Hastings character wasn’t in the original book and he didn’t add much to this adaptation, so it was definitely time to move on.

Rating: 4.5 out of 5.0

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EP1021: Yours Truly Johnny Dollar: The McClain Matter, Part Four and Five

Bob Bailey

Johnny closes in on Dr. McClain for insurance fraud but suspects that he’s guilty of murder too.

Original Air Dates: February 9 and 10, 1956

When travelling, remember johnnydollarair.com

(Note: The original file had Part 4 twice. This has been corrected. If you downloaded before 4:45 pM MT, please redownload.)

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EP1020: Nick Carter: Murder in the Crypt

Lon Clark

Nick investigates a dead body found in front of a statue of Anubis.

Original Air Date: August 2, 1943

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